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<title>Agent to the Stars -- An Online Novel</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/" />
<modified>2006-09-29T03:55:54Z</modified>
<tagline>By John Scalzi</tagline>
<id>tag:www.scalzi.com,2006:/agent//4</id>
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<copyright>Copyright (c) 2004, john</copyright>
<entry>
<title>Chapter Nine</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003054.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:08:34Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3054</id>
<created>2004-12-09T04:08:34Z</created>
<summary type="text/plain"> Carl leaned on the railing of the Santa Monica Pier, happily munching on a corn dog. I had a corn dog of my own, but I was somewhat more somber. I was figuring out how I was going to...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

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<![CDATA[<p><font face="Times New Roman,Times"> Carl leaned on the railing of the Santa Monica Pier, happily munching on a corn dog. I had a corn dog of my own, but I was somewhat more somber. I was figuring out how I was going to tell my boss that the alien he had entrusted to my care had mysteriously disappeared into the Angeles National Forest. <p>The good news was that Joshua <i>did</i> take one of the cellular phones with him; it was from that phone that he had called my office and left the message. The bad news was that after leaving the message he wasn't answering the phone. As soon as I got his message, I began calling his phone at five minute intervals until I got home. There was no answer. <p>When I got home, I changed into sweats, a T-shirt and my long-neglected hiking boots, and hauled my carcass out of the backyard. Between a fifteen-year-old dog and pile of goo, I figured the chances were slim that the two of them had gotten very far. I picked the direction that I figured they might go in and went thataway. <p>When I was thirteen, I knew every tree, every slope, every large rock in the woods out back of my house. Every once in a while, I'd drop a book, several candy bars and a couple of Cokes in a backpack, leave a note for the parents and head into the hills. I'd come back several hours later in pitch darkness, unconcerned that I might get lost or misdirected. This was Los Angeles, after all; just point yourself in the direction of the lights, and ten minutes later you're on one suburban street or another. More to the point, however, was the fact that I knew my way around -- it was as unthinkable for me to get lost in those woods as it was for me to get lost in my own back yard. <p>In the fifteen years between my thirteen-year-old self and my current one, someone went into the woods and switched the trees and rocks around. Five minutes in, I was utterly lost. <p>Three hours later, scratched, bruised, and limping from where I jammed my foot into a rabbit hole, twisting my ankle, I resurfaced from the Angeles National Forest miles from where I had entered. I would have been completely disoriented if I hadn't had the luck to emerge from the brush two hundred yards from my high school; as it was it took me nearly another hour to get home because of my ankle. <p>Later, as I soaked in the tub, I formulated a plan: when Joshua came home, I would discover if it were possible to strangle protoplasm. It was a good plan, and I congratulated myself for coming up with it on my own. <p>Joshua, however, stayed one step ahead. He simply didn't reappear. <p>At 2 am, I gave up and headed to bed. The rational portion of my mind figured that a creature that had crossed trillions of miles of hard vacuum would be able to keep himself alive for a night in the suburban woods above Los Angeles. The crazy little man in my head, however, was convinced that Joshua had already been eaten by the coyotes. I briefly considered trying to get my cellular company to triangulate the phone's position, but I suspected that the phone had to be receiving for that. There was the other small matter of Joshua being an extraterrestrial; it would be hard to explain to search teams what my phone was doing immersed in a puddle of sentient mucus. The best I could do was leave the patio door unlocked and hope Joshua and Ralph made it home. <p>I got to sleep at six. Neither Joshua or Ralph had made an appearance. When I finally left the house at 11 for my lunch with Carl, the two of them were still missing. <p>The one space alien on the entire planet, and I had managed to lose him. I was fired for sure. <p>"God," Carl said, holding his half-eaten corn dog in front of him. "I love corn dogs. Who would have thought that hog snouts could taste so good if you just rolled them into a tube, shot them up with nitrates and breaded them in corn paste? But there it is. How old are you, Tom?" <p>"I'm 28," I said. <p>"When I was your age, Tom, I'd come out here with Susan, my first wife, and we'd get a couple of corn dogs and then we'd walk to the end of the pier and watch the sunset. This was in the late 70s, when the smog was so bad breathing the air constituted a health hazard." <p>"I remember those days," I said. "I got out of a lot of P.E. classes that way. We had to stay inside and watch filmstrips. I learned all about the California missions that way." <p>"I don't really miss all the smog, mind you," Carl said, staring off. "But they made for some beautiful sunsets. The late 70s were a horrible period in the history of the universe, Tom -- you had stagflation, the American hostages in Iran, and some terrible, terrible apparel. And smog. But the sunsets weren't so bad. It doesn't make up for anything, but it goes to show not everything can be bad all at once." <p>"I didn't know you had been married more than once," I said. "I had thought Elise was your first wife." Carl's wife Elise was the scariest person you'd ever want to meet -- a terrifyingly intelligent trial lawyer who also had a doctorate in psychology. She was thinking of running for Los Angeles District Attorney. From there it would be a short hop to mayor. Between the two of them, Carl and Elise would be running southern California within the decade. <p>Carl glanced over. "Elise is my second wife. We were married in '88. Susan died in '81. Car accident; some drunk idiot came up the wrong way on an onramp and plowed right into her car. They both died instantly. Pregnant at the time, you know." <p>"I'm terribly sorry," I said. "I didn't mean to bring up any painful memories." <p>Carl waved it off. "No reason you should know. I never talk about it and no one ever talks about it around me. One of the advantages of being the sort of boss that scares the Hell out of the subordinates. Susan was a wonderful woman -- but so is Elise. I've been very lucky." <p>"Yes, sir." We ate our corn dogs in silence. <p>"Come on," Carl said, after he had finished his dog. "I haven't walked on the beach for weeks. We can chat while we walk." We walked off the pier, stopped off at Carl's car to drop off our shoes and socks, and then walked into the sand towards the surf. <p>"So," he said, when we walked to the water. "How is Joshua doing?" <p>I swallowed and saw my career flash before my eyes. "He's missing at the moment, Carl," I said. <p>"Missing? Explain." <p>"He and Ralph -- my neighbor's dog -- went out for a walk in the woods yesterday, while I was off seeing Elliot Young. When I got back into the office, Miranda had a message from him, saying that something had happened, and that he'd be late. That's the last I've heard of him. I went looking for him last night, but I didn't find him. I stayed up until six this morning, and he hadn't returned." <p>"Where would he go?" Carl said. "He's not exactly inconspicuous." <p>"The Angeles National Forest starts more or less in my backyard," I said. "They went into the woods." <p>If I were Carl, this would have been the point where I would have fired me. Instead, Carl changed the subject. "I hear you flattened Ben Fleck's nose yesterday." <p>"I did," I admitted. "He pinched Elliot Young off of me. He's also the 'Lupo Associates insider' in that damned story in<i> The Biz.</i> Punching him seemed the only alternative to breaking his neck. Although I'm feeling guilty about it now. I think I may have broken his nose." <p>"It's not broken," Carl said. "We had some x-rays done at Cedars Sinai. It's merely 'severely bruised.'" <p>"Well, that's good," I said. "I mean, relatively speaking." <p>"It is," Carl agreed. "Be that as it may, Tom, I would prefer in the future that you find some less dramatic way to resolve your issues with Ben. Ben may have been asking for it, but that sort of thing isn't very good for company morale. Also, all things considered, it's drawing unwanted attention to you at the moment." <p>Carl was referring to the blurb in the <i>Times'</i> "Company Town" column -- one of the office spectators had leaked to the paper, and the paper did the legwork and found out that Ben had snaked one of my clients. It also mentioned the article in <i>The Biz</i> as a contributing factor, giving the article credence in the process. For even more fun, the <i>Times</i> had called my office this morning as well, looking for a comment on <i>The Biz</i> and its editorial practices. It felt like the media had pried up a floorboard looking for a bug, and that bug was me. I just wanted to fade back into the darkness. <p>I laughed. Carl look at me oddly. "What's so funny?" he asked. <p>"I'm sorry," I said. "I was just thinking about it. This week I was ditched by two of my clients, was labeled insane by a magazine, assaulted a colleague and let an alien walk off into the woods, where he's probably been eaten by a coyote. I'm trying to imagine how this week can get any worse. I don't think it can." <p>"We could have an earthquake," Carl said. <p>"An earthquake would be wonderful," I said. "It would give everyone else something to think about. A nice big one, 7 or 8 on the Richter scale. Major structural damage. That'd work." <p>Carl stood there a moment, seemingly preoccupied. I followed his line of sight down to his toes. He was busily squelching sand through them. After a few seconds of this, he stepped out of his footprints and let the tide wash into them, partially erasing them. Then he put his feet back into them. <p>"Tom," Carl said, "Don't worry too much about Joshua at the moment. He'll be fine. The Yherajk are pretty much indestructible by our standards, and I doubt that the coyotes or whatever are going to get a bite out of him. Joshua can make a skunk seem like a bed of roses. He and ...Ralph?" -- He looked for confirmation; I nodded -- "are probably just roughing it or something. You didn't tell me that he had made friends with a dog." <p>"They get along great," I said. "They're the solution to each other's boredom. I think Joshua likes Ralph better than he likes me." <p>"Well, that's good news, at the very least. Anyway, I expect Joshua will be back soon enough. Try to relax a bit." <p>I snorted just a little. "Now if I could just get <i>The Biz</i> off my back, I'd be set." <p>"Some of that's been taken care of," Carl said. "The <i>Times</i> is doing a story on <i>The Biz,</i> you know." <p>"They called me this morning," I admitted. "I've been sort of dreading calling them back." <p>"I've already talked to them," Carl said. "Gave them a nice long chat about how <i>The Biz</i> took our company's innovative mentoring policy and made it look like you were having a nervous breakdown. I said that if you were having a nervous breakdown, then I and several of the senior agents were also having them, since we've also started mentoring some of our newer agents." <p>"Thanks," I said. "You didn't have to do that." <p>"Actually, I did," Carl said. "It keeps the bad press to a minimum. I'm not blaming you about it -- this Van Doren character was already working on something, and you just happened to be in the wrong place at the wrong time with him. Anyway, the mentoring idea is not a bad one; we've been a sink-or-swim agency long enough. It might do some good to do things the other way for a while." <p>"I'm surprised you found out about it," I said. <p>"I asked Miranda," Carl said. "She seems to think highly of it and you." <p>"I think highly of her as well," I said. "Actually, I'm hoping to get her a raise." <p>"Give her a ten percent hike," Carl said, "but tell her to keep quiet about it. We've been cracking down on raises recently. But I figure she deserves it, or will by the time this whole thing is through. Which reminds me, since you thought of the mentoring program, you've won our Annual Innovation in Agenting Award. Congratulations." <p>"That's great," I said. "I've never heard of this award before." <p>"It's the first annual," Carl said. "Don't get too excited. I've already told the <i>Times</i> you've donated the cash award to the City of Hope." <p>"That was very nice of me," I said. <p>"It was," Carl agreed. "The point of all this is that now, rather than being looked upon as someone who is cracking up, which is interesting and creates press, you look like someone whose eye is on the ball and whose heart is in the right place, which is boring and no one gives a damn about. <i>The Biz,</i> properly, looks like a rag filled with poor reporting. And Ben Fleck looks to have gotten his. Everything works out." <p>"Wow," I said. "I thought I was fired for sure." <p>"Well, I'll be honest with you, Tom," Carl said. "It's not exactly the way I wanted it. We've cleared most of these distractions away this time. Now do me the favor of not requiring me to pull another <i>Deus Ex Machina.</i> I don't really like it, and it brings more attention to us than I want. Fair enough?" <p>I sensed the extreme irritation that lay directly under Carl's placid statement. He may not have been blaming me for anything that had happened, but that didn't mean that it didn't reflect on me. I was now going to have to work twice as hard to keep from pissing him off in the future. I figured, sooner or later, given the way things had gone so far, I was doomed. <p>"Fair enough," I said. <p>"Good," Carl said. He clapped his hands together. "You like ice cream? There's this place nearby that has the best soft-serve ice cream in L.A. Let's go get some." <p>The ice cream was as good as Carl promised; first it spiraled out of an ice cream maker, then it was dipped into chocolate that formed a hard candy shell. We sat outside the shop and watched rollerskaters and gulls go by. <p>"You know what I'd really like to know," I said. <p>Carl was wiping off his chin from where some chocolate had smudged it. "I'm sure you'll tell me," he said. <p>"I will indeed," I said. "I'd like to know how you met up with our smelly little space friends in the first place. And I'd like to know how Joshua got his name." <p>"Lunchtime is almost over," Carl said. "I don't know that I have time to go into it right now." <p>"Oh, come on," I said, risking a little familiarity. "You're one of the most powerful men on this half of the continent. If you have a meeting, they'll wait." <p>Carl bit into his ice cream. "I guess that's true. All right, then. Here it is."</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Ten</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003055.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:09:43Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3055</id>
<created>2004-12-09T04:09:43Z</created>
<summary type="text/plain"><![CDATA[&nbsp;You think of the human race meeting the first alien species, and you think of Close Encounters or The Day The Earth Stood Still: big production numbers involving scientists, government officials and a lot of background music. The fact of...]]></summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

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<![CDATA[<p>&nbsp;<font face="Arial,Helvetica">You think of the human race meeting the first alien species, and you think of <i>Close Encounters</i> or <i>The Day The Earth Stood Still:</i> big production numbers involving scientists, government officials and a lot of background music. The fact of the matter is the first human contact with aliens happened on the phone. It's a letdown if you're into grand scale entrances, but in retrospect, I find it comforting, and, now that I think of it, indicative of the Yherajk: they were dying to meet us, but they're polite enough to make sure they're wanted.</font> <p><font face="Arial,Helvetica">At the time, though, I thought it was a crank call. Of course; who thinks aliens are going to use the phone?</font> <p><font face="Arial,Helvetica">The phone call came at about a quarter past eleven. I'd just gotten back from the premiere of <i>Call of the Damned;</i> I skipped the after-party because I didn't want to have to tell anyone what I had really thought of the movie. Elise was in Richmond, Virginia, on her book tour -- I remember her leaving a message and telling me she was thinking we should get a horse farm out there for when we retire. I mean, really -- what the hell am I going to do with horses? But she's a horsy type. Never got over it as a girl.</font> <p><font face="Arial,Helvetica">I was sitting in my lounger with my second beer, listening to Fritz Coleman talk about one of those annual meteor showers. Persieds or Leonids. Can never remember which is which. Fritz was going on about it when the phone rang. I picked it up.</font> <p><font face="Arial,Helvetica">"Hello," I said.</font> <p><font face="Arial,Helvetica">"Hi," the voice on the other end said. "My name is Gwedif. I'm a representative of an alien race that is right now orbiting high above your planet. We have an interesting proposition, and we'd like to discuss it with you."</font> <p><font face="Arial,Helvetica">I glanced over to the LED readout on the phone, which displays caller ID information. There wasn't any. "This doesn't involve Amway products, does it?" I asked.</font> <p><font face="Arial,Helvetica">"Certainly not," Gwedif said. "no salesmen will come to your door."</font> <p><font face="Arial,Helvetica">Thanks to the beer, I was just mellow enough not to do what I usually do with crank calls, which is hang up. And anyway, this one was sort of interesting; usually when I get random calls, it's some wannabe actor who's looking for representation. I was bored and Fritz had given way to commercials, so I kept going.</font> <p><font face="Arial,Helvetica">"A representative of an alien race," I said. "Like one of those Heaven's Gate folks? You following a comet or something?"</font> <p><font face="Arial,Helvetica">"No," Gwedif said. "I'm one of the aliens myself. And we passed by Hale-Bopp on the way in. No spaceships that we could see. Those people didn't know what they were talking about."</font> <p><font face="Arial,Helvetica">"<i>Actually</i> one of the aliens," I said. "That's new. Tell me, does this bit work with other folks? I mean, I'm loving it, personally."</font> <p><font face="Arial,Helvetica">"I don't know," Gwedif said. "We haven't called anyone else. Mr. Lupo, we know it sounds unbelievable, but we figured this was the best way to go -- cut the ooh-ah Spielberg stuff and get right to the point. Why be coy? We know you like to get right to business. We saw that PBS documentary."</font> <p><font face="Arial,Helvetica">You remember that thing, Tom -- they had a film crew from KCET follow me around for a week about a year ago, when I was putting the <i>Call of the Damned</i> package together over there at TriStar. They actually ran it in a theater before they ran it on TV, so it'd be eligible for Oscar consideration. I'm pretty sure they can write off any votes from the TriStar suits; the documentary makes it look like I rolled them. Well, maybe I did.</font> <p><font face="Arial,Helvetica">Anyway, the 'aliens' saw it, and thus, the upfront phone call. And now they wanted to arrange a meeting. By this time I had drained the second beer and had gone to the fridge for a third. So I figured, what the hell.</font> <p><font face="Arial,Helvetica">"Sure, Gwed -- you don't mind if I call you Gwed, do you?" I said</font> <p><font face="Arial,Helvetica">"Not a bit," he said.</font> <p><font face="Arial,Helvetica">"Why don't you come on over to the office sometime next week and we'll set up a meeting. Just call the front desk and ask for Marcella, my assistant."</font> <p><font face="Arial,Helvetica">"Hmmmm, that'd be sort of difficult," he said. "We were kind of hoping we might have a chat tonight. There's a meteor shower going on."</font> <p><font face="Arial,Helvetica">I didn't really understand that last part, but I figured it was par for the course when you're talking to 'aliens'. "All right," I said. "Let's chat tonight."</font> <p><font face="Arial,Helvetica">"Great," Gwedif said. "I'll be down in about fifteen minutes."</font> <p><font face="Arial,Helvetica">"Swell," I said. "You going to need anything? A snack? A beer?"</font> <p><font face="Arial,Helvetica">"No, I'm fine," he said, "though I'd appreciate it if you'd turn on your pool light."</font> <p><font face="Arial,Helvetica">"Well, of course," I said. "Everyone knows to turn on their pool light when aliens drop by."</font> <p><font face="Arial,Helvetica">"See you soon," Gwedif said and hung up.</font> <p><font face="Arial,Helvetica">I hauled myself out of the lounger, clicked off the TV and went to the sliding glass door that leads to the pool area. The pool's light switch is right by the door, so I clicked it on as I headed out the door. You've never been to our place, Tom, but we have a huge pool -- Olympic-sized. Elise was a swimmer at UCSD and still uses it to stay in shape. I wade around in the shallow end of the pool, myself -- I float better than I swim.</font> <p><font face="Arial,Helvetica">I plopped down into a patio chair and sucked on my beer and thought about what I had just done. I never invite strangers over to the house, even sane ones, and now I had just invited someone who said he was a representative of an alien species over for a chat. The more I thought about it, of course, the more stupid it seemed. About ten minutes of this, I had become convinced that I had just set myself up for some sort of ritual Hollywood murder, the kind where the newscasters start off their stories by saying "The victim appeared to know his assailant -- there was no struggle of any kind," and then pan to walls, which are sponge-painted with blood. I stood up to go back into the house and phone the police, when I noticed a meteor streaking across the sky.</font> <p><font face="Arial,Helvetica">This in itself was no big deal. There was meteor shower going on, after all, and my house is high up enough in the hills that the light pollution isn't so bad; I'd been seeing little meteor streaks the entire time I was sitting there. But most of them were small, far off, and lightning quick; this one was large, close, and dropping its way through the sky directly towards my house. It looked like it was moving slow, but as I stared at it, I realized that it was going to impact in about five seconds. Even if I hadn't been paralyzed, staring at it, I doubted I could have made it into the house. It looked like I wouldn't have to worry about being murdered by psychopaths, after all -- I was going to be struck down by a meteor instead. At this point, some absurdly rational chunk of my consciousness piped in with a thought: <i>Do you </i>realize<i> the odds on getting hit by a meteor?</i></font> <p><font face="Arial,Helvetica">About two seconds to impact, the meteor shattered with a tremendous sonic boom, the tiny pieces of the rock vaporizing in the atmosphere like a sudden fireworks display. I stared dumbly at the point of the explosion, blinking away the afterimages, when I heard a far-off whistling sound, getting closer. I saw it a fraction of a second before it hit my pool -- a chunk of meteor that had to be the size of a barrel, whirling end over end. The explosion of the meteor must have acted like a brake on its momentum, because if something that size had hit my backyard at the speed the meteor had been going, neither I nor any of my neighbors would have been around to tell the tale.</font> <p><font face="Arial,Helvetica">As it was, it hit the pool like a bus, and I was hit by a tidal wave of suddenly hot pool water. Steam fumed from where it dropped, in the deep end. I regained enough of my senses to wonder how much the pool damage was going to cost me, and if meteor strikes were covered by my home insurance. I doubted they were. Several pool lights had been extinguished by the impact; I went back to the door and turned it off, so as not to have electrified water, and then turned on the main patio lights to get a closer look at the damage.</font> <p><font face="Arial,Helvetica">Miraculously, the pool seemed in good shape, if you didn't count the broken pool lights. The pool water was still bubbling where the meteor had gone in, but even so, I could see enough through the water to see that the concrete appeared to be uncracked. The meteor chunk had come in at just the right angle into the pool; the mass of the water, rather than the mass of the concrete, absorbed the impact. The water level of the pool was a good foot lower than it had been pre-impact, however.</font> <p><font face="Arial,Helvetica">If my neighbors heard anything, they gave no indication -- or the very least, I never heard them if they had. The walls around the backyard are twelve feet high; I had had them built around 1991, when my next door neighbor was a heavy metal drummer. I had gotten sick of listening to his parties and watching him and his women having cocaine-fueled orgies in the hot tub, and it was easier to build the wall than to get him to move. As it turns out, I needn't have bothered; about a week after the walls were up, his wife filed for divorce and he had to sell the house as part of the settlement. George Post lives there now. Plastic surgeon. Nice neighbor. Quiet.</font> <p><font face="Arial,Helvetica">After the water settled down for a few moments, I heard a small <i>crack</i>, and looked into the pool in time to see a thick liquid oozing out of the meteorite remains and floating to the top of the water. The stuff was mostly clear but oily-looking. Space phlegm. After a couple of minutes of accumulating, the phlegm did something surprising: it started moving toward the side of the pool. When it got to the edge, a tentacle shot out onto the patio concrete and the rest of the phlegm hauled up through it. When it was totally out, it launched up another tentacle that waved around for a second, then stopped and shot back down into the rest of the phlegm. It began to slide over towards me.</font> <p><font face="Arial,Helvetica">I can't even begin to tell you what was going through my mind at that moment, Tom. You know those dreams where something horrifying is coming at you, and you're running as fast as you can, but you're moving in slow motion? It was like that feeling: disassociated horror and utter immobility. My brain had stopped working. I couldn't move. I couldn't think. I'm pretty sure I stopped breathing. All I could do was watch this thing work around the patio to where I was standing. For the third and final time that night, I was utterly convinced I was going to die.</font> <p><font face="Arial,Helvetica">The thing stopped short two feet in front of me and collected itself into a compact Jell-O mold shape. A bowling ball-sized protuberance emerged from the top and launched itself up to eye level, supported by a stalk of goop. And then it <i>talked.</i></font> <p><font face="Arial,Helvetica">"Carl? It's Gwedif. We talked on the phone. Ready to take a meeting?"</font> <p><font face="Arial,Helvetica">Tom, I did something I've never done before. I fainted straight away.</font> <p><font face="Arial,Helvetica">I was down for just a couple of seconds; I woke up to find Gwedif looming over me. I caught a whiff of him: he smelled like an old tennis shoe.</font> <p><font face="Arial,Helvetica">"I'm guessing that wasn't planned," he said.</font> <p><font face="Arial,Helvetica">I rolled away from him as quickly as I could and reached for the nearest dangerous object. My beer bottle had broken, so I grabbed it and held it in my hand, jagged end out.</font> <p><font face="Arial,Helvetica">"Eek," Gwedif said.</font> <p><font face="Arial,Helvetica">"Stay away," I said.</font> <p><font face="Arial,Helvetica">"Away put your weapon," he said. "I mean you no harm."</font> <p><font face="Arial,Helvetica">The line floated in my head for a second before I attached it with what it was from: it was a line of Yoda's in <i>The Empire Strikes Back.</i> It knocked me off kilter just enough that I relaxed just a little. I lowered the beer bottle.</font> <p><font face="Arial,Helvetica">"Thank you," Gwedif said. "Now, Carl, I'm going to move toward you, very slowly. Don't be frightened. All right?"</font> <p><font face="Arial,Helvetica">I nodded. Slowly as promised, Gwedif moved over to reaching distance.</font> <p><font face="Arial,Helvetica">"You okay so far?" Gwedif asked. I nodded again. "All right, then. Hold out your hand."</font> <p><font face="Arial,Helvetica">I did. Slowly, he pulled a tentacle out of his body and wrapped it around my hand. I was surprised not to find it slimy; in fact, it was firm and warm. My brain looked for a concept to related it with and come up with one -- those Stretch Johnson dolls. You know, the one where you pulled on the arms and they stretched out for a yard. It was something like that.</font> <p><font face="Arial,Helvetica">My hand wrapped in his tentacle, Gwedif did the unexpected. He shook it.</font> <p><font face="Arial,Helvetica">"Hi, Carl," he said. "Nice to meet you."</font> <p><font face="Arial,Helvetica">I looked at Gwedif, dumbfounded, for about 20 seconds. Then I started to laugh.</font> <p><font face="Arial,Helvetica">*****</font> <p><font face="Arial,Helvetica">What can you say about the experience of meeting an entirely new, wholly alien, intelligent species of life? Well, of course, Tom, you know what it was like; you 've done it, too. But I think by now you may have noticed that I plowed you right through that first meeting with Joshua, and I did it for a reason. I wanted to give your conscious brain something relatively familiar to work on, while your subconscious was grinding its gears on the existence of an alien. I don't know if it was fair to do it that way; it might have been a sort of <i>coitus interruptus</i> for appreciating the wonder of the moment. What? Well, it's good to know it doesn't bother you, then.</font> <p><font face="Arial,Helvetica">Personally, it took me a good hour before I finally calmed my brain down enough that Gwedif and I could start having a real conversation. During the interim he answered my semi-coherent questions, allowed me to touch him, literally sticking my hands <i>into</i> him on one occasion, and otherwise talking me down back into a rational state of mind. I was like a kid with a new toy. You're looking at me like it's hard to believe, Tom. And it is, I suppose; you folks at work only see me in control, and that's also for a reason.</font> <p><font face="Arial,Helvetica">But there's no way that I could contain my enthusiasm and excitement! Only one person on the planet gets to be the first person these aliens would meet, and it was <i>me</i>. I didn't yet understand why, or for what purpose, but at that moment I didn't care. The answer to one of the biggest questions humanity had ever asked -- are we alone in the universe? -- was sitting, globular and stinky, in the living room of my house. It was....indescribable. A boon of monumental proportions. About half an hour in, as the implications sank in, I wept with joy.</font> <p><font face="Arial,Helvetica">We talked all through the night, of course; I too excited to sleep and Gwedif, apparently, doesn't need it. When 9 o'clock rolled around, I called Marcella and told her I was taking a sick day. Marcella was concerned; she wanted to send a specialist over. I told her not to worry, that I could take care of myself. Then I went to sleep, but woke up two hours later, too excited to stay in bed. I found Gwedif outside, by the pool.</font> <p><font face="Arial,Helvetica">"I'm just admiring my work," he said. "I don't know if you can appreciate it, but <i>this</i>" -- he produced a tentacle and motioned at the pool -- "took some doing. <i>You</i> try to shoot a pod into a swimming pool from 50,000 miles out. And not have it do major damage. <i>And</i> have it look like a natural meteor on the way down."</font> <p><font face="Arial,Helvetica">"It was a nice touch," I said.</font> <p><font face="Arial,Helvetica">"It was, wasn't it?" Gwedif agreed. "A pain in the ass, you should pardon the expression, as I obviously don't have an ass to have a pain in. But we have to do it that way if we want to land near a city. You can fool some of the Air Force all of the time, and all of the Air Force some of the time, but you can't fool all of the Air Force all of the time. Better this way than shot down by a Stealth fighter. Of course, there <i>is</i> the problem of getting back. <i>That</i> thing" -- he pointed to the detritus at the bottom of the pool -- "isn't moving anywhere it's not hauled."</font> <p><font face="Arial,Helvetica">"So how are you getting back?" I asked.</font> <p><font face="Arial,Helvetica">"Well, we've scheduled a rendezvous near Baker for later tonight. There's nothing out there in the desert, so we don't have to worry about rubberneckers. Even so, we'll probably light up the radar something fierce. It's going to have to be quick in, quick out. I was hoping I could get you to drop me off."</font> <p><font face="Arial,Helvetica">"Of course" I said.</font> <p><font face="Arial,Helvetica">"And also that you'd come with me," Gwedif said.</font> <p><font face="Arial,Helvetica">"What?"</font> <p><font face="Arial,Helvetica">"Come on, Carl," Gwedif said. "You can't possibly think I came this far just for a quick hello. We have serious stuff to talk about, and it will go much, much faster if you come to the ship."</font> <p><font face="Arial,Helvetica">Even though I had known Gwedif for a very short time, I could tell that he was holding back on something. He wanted to have me come to the ship, all right, but I had a feeling it was for more than just a chat. I had the immediate brain flash to the alien abduction clich&eacute;, strapped down to the table while a blob of Jell-O readied the rectal probe. But that wouldn't have made any sense. You don't act all friendly with someone just to get them for lab experiments. They would have just grabbed me.</font> <p><font face="Arial,Helvetica">And anyway, I <i>wanted</i> to go. Are you kidding? Who wouldn't?</font> <p><font face="Arial,Helvetica">That morning, I phoned for a taxi and went to a used car lot in Burbank to get a cheap, non-descript car. I paid $2,000 and got a twenty year-old Datsun pickup. I then went to a pick-a-part place and pulled the license plates off of a wreck. Finally, I pried the Vehicle Identification Number off the dashboard. I didn't know if Gwedif was right about the radar being lit up when they came to pick us up, but I didn't want my own car there if anyone came to investigate.</font> <p><font face="Arial,Helvetica">At about eight o' clock we set off down the 10, towards the 15, out to Baker in the middle of nowhere. Gwedif spread himself out under the bottom of the truck seat and popped a tendril over the back to see and talk. The truck wasn't worth nearly what I had paid for it; it almost died twice on the way out, and once I did an emergency stop into a gas station to add water to the radiator.</font> <p><font face="Arial,Helvetica">About five miles to Baker, Gwedif had me exit the 15 and take a frontage road for a few miles until we came to an unmarked road heading south. We drove along that for another four or five miles, until literally the only lights I could see were my headlights and the lights of the stars above me.</font> <p><font face="Arial,Helvetica">"All right," Gwedif said, finally. "This is the place."</font> <p><font face="Arial,Helvetica">I stopped the pickup and looked around.</font> <p><font face="Arial,Helvetica">"I don't see anything," I said.</font> <p><font face="Arial,Helvetica">"They're on their way," Gwedif said. "Give them another three seconds."</font> <p><font face="Arial,Helvetica">The ground shook. Thirty yards to the left of us, a black, featureless cube 20 feet to a side had dropped unceremoniously from the sky. The ground cracked where it landed.</font> <p><font face="Arial,Helvetica">"Hmmm...a little early," Gwedif said.</font> <p><font face="Arial,Helvetica">I peered over to the cube, which, disregarding the fact it had just fallen from the heavens, was severely lacking in grandeur. "Doesn't look like much," I said.</font> <p><font face="Arial,Helvetica">"Of course it doesn't," Gwedif said, transferring from behind the seat. "We'll save all the pretty lights for when we want to have our formal introduction. For now, we just want to get up and out without attracting attention. Ready?"</font> <p><font face="Arial,Helvetica">I started to open the door.</font> <p><font face="Arial,Helvetica">"Where are you going?" Gwedif asked.</font> <p><font face="Arial,Helvetica">"I thought we were leaving," I said.</font> <p><font face="Arial,Helvetica">"We are," Gwedif said. "Drive into it. We can't very likely leave this car in the middle of nowhere. Someone might find it. That's why I had them send an economy-sized box."</font> <p><font face="Arial,Helvetica">"I wish I'd known," I said. "I would have brought the Mercedes."</font> <p><font face="Arial,Helvetica">"I wish you had," Gwedif said. "Air conditioning is a good thing."</font> <p><font face="Arial,Helvetica">I turned the wheel and drove gingerly towards the black cube. When the bumper nudged against the cube's surface, I lightly tapped on the gas pedal. There was a slight resistance, and then almost a tearing as the cube's surface enveloped the pickup.</font> <p><font face="Arial,Helvetica">Then we were inside the cube. The inside was dimly it, from luminescence coming off the walls. The space was utterly nondescript, the only architectural feature being a platform ten feet up that I couldn't see onto, since we were underneath it.</font> <p><font face="Arial,Helvetica">"When do we leave?" I asked.</font> <p><font face="Arial,Helvetica">Gwedif stretched out a tendril to touch the nearest wall. "We already have," he said.</font> <p><font face="Arial,Helvetica">"Really?" I said. "I wish this thing had windows. I'd like to see where we're going."</font> <p><font face="Arial,Helvetica">"Okay," Gwedif said. The cube disappeared. I screamed. The cube reappeared, transparent but visibly tinted.</font> <p><font face="Arial,Helvetica">"Sorry," Gwedif said. "Shouldn't have made it completely clear. Didn't mean to freak you out."</font> <p><font face="Arial,Helvetica">I gathered my wits, rolled down the window, and stared down at the planet, which was tinted purple by the shaded cube.</font> <p><font face="Arial,Helvetica">"How far up are we?" I asked.</font> <p><font face="Arial,Helvetica">"About 500 miles," Gwedif said. "We have to go slow for the first few miles, but once we're up about 10 miles, nobody's looking anymore and we can really pick up speed."</font> <p><font face="Arial,Helvetica">"Can I leave the truck? I mean, will the floor support me?"</font> <p><font face="Arial,Helvetica">"Sure," Gwedif said. "It's supporting the truck, after all."</font> <p><font face="Arial,Helvetica">I opened the door and <i>very</i> carefully placed a foot on the cube floor and added weight to it. It felt slightly spongy, like a wrestling mat or a taut trampoline, but it indeed held my weight. I stepped fully outside, leaving the truck door open, and walked away from the pickup. I looked up, and I was able to see through the platform; on the other side of it were two other blobs, also with tendrils extending into the walls -- the pilot and co-pilot, I assumed.</font> <p><font face="Arial,Helvetica">After a few minutes of walking around, I had Gwedif make the cube totally transparent. For the briefest of seconds, I felt a surge of panic again, but it was immediately replaced by the most astounding sense of exhilaration -- a God's eye view of the planet, unencumbered by spacesuit or visor. I asked Gwedif if there was artificial gravity in the cube and he said that there was; I asked him if we could cut it off so I could float, but he demurred. He said he'd prefer not to have the pickup floating around aimlessly. They did decrease the gravity to match the spaceship that we were going to; suddenly I was 40 pounds lighter. After a few more minutes I asked them to retint the cube -- my forebrain had accepted I was safe, but the reptile regions were having trouble with it.</font> <p><font face="Arial,Helvetica">The flight was a little under a half-hour long; we slowed appreciably as we approached the spaceship although I of course didn't feel the deceleration. But I <i>saw</i> it -- one moment I was staring at the blackness of space, and the next a huge rock came hurtling at me, not unlike the meteor had the night before. I cringed involuntarily, but suddenly it appeared to stop, hovering what seemed a few miles away.</font> <p><font face="Arial,Helvetica">"There it is," Gwedif said. "Home sweet home."</font> <p><font face="Arial,Helvetica">It was impossible for me to judge how big this asteroid-turned-spaceship was. As we got closer, I guessed that it must be close to a mile in diameter, a guess that was confirmed by Gwedif to be in the right ballpark. The asteroid appeared to have no non-natural features, but as we approached, I saw featureless black streaks dotting the surface. We were heading towards one.</font> <p><font face="Arial,Helvetica">"Does the ship have a name?" I asked.</font> <p><font face="Arial,Helvetica">"Yes," Gwedif said. "Give me a second to translate it." He was quiet for a moment, then, "It's called the <i>Ionar.</i> It's the name of our first sentient ancestor, like an Adam or Eve for you. It also means 'explorer' or 'teacher' in a loose sense of those words, in that Ionar, realizing he was the first of his kind, learned as much as he could about the world so that his" -- another pause here -- "<i>children</i> could know as much as possible. His exploration is our culture's first and greatest memory epic. We thought that his name would be a good one for this ship. Provident. That reminds me, we should plug your nose before we go out into the ship."</font> <p><font face="Arial,Helvetica">"Excuse me?" I said.</font> <p><font face="Arial,Helvetica">"We communicate with smells," Gwedif said, "When I said I had to translate, I meant that I had to translate the smells that we associate with a concept into an auditory analogue. But only a few of us know this translation as yet -- and obviously the rest of us will be speaking our 'mother tongue.' But I don't think that you'll find our conversation very appealing to your senses."</font> <p><font face="Arial,Helvetica">"I wouldn't want to be rude," I said.</font> <p><font face="Arial,Helvetica">"Well, here," Gwedif said. "Here's how we say <i>Ionar</i>." A smell erupted from Gwedif like fart from a dog. "And here's how I say my name." The fart this time came from a larger dog than the first. My eyes watered.</font> <p><font face="Arial,Helvetica">"Now, keep in mind that there's a couple thousand of us in this ship," Gwedif said.</font> <p><font face="Arial,Helvetica">"I see your point," I said.</font> <p><font face="Arial,Helvetica">"I thought you might. I'll make arrangements. Look, we're about to dock."</font> <p><font face="Arial,Helvetica">Our cube was coming to rest on the edge of one of the black surfaces, about 100 yards long and half as wide. Underneath the surface of the cube, the black surface thinned out and cleared away, leaving what seemed to be an airtight seal around the outside of the cube. The cube dropped slowly through the seal. As we cleared the skin, I could see that we were dropping into a cavernous hangar about 100 feet deep. The hangar was dimly lit, and as far as I could see there weren't any other cubes or anything else that might resemble a ship.</font> <p><font face="Arial,Helvetica">I thought about asking Gwedif about it, but then there was gentle thump and we landed. Almost instantly the cube began to melt; a circular hole started in the center and became wider, with the residue sliding down the walls of the cube, which were themselves sliding away. The Yherajk on the piloting platform slid down the walls a fraction of a second before the walls dripped away like wax; the platform itself sucked into the wall and disappeared. The mass of the cube lay in huge mounds on the floor of the hangar; then were suddenly absorbed, leaving me, the three Yherajk, and the pickup. The whole process took less than a minute.</font> <p><font face="Arial,Helvetica">"Interesting," I said.</font> <p><font face="Arial,Helvetica">"Yup," said Gwedif. "We grow 'em when we need 'em. Making a cube, though, takes slightly longer than breaking one down."</font> <p><font face="Arial,Helvetica">From a near wall a door appeared and a Yherajk stepped out and approached us. It was carrying what looked like cotton wads in a tentacle. It came up to Gwedif, touched him briefly, and presented the cotton wads to me.</font> <p><font face="Arial,Helvetica">I took them. "Do I eat these?"</font> <p><font face="Arial,Helvetica">"I don't think you'd want to," Gwedif said. "Stuff them in your nose instead."</font> <p><font face="Arial,Helvetica">I did and immediately felt the 'cotton' expand, totally blocking my nasal passages. I suppressed the urge to sneeze.</font> <p><font face="Arial,Helvetica">The Yherajk who presented me with the wads exited, as did the pilots, after briefly touching Gwedif.</font> <p><font face="Arial,Helvetica">"Now," Gwedif said, after we were alone. "Oewij, who came with the nose plugs, tells me that the ship-wide meeting has been arranged at our communion hall, and that our presence is requested immediately. However, I feel that it is only fair and courteous to allow you some time to collect yourself or even sleep if you so desire. I know you've haven't had much rest since we've met. Or, if you'd like, I can arrange for the tour of the ship. It's up to you, really."</font> <p><font face="Arial,Helvetica">"I'm not tired," I said. "I'd love a tour of the ship, though. May I have a tour after the meeting?"</font> <p><font face="Arial,Helvetica">"Of course," Gwedif said.</font> <p><font face="Arial,Helvetica">"Well, then," I said. "Let's go have a meeting."</font> <p><font face="Arial,Helvetica">*****</font> <p><font face="Arial,Helvetica">Gwedif and I entered the <i>Ionar</i> through the same door that the other Yherajk disappeared into. I had to duck to get through the door and then had to hunch down as we walked down several corridors; the ceiling was about an inch shorter than I was tall. I suppose that this would make sense: the Yherajk are not exactly tall. These corridors must have seemed roomy to them.</font> <p><font face="Arial,Helvetica">Gwedif sensed my discomfort. "Sorry about this," he said. "I should have gotten us a transport so that you could sit. But I thought you might want to experience a little of the ship on the way to the communion room."</font> <p><font face="Arial,Helvetica">"It's all right," I said, looking around. The corridors appeared carved out of the rock of the asteroid, and didn't have ornamentation of any sort, like the hangar we had just been in. I mentioned this to Gwedif.</font> <p><font face="Arial,Helvetica">"You're right," he said. "The Yherajk have never been much for visuals. While we see quite well by your standards, it's not our primary sense to the world, like it is to you. But the walls here have scent guides, which function in the same manner. And this isn't to say we have no artistic impulses. Later on, when we tour the ship, I'll take you to our art gallery. We have some <i>tivis</i> there which are really quite nice."</font> <p><font face="Arial,Helvetica">"What are 'tivis'?" I asked.</font> <p><font face="Arial,Helvetica">Gwedif stopped for a second, suddenly enough that I braked myself, reflexively straightening up and bumping my head in the process. "I'm trying to think if there's a human analogue, and I'm not coming up with one," Gwedif said. "I guess the closest words in English to what they are would be 'Smell Paintings,' but that's not quite right, either. Oh, well," he started off again, "you'll get it when you see them -- or more accurately, smell them." I hurried off after him.</font> <p><font face="Arial,Helvetica">A few more corridors, and then we stopped outside a door. "Here we are," Gwedif said. "Now, Carl, nearly every Yherajk who is on the ship is in here now. I want to know if you're prepared."</font> <p><font face="Arial,Helvetica">"I think I can wrap my mind around it," I said.</font> <p><font face="Arial,Helvetica">"I'm not talking about <i>that</i>," Gwedif said. "I just wanted to make sure your nose plugs are secure. It's pretty stinky in there."</font> <p><font face="Arial,Helvetica">"I feel like my nose is filled with cement," I said.</font> <p><font face="Arial,Helvetica">"Okay. Let's go in, then." He extended a tendril to the door. At his touch, it opened inward.</font> <p><font face="Arial,Helvetica">Two things struck me immediately as we stepped through. The first was that the Yherajk tradition of visual monotony continued unabated -- the room consisted of an unadorned dome over a large circular floor that sloped downward to where a small central dais jutted up modestly, itself unadorned. On the floor, large clumps of Yherajk assembled here and there, pretty much like humans do before a meeting gets down to business.</font> <p><font face="Arial,Helvetica">The second thing was that even through my nose plugs, the smell of the room slammed into me like a rocket in the chest. It was as if someone had fermented an entire horse stable. It was unbelievably strong. I leaned back against the wall.</font> <p><font face="Arial,Helvetica">"You all right?" Gwedif asked.</font> <p><font face="Arial,Helvetica">"I think I'm getting a buzz from the smell," I said. "And not in a good way."</font> <p><font face="Arial,Helvetica">"It's because everyone's talking at the moment. It'll get better when we start the meeting and everyone shuts up," he said. "For now, just take deep breaths."</font> <p><font face="Arial,Helvetica">In the middle distance, a Yherajk broke from the clump and approached us. It briefly touched Gwedif -- I was beginning to think this was their way of greeting or saluting each other -- and then extended a tendril at me. I looked at Gwedif.</font> <p><font face="Arial,Helvetica">"Carl, this is Uake," Gwedif said. "Uake is the<i> Ionar's</i> <i>ientcio</i> -- our leader in both ship's operations and social interactions. A captain and a priest. He welcomes you and hopes that you have had an interesting visit so far. He'd like to shake your hand."</font> <p><font face="Arial,Helvetica">I extended my hand, let Uake's tentacle envelop it, and shook. "Thank you, ientcio. It has been a very interesting visit, and I thank you for allowing me the honor to make the visit to begin with." I directed my comments directly to Uake, assuming Gwedif would translate, without prompting.</font> <p><font face="Arial,Helvetica">He did. "I've passed the message on and added my own comment that we should start the meeting soon, before you pass out from the fumes. To you, Uake says that the honor is ours, that you would visit. To me, he says that if we will accompany him to the dais, we will begin the meeting and get the rabble under control. Shall we?"</font> <p><font face="Arial,Helvetica">Uake, Gwedif and I walked through the crowd to the dais. As we arrived, three Yherajk also arrived, carrying a block of something, and set it on the dais.</font> <p><font face="Arial,Helvetica">"I thought you might like to have something to sit on," Gwedif said. "We don't have any chairs, but this should work just as well." I thanked him and took my seat. Uake took up a position on the far side of the dais from me, and Gwedif sat between us.</font> <p><font face="Arial,Helvetica">Some signal scent must have gone up, because the Yherajk on the floor broke up their clumps and encircled the dais, forming concentric rings. The room became noticeably less smelly; everyone must have shut up.</font> <p><font face="Arial,Helvetica">"The ientcio is about to begin his speech," Gwedif said. "He has asked me once again to translate for him so that you will understand what is being said. The translation will not be exact, I'm afraid -- Uake will be using a lot of High Speech, which we use to quickly pass along large amounts of information. But I'll be able to give you the gist of it. If you have any questions, let me know -- our talking isn't going to disturb the speech." He fell silent for a few minutes and then started speaking again, starting and stopping as Uake made his statements.</font> <p><font face="Arial,Helvetica">"The ientcio welcomes all to the meeting, with the hope that this moment of our journey finds them all well and at peace with themselves. He asks us all to look back on that moment, over seventy years ago now -- your years -- when the first faint signals of intelligence from this world were picked up by our scientific arrays, and the confusion, turmoil, joy and fear that those signals, first sound, then picture, brought to our race.</font> <p><font face="Arial,Helvetica">"He asks us also to remember the day when this ship began its journey to this place, our people's emissary to a people so strange and unlike ourselves. The ship was to serve two purposes: to learn about those people, to find if they could be communicated with; and if they could, then to make contact, with the hope of joining our two peoples in friendship and comity.</font> <p><font face="Arial,Helvetica">"The ientcio now recounts the difficulties of the journey -- its length, both in distance and time, a number of accidents that diminished the number of the crew and caused damage to the ship, and the mutiny attempt that resulted in the soul death of Echwar, our first ientcio, and the loss of a tenth of the crew. This recounting is made to remind us even in this moment of happiness that we must not lose sight of all that this journey has required of us.</font> <p><font face="Arial,Helvetica">"Now, the ientcio says, our journey comes to the cusp, in which we learn if our efforts form a memory epic for all Yherajk, to be told to the days when our race is old and the stars red with age, or if they disappear into darkness. We have made contact with one of the humans, one who we believe will be wise, and whose actions will determine our path. It is difficult to assign our fates to the will of one who is not one of us, but that is the way of such encounters as these -- though we prepare for the moment, the moment itself is not a thing we can control."</font> <p><font face="Arial,Helvetica">Tom, I was dumbfounded by what I was hearing. These creatures had traveled across the stars, over unimaginable distances. And if what I was hearing was correct, the success or failure of their trip was being placed into <i>my</i> hands. It was a burden that I didn't want or even frankly that I understood. I asked Gwedif if what I was comprehending correctly what was being said.</font> <p><font face="Arial,Helvetica">"Oh, yes," Gwedif said. "your actions in this meeting will determine what happens to us and to our journey. It's something that we've known for a long time, and something that is characteristic of the Yherajk -- the surrender of control in the hope that the moment germinates into something greater. This is that moment."</font> <p><font face="Arial,Helvetica">"Wait a minute," I said, becoming angry. "I didn't come up here to play God for you. You're asking me to do something I don't know that I can do. I don't even <i>know</i> what it is that you want me to do, much less if I can do it. I feel like I've been tricked."</font> <p><font face="Arial,Helvetica">Gwedif sprouted a tentacle and placed it on my hand. "Carl," he said, "you're not being asked to play God. Your part is about to be explained. If you refuse it, then we go back home, and our people plan a new way to try to contact your people. That's all. We're not going to launch our ship into the sun if we fail -- the drama you hear is part of the formal nature of High Speech. You've been around me enough to know we don't usually talk like that. But we <i>do</i> need your perspective on this. You know your people like we could never know them. We need to see through you whether we can make contact with humans here and now. Do you understand a little better now?"</font> <p><font face="Arial,Helvetica">I nodded.</font> <p><font face="Arial,Helvetica">"All right," Gwedif said. "The ientcio is speaking to you now. He formally welcomes you to the <i>Ionar</i>, wishes you happiness at this moment in your journey, and presents to you the host of the ship, the crew of the <i>Ionar</i>, and hopes that you will acknowledge them thusly."</font> <p><font face="Arial,Helvetica">"How do I do that?" I asked.</font> <p><font face="Arial,Helvetica">"Got me," Gwedif said. "No human's ever done it before. Try waving, and I'll wing the speechifying."</font> <p><font face="Arial,Helvetica">I stood and waved. Two thousand Yherajk sprouted tentacles and waved back.</font> <p><font face="Arial,Helvetica">"I have said that you acknowledge the host of the ship and wish them happiness at this moment of the journey," Gwedif said. "It's more or less the correct response and doesn't commit you to anything further. Was that all right?"</font> <p><font face="Arial,Helvetica">"Yes," I said, sitting back down.</font> <p><font face="Arial,Helvetica">"Good," Gwedif said. "Uake is now speaking to you about the journey, and what we have learned of your people through your radio and television transmissions. What he's saying is completely untranslatable due to the complexity of the High Speech structures he is using, but the upshot of it is that while your transmissions point to a rich and fascinating culture, we also have found them contradictory and confusing at the same time. There is no structure to your planet's transmissions into space."</font> <p><font face="Arial,Helvetica">"Well, it's <i>television</i>, you know," I said. "It's meant to be understood by humans and not intended for anyone else. You're just getting the leakage. I do believe that we have a scientific program that is beaming messages for alien cultures into outer space, but that's the only thing that's intended for non-human audiences."</font> <p><font face="Arial,Helvetica">"The ientcio wishes to inform you that we have indeed received those messages from SETI and have found them....amusing is probably the best word. Television is much more interesting."</font> <p><font face="Arial,Helvetica">It was a good thing Carl Sagan wasn't alive to hear those words. Gwedif continued. "The ientcio says that we have found that we have been able to learn something of you from television and radio. Some of us, and I am obviously being referred to here, have learned English, and have begun to piece together something of a world and cultural history of your planet.</font> <p><font face="Arial,Helvetica">"But we have become aware that we have been quite unable to make a clear distinction between what is factual and what is fictional -- what represents your true culture and what constitutes your imaginings. We understand the distinction, for example, between your news reports and your entertainment programs. But we lack the context to tell which is the exaggeration of the other. This is a source of frustration for us -- to the Yherajk, you can at times seem to be a culture of pathological liars, unable yourselves to tell the difference between truth and falsity. You can see how that can make us nervous to initiate contact. We need someone to help us create a context, so we can separate the truth from the lies and make an accurate reckoning of the status of your planet.</font> <p><font face="Arial,Helvetica">"This is of specific interest to us as it relates to your planet's tendencies towards the idea of alien contact. The SETI program implies that your planet is actively seeking contact with other peoples, but your entertainments show you to be hostile to the idea, full of the fear that the peoples you encounter will try to subjugate your planet. Moreover, when you do show aliens as friendly or benevolent, they tend to be humanoid in appearance. When they are hostile or violent, they tend to appear like us. Obviously, this is very worrying."</font> <p><font face="Arial,Helvetica">"I think you are underestimating the influence of special effects budgets on that particular question," I said.</font> <p><font face="Arial,Helvetica">"The ientcio agrees that this might be the case -- again it comes to a question of context and knowledge of the culture. He hopes that now you may understand our predicament.</font> <p><font face="Arial,Helvetica">"You are one of the most powerful men in the industry that creates the programs that are beamed off of your planet, and have become so because of your character and intelligence. You are in a unique position to help us understand the distinctions between what is real and what is fanciful, between the things that your planet hopes for and the things that your planet fears. It is his hope, and he wishes to stress, the hope of every Yherajk on this ship, that you would be able to help us in our efforts to understand your people, to give us a grounding in the reality of humanity that only a human can."</font> <p><font face="Arial,Helvetica">I blinked. "Is that it? You want <i>advice?"</i></font> <p><font face="Arial,Helvetica">"For starters," Gwedif said.</font> <p><font face="Arial,Helvetica">"Well, of course I'll help you with that any way I can," I said. "But I don't know how much help that will be. You understand that even humans don't understand humanity most of the time. I could tell you everything I know, but it would only be my opinion. And it would take years to get it all down at that."</font> <p><font face="Arial,Helvetica">"The ientcio understands that you are just one man among billions. Nevertheless, of those billions, you are one whose skills and mind lend themselves most favorably to our needs. As for taking years to know what you know --" Gwedif stopped for a moment, seemed to collect himself.</font> <p><font face="Arial,Helvetica">"As for taking years," he continued, "We have another way."</font> <p><font face="Arial,Helvetica">*****</font> <p><font face="Arial,Helvetica">Tom, did Joshua ever tell you how the Yherajk reproduce? No? Well, I'm not too surprised about that; it's an immensely personal event. On the cell level, all Yherajk are the same -- massive colonies of asexually reproducing, single-celled organisms. But their experiences are different and unique to each Yherajk. Think of them as a race of identical twins, sharing the same genetic information but obviously separate people, divided by their individual experiences.</font> <p><font face="Arial,Helvetica">When humans learned about genetics, they began arguing whether people are the way they are due to genetics or environment; what our genes are versus our experiences. With the Yherajk, this isn't even a debate -- since they're all the same genetically, who they are is all about experiences. Personality is all.</font> <p><font face="Arial,Helvetica">Yherajk personalities are remarkable things. For example, once they are formed, they can be transferred. Their personalities don't have to stay in a particular body. That personality and set of experiences can go from one body to another -- if, for example, that body were dying of disease or something else of that nature. Yherajk do a much simplified version of this when they transmit information; a single Yherajk can go off and have a set of experiences, and when it comes back, it connects with an entire group and 'downloads' its memories to the whole group. Then all the Yherajk there know what that one knew.</font> <p><font face="Arial,Helvetica">But it requires physical contact and takes a great deal of time. The Yherajk High Speech, which is an even more simplified version of this, performs the same function by encoding a concept as an aromatic molecule, which is then set aloft and automatically decoded by the Yherajk who come in contact with it. It'd be like having an entire memory created in your head simply by someone saying a word. Fascinating stuff, Tom.</font> <p><font face="Arial,Helvetica">In Yherajk reproduction, the personalities do something else entirely -- they <i>meld</i> with another personality. The Yherajk join together into one mass, and, rather than simply transferring information or even a 'soul' from one body to another, the individual souls interact over the entire mass of their combined body. Some portions of one personality end up being dominant, and other portions from the other personality end up being dominant.</font> <p><font face="Arial,Helvetica">After those personality traits are figured out, the mass splits into two parts. One of those parts splits again and becomes the original Yherajk that had melded, with their own personality traits and memory intact, but physically smaller than they were before. The other part is an entirely new personality: it has the memories and intellect of its parents, but it comes with a brand new 'soul,' if you will, made of the new, melded personality, and it's ready to go -- there's no childhood, per se, with the Yherajk.</font> <p><font face="Arial,Helvetica">This melding isn't easy -- it requires the Yherajk in question to surrender their will and allow another entity, another soul, to mingle freely with its own. This other soul surrenders to you and you to it -- complete communion. But with the ultimate risk: a Yherajk's defenses are down -- the other Yherajk, if it has been insincere in the joining, can attack the other's personality and destroy it, replacing it totally with its own. This is a "soul death," and causing it to happen is the worst crime a Yherajk can commit against another Yherajk. A large part of the reluctance of the Yherajk to speak about their reproduction comes from its potential to change in an instant from an act of perfect union to one of the ultimate rape.</font> <p><font face="Arial,Helvetica">But it's rare -- far more rare than murder is with us. Most of the time, it is a joyous experience -- and apparently better for them than sex is for us.</font> <p><font face="Arial,Helvetica">The interesting thing is that while nearly all reproductions occur between two Yherajk, there is no theoretical barrier on having the melding occur between three, four or even more. It's vastly more complicated, and it takes longer for the personality traits to suss out, but it can be done. Gwedif told me that one of the great memory epics of the Yherajk involved a exploring colony, under siege from attackers, who all melded together in the desperate hope of birthing a hero who could save them from destruction. The colony numbered 400. It worked -- of course. Otherwise it wouldn't be an epic. For millennia, partially out of respect for the epic, that had been the record.</font> <p><font face="Arial,Helvetica">The ientcio of the <i>Ionar</i> was planning to break that record. He proposed 2000 -- the entire crew of the Ionar. And one human as well.</font> <p><font face="Arial,Helvetica">*****</font> <p><font face="Arial,Helvetica">"I'm not following you," I said to Gwedif, after he translated the ientcio's proposal.</font> <p><font face="Arial,Helvetica">"The ientcio implores you to meld with us," Gwedif said. "Pool your knowledge with ours and help us birth a new Yherajk -- one that has an intimate understanding of humanity, who can help us learn, quickly, easily, whether our two people can be joined in friendship. It would be a great gift -- and you would be remembered not only as our first human friend, but also a parent, the most important parent, of the greatest Yherajk in our race's long history. As he will be -- one that two thousand of us have surrendered our wills to create. It is a powerful event."</font> <p><font face="Arial,Helvetica">I looked out into the mass of Yherajk, and got the distinct impression that two thousand of them were waiting for me to say something. Anything. Tom, I got stage fright. But there was nowhere to go.</font> <p><font face="Arial,Helvetica">I stalled for time. "I don't know if you noticed this," I said, "But I'm not a Yherajk. I don't meld very well."</font> <p><font face="Arial,Helvetica">"With your permission, the ientcio says," Gwedif said, "I will act as your conduit."</font> <p><font face="Arial,Helvetica">"What does that mean?" I asked.</font> <p><font face="Arial,Helvetica">Gwedif paused for a moment. "Aw, hell," he said at last. "Uake has just sent some High Speech crap that I'm not even going to try to translate. Carl, what it means is that I'd stick tendrils into your brain, read your memories, and transmit them to the rest of the crew. Bluntly speaking, I'll be rooting around your skull, looking for the good stuff."</font> <p><font face="Arial,Helvetica">"It sounds painful," I said.</font> <p><font face="Arial,Helvetica">"It won't be, I promise," Gwedif said. "But you're going to feel stuffed-up like you wouldn't believe. Carl, don't misunderstand, I'll be effectively downloading your brain to the group. In the melding union, there are no secrets -- and the offspring of this melding will know what you know. We know we're asking a lot of you, more than has been asked of any of us. If you don't want to do this, then don't."</font> <p><font face="Arial,Helvetica">"What will happen if I say no?" I asked.</font> <p><font face="Arial,Helvetica">"Nothing," Gwedif said. "We would never try to compel you to a melding."</font> <p><font face="Arial,Helvetica">I looked out at the crew. "And every one of you is willing to do this?"</font> <p><font face="Arial,Helvetica">"We are."</font> <p><font face="Arial,Helvetica">"What if one of you tries to take over the rest? Isn't that possible? What would happen to me?"</font> <p><font face="Arial,Helvetica">"You'll be connecting to the group through me," Gwedif said. "If one of us tried to overtake the entire crew, I'd disconnect before he could overtake you. I'd <i>probably</i> have time." That qualifier disturbed me, but Gwedif went on. "But I'd say it's highly unlikely that someone will do that. For one thing, it'd wipe out the entire crew; whoever did it would never get back home. For another thing -- Carl, this is <i>epic</i> stuff. If this works, this is going down in our history as one of the defining moments of our people. We'll be famous forever. Believe me, none of us wants to be the one that screws <i>that</i> up."</font> <p><font face="Arial,Helvetica">"Will I be able to read all your crew's thoughts?" I asked.</font> <p><font face="Arial,Helvetica">"No," Gwedif said. "I'm going to be translating your thoughts -- I won't have time to translate the other way. You'll experience all our thoughts, they just won't make a lick of sense. It will be the weirdest trip you'll ever take, my friend."</font> <p><font face="Arial,Helvetica">"Well," I said, "When you put it that way, how can I refuse?"</font> <p><font face="Arial,Helvetica">"Then you'll do it?" Gwedif asked.</font> <p><font face="Arial,Helvetica">"If you will be my conduit, Gwedif, I'll be honored. Translate that exactly to your ientcio," I said.</font> <p><font face="Arial,Helvetica">Gwedif apparently did -- the room became filled with the odor of distilled dumpster juice. I asked Gwedif what was going on.</font> <p><font face="Arial,Helvetica">"The crew is applauding, Carl," Gwedif said. "They're relieved and happy. They didn't just spend half of their lives traveling here for nothing. I lied a little to you, Carl -- if you hadn't accepted, it would have been a crushing disappointment for us all. But I didn't want to burden you with that sort of guilt. Sorry to be sneaky."</font> <p><font face="Arial,Helvetica">"That's all right, " I said. "I don't mind. It'll help me to recognize your thoughts during the melding -- I'll look for the sneaky ones."</font> <p><font face="Arial,Helvetica">"I won't be able to meld myself," Gwedif said. "I have to manage your thoughts. That requires me to remain fully alert during the whole thing. In fact, of all the crew, I'll be the only one that won't be melding."</font> <p><font face="Arial,Helvetica">I was dismayed. "I'm very sorry, Gwedif," I said. "If I had known, I'd have asked for someone else to act as the conduit. I don't want you not be part of it."</font> <p><font face="Arial,Helvetica">"My friend," Gwedif said. "Please. I am honored that you have chosen me as your conduit, more than you know. In doing so, you have allowed me to be the only one truly conscious during the melding -- the only one who will see the event as it happens. When this story becomes our memory epic, the eyes that it will be seen through are mine."</font> <p><font face="Arial,Helvetica">Gwedif sprouted a tendril and waved it at the crew. "This crew will be <i>in</i> the memory epic. But I will <i>write</i> it -- and thus I will live forever through it, the Homer of this, my people's greatest Odyssey. You have given me a great gift, Carl, and for it, I cannot thank you enough, you, my friend, my great and true friend."</font> <p><font face="Arial,Helvetica">"Well," I said. "You're welcome, then."</font> <p><font face="Arial,Helvetica">"Great," Gwedif said. He sprouted another tendril, and wiggled both of them at me. "Now, you have to take out those plugs -- I've got to stick these up your nose."</font> <p><font face="Arial,Helvetica">"You're kidding," I said.</font> <p><font face="Arial,Helvetica">"Not at all," he said. "This might sting a little."</font> <p><font face="Arial,Helvetica">*****</font> <p><font face="Arial,Helvetica">I won't try to describe the melding, Tom, except to say -- try to remember the most vivid, wild, erotic dream you have ever had. Now try to imagine it entirely as a clutch of smells, colliding, sliding, fading into each other. Now imagine it going on for a lifetime. That's what it felt like.</font> <p><font face="Arial,Helvetica">I woke up, still on the dais, with three Yherajk around me. I asked for Gwedif. The one to my right waved a tentacle.</font> <p><font face="Arial,Helvetica">"Did it work?" I asked.</font> <p><font face="Arial,Helvetica">"It did," Gwedif said, and motioned to the Yherajk near my feet. "Carl, please meet the progeny of 2000 Yherajk -- and one human."</font> <p><font face="Arial,Helvetica">"Hello," I said to the Yherajk.</font> <p><font face="Arial,Helvetica">"Hi, pop," he said.</font> <p><font face="Arial,Helvetica">"The ientcio" -- Gwedif indicated the final Yherajk -- "wishes to thank you once again for your great help and understanding, and assures you that you will undoubtedly become one of the great heroes of our race, something which <i>I</i> can tell you is already taken care of."</font> <p><font face="Arial,Helvetica">"Thank him, and thank <i>you</i>," I said to Gwedif.</font> <p><font face="Arial,Helvetica">"No problem," Gwedif said. "The ientcio also wishes you to know that the honor of naming this newborn Yherajk belongs to you, as the Initiating Parent."</font> <p><font face="Arial,Helvetica">"Thanks, but it was Uake's idea," I said. "I can't claim credit."</font> <p><font face="Arial,Helvetica">"Sure," Gwedif said, "but your acceptance of the proposal in this case has been agreed by all the parents to be the initiating act. So it's back to you. However, the ientcio, anticipating your reluctance, does indeed have a name picked out, which will be given to the newborn if you agree."</font> <p><font face="Arial,Helvetica">"What is it?" I asked.</font> <p><font face="Arial,Helvetica">"We wanted a name that reflected the importance of this Yherajk to us, and hopefully his eventual importance to your own people, one that was immediately recognizable. What do you think of 'Jesus'?"</font> <p><font face="Arial,Helvetica">I laughed unintentionally.</font> <p><font face="Arial,Helvetica">"See," The Yherajk Who Would Be Jesus said. "I told them it wasn't going to fly. But what do <i>I</i> know? I'm a <i>newborn</i>." The sarcasm in his statement was unmistakable.</font> <p><font face="Arial,Helvetica">"It would be a very bad idea," I said. "About half the folks on the planet would get very touchy about it."</font> <p><font face="Arial,Helvetica">"Nuts," Gwedif said. "Can you give us something else?"</font> <p><font face="Arial,Helvetica">I could. 'Jesus,' is the Latinized version of 'Joshua,' -- a name that's still in use, of course, and without the same religious overtones. It was also the name of my father, and, incidentally, of the baby that Sarah was carrying when she died -- we found out it was a boy the month before. Elise and I aren't planning to have children, Tom. So this Yherajk, which was only the smallest fraction of me, and only of my thoughts at that, was nevertheless the only 'child' I was likely to have. The name 'Joshua' had long been with me, and I was happy to finally give it a new home. Joshua was happy with it, too. Of course he would be -- he would know what it means to me.</font> <p><font face="Arial,Helvetica">After I had named Joshua, Uake excused himself to attend to ship's duties. As we shook 'hands', I managed a glance at my watch. It was 11:30 in the morning.</font> <p><font face="Arial,Helvetica">"Uh-oh," I said. "I have to go."</font> <p><font face="Arial,Helvetica">"You haven't had a tour of the ship," Gwedif said.</font> <p><font face="Arial,Helvetica">"Don't bother," Joshua said. "These people just do <i>not</i> know how to decorate."</font> <p><font face="Arial,Helvetica">"I'd love to, but I'm late," I said. "I already missed a day yesterday. By now my assistant Marcella has called my house looking for me. If I don't show up at the office today, she's going to file a missing person's report."</font> <p><font face="Arial,Helvetica">"Well, there's a problem," Gwedif said. "It's daytime now. We can't really risk being seen doing a drop."</font> <p><font face="Arial,Helvetica">"So don't do a drop," Joshua said. "Make it a one way trip."</font> <p><font face="Arial,Helvetica">"We could do that," Gwedif said. "But there's a problem with that, too."</font> <p><font face="Arial,Helvetica">"What's that?" I asked.</font> <p><font face="Arial,Helvetica">"It depends," Joshua said. "How well can you control your sphincter muscles?"</font> <p><font face="Arial,Helvetica">Gwedif explained it as we headed to the hangar. They could build an unmanned cube the size of the pickup, launch it, and have it land near where we had departed. But, as with the 'meteor' and the black cube, it would have to arrive full-speed to avoid being picked up on radar for any length of time. Another thing: the cube would have to be transparent.</font> <p><font face="Arial,Helvetica">"Why?" I asked.</font> <p><font face="Arial,Helvetica">"Black cubes in the daytime sky are suspicious," Gwedif said. "Red Datsun pickups in the daytime sky are merely unbelievable. Even if someone saw it, no one would know what to think of it. And that's not a bad thing."</font> <p><font face="Arial,Helvetica">"Good thing you haven't had anything to eat in a while," Joshua said.</font> <p><font face="Arial,Helvetica">A few minutes later, as I prepared to get behind the wheel of my pickup, I said my good-byes to Gwedif and Joshua. I asked Gwedif when or if I would see him again.</font> <p><font face="Arial,Helvetica">"Probably not for a while," Gwedif said. "When we send someone again, it will be Joshua. But even he will stay here for a few months, to benefit us with your knowledge -- now his -- as to how to approach humanity. We probably won't see each other until the day our race makes its debut. But I look forward to that day, Carl. I will be happy when it arrives. We'll finally take that stroll through the tivis gallery."</font> <p><font face="Arial,Helvetica">"I can't wait," I said, and then turned to Joshua. "I look forward to seeing you again, then."</font> <p><font face="Arial,Helvetica">"Thanks, pop," Joshua said. "It'll be soon. Get a better car by then."</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Eleven</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003056.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:11:34Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3056</id>
<created>2004-12-09T04:11:34Z</created>
<summary type="text/plain">Carl looked at his watch. &quot;Damn,&quot; he said. &quot;I&apos;ve missed my 4:00.&quot; &quot;The Call of the Damned premiere was four months ago, Carl,&quot; I said. &quot;What have they been doing between now and then?&quot; &quot;Grilling Joshua, I&apos;d imagine,&quot; Carl said....</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scalzi.com/agent/">
<![CDATA[<p><font face="Times New Roman,Times">Carl looked at his watch. "Damn," he said. "I've missed my 4:00."</font> <p><font face="Times New Roman,Times">"The <i>Call of the Damned</i> premiere was four months ago, Carl," I said. "What have they been doing between now and then?"</font> <p><font face="Times New Roman,Times">"Grilling Joshua, I'd imagine," Carl said. "Remember, he's got my memories -- it's better than having me there, really, since I don't know that I'd be up for a daily brain-sucking. It's with Joshua that the Yherajk came up with the idea of using us to be their agents."</font> <p><font face="Times New Roman,Times">"I don't get that," I said. "If they have all your knowledge, I don't see why they would need you or me to do anything for them."</font> <p><font face="Times New Roman,Times">"Well, they <i>are</i> still gelatinous cubes," Carl said, "which does limit their ability to blend. But I think there's something else to it. I think they have a plan already, but they wanted to see what I, and now you, would come up with. For them, It's not simply a matter of the most efficient way of doing something, otherwise Joshua would be addressing the UN right now. But there's that notion the Yherajk have of surrendering to the crucial moment, burned right down into their reproductive strategies. I think that once again, they're surrendering the moment to us -- they're saying, here, we trust you to take this, the most important moment in the history of both our races, and make it work."</font> <p><font face="Times New Roman,Times">"That's a lot of trust," I said.</font> <p><font face="Times New Roman,Times">"Yes, well, frankly it's also annoying," Carl said. "I'm not saying that we should refuse the responsibility, not at all. But we're carrying the entire load -- if it gets messed up, the failure is entirely on our shoulders. All the pressure is on us. On you, actually, Tom, since I foisted it on you. Have you, since we started this, <i>really</i> thought on what we're doing here?"</font> <p><font face="Times New Roman,Times">"I've tried to avoid doing that," I said. "It just makes me sort of dizzy. I try to concentrate on the smaller things, like hoping that Joshua will turn up sometime today."</font> <p><font face="Times New Roman,Times">"That's probably the right attitude to have," Carl said. "Now,<i> I</i> think about it quite a bit. It's monumental and exhilarating -- and I wish it were already done with."</font> <p><font face="Times New Roman,Times">"It's going to work out fine, Carl. Don't worry about it," I said. I was taken aback by Carl's comment -- it didn't sound like the Carl Lupo we all knew and feared.</font> <p><font face="Times New Roman,Times">Carl must have realized it, because he sudden gave a wolflike grin, true to his name. "I can tell you these things, Tom, because we're both in on the biggest secret anyone's ever had -- no one else would believe me. Or you. Who else are we going to tell these things to?"</font> <p><font face="Times New Roman,Times">"That's funny," I said. "Joshua once said the very same thing."</font> <p><font face="Times New Roman,Times">"Like father, like son," Carl said, and stood up. "Now, come on, Tom. We have to head back. I can't keep Rupert Murdoch waiting much longer. He gets testy when he's stood up."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"Three and a half hours for lunch?" Miranda said, as she followed me into the office. "Even by Hollywood standards, that's a little extravagant. Your boss would kill you, if it weren't for the fact you had lunch with him."</font> <p><font face="Times New Roman,Times">"Sorry, mom," I said. "I'll do all of my homework before I go out tonight."</font> <p><font face="Times New Roman,Times">"Don't get fresh," Miranda said, "or you'll get no dessert. Would you like to hear your messages, or do you want to give me more lip?"</font> <p><font face="Times New Roman,Times">"Oh, I'd like messages, pretty please," I said, sitting.</font> <p><font face="Times New Roman,Times">"That's better," Miranda said. "You have six, count them, six messages from Jim Van Doren. In one two hour-period before your lunch. I think that qualifies as stalking by California law."</font> <p><font face="Times New Roman,Times">"I should be so lucky," I said. "What does he want?"</font> <p><font face="Times New Roman,Times">"Didn't say. Didn't sound particularly happy, however. I suspect if he hasn't been raked over the coals by his editors at <i>The Biz,</i> he may be in the process of being torched right now. Carl called me this morning to get some information on the mentor program of yours. He mentioned that he was planning to rip Van Doren and <i>The Biz</i> new assholes in the <i>Times</i>. Not promising for either of them, if you ask me."</font> <p><font face="Times New Roman,Times">"God," I said. "That's just going to make them both more annoying. Anyone else?"</font> <p><font face="Times New Roman,Times">"Michelle called. She's apparently having some sort of difficulty with the <i>Earth Resurrected</i> folks. She said something about a latex mask. It didn't make much sense to me. She also said that Ellen Merlow is definitely out of <i>Hard Memories</i>, and that she now felt she was up to the role, because she read 'Iceman in Jerusalem'." Miranda looked up at me, confused. "She can't possibly mean <i>Eichmann in Jerusalem.</i>"</font> <p><font face="Times New Roman,Times">"Give her a break, Miranda," I said. "She got two-thirds of the title."</font> <p><font face="Times New Roman,Times">Miranda snorted. "Yeah, well, and I bet she's averaging that for the rest of the words, too. Anyway, she'll be calling back later. Last message, from your mysterious friend Joshua. He says he's fine now, and not to call, he's busy at the moment but he'll be there when you get there, whatever that means. Dealing with shady characters again, Tom?"</font> <p><font face="Times New Roman,Times">"You have no idea," I said. Why wasn't I supposed to call? Despite Joshua's reassurance, I was worried. I fought the urge to grab the phone right off. I decided to think about another entirely futile task instead. "Miranda, could you get Roland Lanois on the horn for me?"</font> <p><font face="Times New Roman,Times">"Absolutely. Who is he?"</font> <p><font face="Times New Roman,Times">"Miranda," I said, pretending shock. "You're so low class. He's the director and producer of the Academy Award-nominated motion picture <i>The Green Fields</i>, and also of the upcoming <i>Hard Memories.</i> His production company is on the Paramount lot, I believe."</font> <p><font face="Times New Roman,Times">"What?" Miranda said. "Tom, you can't be serious. You're not really going to try to get Michelle that part."</font> <p><font face="Times New Roman,Times">"Why not?" I said. "It's not totally outside the realm of possibility that she could get the role, you know."</font> <p><font face="Times New Roman,Times">Miranda rolled her eyes and looked up, with upturned palms. "Take me now, Jesus. I don't want to live here no more."</font> <p><font face="Times New Roman,Times">"Oh, stop it, and get Roland for me."</font> <p><font face="Times New Roman,Times">"Tom, the gods of common decency implore me to stop you from making this call."</font> <p><font face="Times New Roman,Times">"There's a ten percent raise in it for you if you get Roland on the phone for me, right now."</font> <p><font face="Times New Roman,Times">Miranda blinked. "Really?"</font> <p><font face="Times New Roman,Times">"Got it approved by Carl at lunch. So you have a choice. Common decency or a raise. Your call."</font> <p><font face="Times New Roman,Times">"Well, I've done my part for humanity for today," Miranda said. "Time to cash in."</font> <p><font face="Times New Roman,Times">"That's what I love about you, Miranda," I said. "Your firm bedrock of moral values."</font> <p><font face="Times New Roman,Times">Miranda did a little step as she exited the office. I smiled. Then I grabbed the phone and made a quick call to Joshua's cel phone.</font> <p><font face="Times New Roman,Times">No answer.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">Roland was in a meeting but his assistant said that he'd be happy to chat if I wouldn't mind dropping by the offices in an hour. "Roland hates talking business over the phone," the assistant said. "He says he likes to have people within stabbing distance." It was already past 4:30; if I was going to make it to the Paramount lot in an hour, I'd have to leave at that moment. I left instructions with Miranda to call me immediately if Joshua called, and then headed out.</font> <p><font face="Times New Roman,Times">About halfway there, on Melrose, I realized that I was actually being tailed. A white Escort three cars behind me remained three cars behind me constantly; whenever one of the cars between us changed lanes, the Escort would swerve dangerously into another lane, let another car pass, and then swerve dangerously back into the lane, properly spaced. The constant honking that these maneuvers caused were what brought the car to my attention in the first place. In a way it was a relief -- if it had been the Government or Mafia hit men, they wouldn't have been so inept.</font> <p><font face="Times New Roman,Times">I was coming up at a light; I purposely slowed down to miss the yellow -- the first time that I could recall ever doing <i>that</i> -- and when the light turned red I took the car out of gear, set the parking brake, popped the trunk, switched on my hazard lights and got out of the car. I reached into the trunk just as the driver behind me, in a rusted-out Monte Carlo, started yelling at me in Spanish. He stopped when he realized I pulled out an aluminum softball bat, left over from last season.</font> <p><font face="Times New Roman,Times">The guy in the white Escort didn't even see me coming; as I walked down the road, he was furtively talking into a cellular phone. The guy's white, pudgy features became recognizable as I got closer. It was Van Doren, of course.</font> <p><font face="Times New Roman,Times">I stopped at the driver-side window, flipped the bat around so I was holding the thick end, and rapped hard on the window with the handle end. Van Doren jumped at the noise and looked around, confused. It took him about five seconds to realize exactly who it was banging at his door. He spent another three seconds trying to figure out how to make a break for it before he realized he was boxed in. Finally, he smiled sheepishly and rolled down the window.</font> <p><font face="Times New Roman,Times">"Tom," he said, "isn't this a small world."</font> <p><font face="Times New Roman,Times">"Get out of your car, Jim," I said.</font> <p><font face="Times New Roman,Times">Van Doren's eyes made a beeline for the bat. "Why?"</font> <p><font face="Times New Roman,Times">"As long as you're following me, you're a danger to other motorists," I said. "I can't have anyone's death but yours on my conscience."</font> <p><font face="Times New Roman,Times">"I think I'll stay in my car," Van Doren said.</font> <p><font face="Times New Roman,Times">"Jim," I said, "If you don't get out of the car in exactly three seconds, I'm going to take this bat to your windshield."</font> <p><font face="Times New Roman,Times">"You wouldn't dare," Van Doren said. "You've got a whole street full of witnesses."</font> <p><font face="Times New Roman,Times">"This is LA, Jim," I said. "No one's going to whip out a camcorder unless I'm wearing a badge. One. Two."</font> <p><font face="Times New Roman,Times">Van Doren hastily opened his door and undid his seat belt.</font> <p><font face="Times New Roman,Times">"All right," I said, once he had gotten out of his car. "Let's go. We'll take my car."</font> <p><font face="Times New Roman,Times">"What about my car?" Van Doren said. "I can't just leave it here."</font> <p><font face="Times New Roman,Times">"Sure you can," I said. "The police will come by any minute now to pick it up."</font> <p><font face="Times New Roman,Times">"Please," Van Doren said. "I <i>can't</i>. It's a company car."</font> <p><font face="Times New Roman,Times">"Should've thought of that earlier. Come on, Jim. Less talk. More walk. The light's changed already." I nudged him with my bat. He went. We got in my car and made it through the tail end of the next yellow, thus restoring my traffic karmic balance.</font> <p><font face="Times New Roman,Times">Van Doren watched as his Escort faded in the distance. "I want you know, this qualifies as kidnapping," he said.</font> <p><font face="Times New Roman,Times">"What are you talking about," I said. "There I was, at a light, minding my own business, when you open my passenger side door and plop yourself into my car. You started asking me harassing questions. A real pain in the ass. But, of course, you've done this before. You left six messages at office just today, in fact. I'm driving you around just to humor you. After all, you <i>are</i> acting erratic. If anyone's in danger here, Jim, it's me."</font> <p><font face="Times New Roman,Times">"You're forgetting the witnesses again," Van Doren said.</font> <p><font face="Times New Roman,Times">"Oh, come <i>on</i>," I said, getting into a left turn lane. "Anyone who <i>was</i> there has now gotten out from behind your car and driven off into the sunset. The only thing anyone's going to see is a deserted car in the middle of a major traffic artery. If I were you, Jim, I'd start making up a cover story right about now. Normally, I'd suggest saying you were carjacked, but no one's going to believe that. You were driving an <i>Escort</i>."</font> <p><font face="Times New Roman,Times">Van Doren stared at me for a few seconds, then buckled himself in, almost as an afterthought. "I think I was right," he said. "You <i>are</i> completely off your rocker."</font> <p><font face="Times New Roman,Times">I sighed and turned north. "No, Jim, but I <i>am</i> tired of you. Your story about me was a tissue of lies from start to finish. It caused two of my most important clients to bolt. There's not a single thing in it that's true, and you caused my career a lot of damage. I could probably sue you and <i>The Biz</i> for libel and get away with it."</font> <p><font face="Times New Roman,Times">"You'd have a hard time proving malice," Jim said.</font> <p><font face="Times New Roman,Times">"I don't think so," I said. "After all, you did come looking to profile me, and then, after I refused, this thing came out. Given the amount of utter bullshit that floats to the surface of your magazine each week, I think a good lawyer could probably convince a jury you were gunning for me. Bet our lawyers are better than your lawyers."</font> <p><font face="Times New Roman,Times">"Why are you threatening me?"</font> <p><font face="Times New Roman,Times">"Simple. I want you to leave me alone. I haven't ever done anything to you, or anything other than try to be the best agent for my clients. I don't use crack cocaine. I don't have sex with little boys. I don't cut up animals for fun. There's no story, Jim. Just leave me alone."</font> <p><font face="Times New Roman,Times">"Well, there's one problem here, Tom," Van Doren said. "I don't believe you. Maybe you're not losing it, though I doubt that at the moment. But you <i>are</i> up to something, and something weird." He held up a hand and started ticking off points. "First, my boss got a phone call from the <i>Times</i> this morning about your 'mentor program.' They say Carl Lupo said that this program has been in place for a while. But I know for a <i>fact</i> that this isn't the case -- my guy inside your company told me so."</font> <p><font face="Times New Roman,Times">"This wouldn't be the same 'inside guy' who used your story to snake one of my clients, would it?"</font> <p><font face="Times New Roman,Times">"I don't know anything about that," Jim said. "Though I have heard you broke another agent's nose the other day."</font> <p><font face="Times New Roman,Times">"It's not broken," I said. "Merely bruised."</font> <p><font face="Times New Roman,Times">"Second," Van Doren continued, "you had lunch with Carl Lupo today for over three hours. Three hours, Tom. The last time Carl Lupo did lunch for three hours, he joined Century Pictures as their president. Something is definitely up between the two of you."</font> <p><font face="Times New Roman,Times">"You watched us for three hours, having lunch?" I said. "Jim, you need to get a life."</font> <p><font face="Times New Roman,Times">Van Doren cracked a smile. "This may be so. Or maybe I have a life, chasing the biggest story in Hollywood, one that will actually get me away from writing lousy little pieces about agents that no one really cares about. You could just make it easy for me and tell me what it is, and then I'll leave you alone."</font> <p><font face="Times New Roman,Times">"Fine," I said. "Carl and I are laying the groundwork for an encounter between humans and space aliens. He even went up to their ship. I've got one of them boarding with me at home. His best friend is a dog."</font> <p><font face="Times New Roman,Times">"Uh-huh," Van Doren said. "I'm buying that one. A spaceship. Was Elvis there with Jim Morrison and Tupac Shakur?"</font> <p><font face="Times New Roman,Times">"Of course not," I said. "That's just plain silly."</font> <p><font face="Times New Roman,Times">"Right. I don't mind if you don't tell me, Tom," Van Doren said. "Just don't expect me not to follow it up. Something's going on and I'm going to find it out. I work for a shitty magazine, but I'm not a shitty journalist. I'm actually good at what I do, whatever you might think."</font> <p><font face="Times New Roman,Times">"If you're so good, how come you did such a bad job of tailing me just now?"</font> <p><font face="Times New Roman,Times">"Oh, that," Van Doren said, smiling again "I'm just a really bad driver."</font> <p><font face="Times New Roman,Times">I pulled over. Van Doren looked around. "Where are we?"</font> <p><font face="Times New Roman,Times">"The place where you get out of my car," I said.</font> <p><font face="Times New Roman,Times">"You're just going to leave me here?" he asked.</font> <p><font face="Times New Roman,Times">"Well, you didn't think I'd actually take you where I was going, did you?" I said.</font> <p><font face="Times New Roman,Times">"Man," Van Doren said. "You're just plain evil." He got out of the car, then turned around and held onto the door for a minute. "By the way, Tom. There are no sulfur spas around here. And your father is dead and your mother lives in Arizona, which would have made having dinner with them difficult in one case and impossible in the other. If there's no story here, why did you start lying to me from the beginning?"</font> <p><font face="Times New Roman,Times">I didn't answer. He closed the door, put his hands in his pockets, and walked away.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">Roland Lanois poked his head out of his office. "Sorry, Tom," he said, "I ran a little late on that last one and I had to finish up some paperwork."</font> <p><font face="Times New Roman,Times">"No problem," I said. "I was running late myself. I had to drop someone off."</font> <p><font face="Times New Roman,Times">"Well, then," Roland said, opening his office door. "We're both forgiven. Come into the sanctum, Tom."</font> <p><font face="Times New Roman,Times">Roland Lanois, Montreal born, Eton and Oxford-educated, was cultured, sophisticated, witty, had great taste and an industry-wide reputation for being the most polite producer in the business. Most people who met him assumed he was gay. In fact, he cut a swath through his leading ladies like a harvester through a wheat field. Hollywood folks just aren't used to heterosexual men having any sort of culture.</font> <p><font face="Times New Roman,Times">"Can I get you anything, Tom?" Roland said. "A drink? I was just sent a very nice 18-year old Glenlivet from Ellen Merlow's people. I'd be honored if you'd help me break it in."</font> <p><font face="Times New Roman,Times">"Thanks," I said, settling on Roland's couch. "Neat, please. With a touch of water, if you would."</font> <p><font face="Times New Roman,Times">"Ah," Roland said, cracking open the bottle. "A man of refinement. I have some Evian that should do the job. Ideally, of course, you'd have a bit of the water that the scotch is made from, but we must make do. Anyway, most people in this town put ice in their scotch. Savage, really." Roland poured the scotch.</font> <p><font face="Times New Roman,Times">"Why did Ellen's people send you the scotch?" I asked.</font> <p><font face="Times New Roman,Times">"Oh, come now, Tom," Roland said, glancing over with a slight smile. "You wouldn't be here if you didn't already know that Ellen's dropped out of <i>Hard Memories.</i> It appears she's going to be taking on a more regular -- and lucrative -- gig on television." Roland said <i>television</i> like it hurt his teeth to form the word.</font> <p><font face="Times New Roman,Times">"I hope you know I am sorry to hear about that. She would have been great for the role."</font> <p><font face="Times New Roman,Times">"Yes, indeed," Roland has gotten out the Evian and was delicately administering a drop to both our glasses, "she was perfect. Brilliant actress of course, the right age, and she appeals to the core audience we were going for. But she's going through that divorce of hers, and it doesn't look like her pre-nuptial is going to withstand scrutiny. She's worried about whether her post-nuptial worth is going to allow her to maintain her lifestyle choices. A working horse farm apparently takes more money than you or I would suspect."</font> <p><font face="Times New Roman,Times">Roland handed me the scotch and took a seat in the other side of the couch. "And as you know, we're not working with a very large budget for <i>Hard Memories</i>. So she's jumping ship to play a suburban mother whose butler is an alien. $250,000 an episode. NBC has committed to a 44-episode buy. She keeps her horse farm, and I'm left with my project's arse hanging in the wind. Cheers." Roland reached over to clink his glass. We sipped.</font> <p><font face="Times New Roman,Times">"Damn, that's good scotch," I said.</font> <p><font face="Times New Roman,Times">"Yes, quite good," Roland said. "Which is why it was sent along to soften the blow. Oddly enough, it came along with a Hickory Farm sausage assortment. Strange, isn't it? I suspect they have a new assistant over there who's not quite used to how these things work. At least it didn't come with one of those fruit baskets with a balloon and a stuffed animal. I think I might have killed myself."</font> <p><font face="Times New Roman,Times">"Balloons aren't that bad," I said.</font> <p><font face="Times New Roman,Times">"No, it would be the stuffed animal that would send me over the edge," Roland said. "Now, Tom. You didn't come over to commiserate with me over my project, though you have been very gracious to do so to this point. What's on your mind?"</font> <p><font face="Times New Roman,Times">"Well, I'll get right to it," I said. "I have a client who is very interested in pursuing the role Ellen Merlow's vacated in <i>Hard Memories.</i> Michelle Beck."</font> <p><font face="Times New Roman,Times">"Oh, yes, right," Roland said. "She's been calling here nearly every day, following up on it. Become quite good friends with my assistant Rajiv, in fact, up to the point where the poor lad is practically falling over himself to tell her all the things that are supposed to be production secrets. Really a problem, but you're aware of the effect someone like Miss Beck will have on young males. He's probably impressing the hell out of his old friends from university. I haven't the will to fire him for it."</font> <p><font face="Times New Roman,Times">"You're a good man, Roland Lanois," I said.</font> <p><font face="Times New Roman,Times">"Thank you, Tom. I don't hear that nearly enough." We clinked glasses again, and then Roland sat back, hand to his chin. He looked as if he was considering something weighty, and actually had the intellectual wherewithal to do it. "Tell me, Tom. What do <i>you</i> think of Michelle Beck for the part?"</font> <p><font face="Times New Roman,Times">"I guess that depends if you're asking me as an agent or as a lover of film," I said.</font> <p><font face="Times New Roman,Times">"Really," Roland said, an amused glint in his eye. "I'd like to hear the agent response first."</font> <p><font face="Times New Roman,Times">"She'd be great," I said. "She's hot, she's a draw, she'll absolutely guarantee you a $15 million opening weekend plus strong foreign openings."</font> <p><font face="Times New Roman,Times">"And as a lover of film?"</font> <p><font face="Times New Roman,Times">"You'd have to be out of your mind to give her the role," I said.</font> <p><font face="Times New Roman,Times">"Well," Roland said, sounding impressed. "That's something you're not going to hear out of the mouth of every agent."</font> <p><font face="Times New Roman,Times">I shrugged. "I'm not telling you anything you don't already know," I said. "And I'd look like an idiot if I said anything else."</font> <p><font face="Times New Roman,Times">"What I find interesting," Roland said, "is that you think I'd be mad to give her the role, and yet here you are, about to ask me to do just that. It's a near-Orwellian example of doublethink. I'm fascinated to hear how you are going to reconcile the two."</font> <p><font face="Times New Roman,Times">"There's no need for reconciliation," I said. "I think she'd probably be no good for the role. I'll be honest about that. But -- and here's something you're not going to hear an agent say much of, either -- I could be wrong, and wrong in a big way. I can name you any number of actors and actresses that no one suspected would be able to take on a role, who have turned around and made it work. Sally Field was Gidget for years. Now she's got two Oscars. Hell, Ellen Merlow's first film role was a straight-to-video horror flick."</font> <p><font face="Times New Roman,Times">"I didn't know that," Roland said.</font> <p><font face="Times New Roman,Times">"<i>Blood City III: The Awakening,</i>" I said. "It also features Ellen's first and currently only nude scene."</font> <p><font face="Times New Roman,Times">"Really. I'll have to find that."</font> <p><font face="Times New Roman,Times">"Now Ellen has two Oscars as well. My point here is, just because <i>I</i> think Michelle is wrong for the part, doesn't mean she<i> is.</i>"</font> <p><font face="Times New Roman,Times">"All right, point noted," Roland said. "But there <i>is</i> the complication of Miss Beck not being the right age or, let's put this delicately as possible, having the right amount of intellectual stamina."</font> <p><font face="Times New Roman,Times">"We have 40 year old actresses who move heaven and earth to make themselves look 25," I said. "I think we have the cosmetic technology to go the other direction as well. We might have to reel back the age of the character half a decade or so, but that's not going to make a real impact on the thrust of the story. As for the intellectual end, it may surprise you to know that Michelle has recently been reading Hannah Arendt."</font> <p><font face="Times New Roman,Times">"It does surprise me," Roland said.</font> <p><font face="Times New Roman,Times">"She and my assistant Miranda were discussing the book just this afternoon," I said. I left out the part about Michelle mangling the title of the book.</font> <p><font face="Times New Roman,Times">Roland put his arm on the top of the couch and sipped his scotch, thoughtfully. Then he shook his head. "I'm sorry, Tom," he said. "But I just have a very hard time seeing any way that Michelle Beck could work this role. I wouldn't want to give it to her, just to have it be a fiasco for both her and me. You can see the position I'm in."</font> <p><font face="Times New Roman,Times">"I'm not asking you to <i>give</i> her the role," I said. "All I'm asking is that you give her a reading. If she flubs it, fine. But she'll know she had a shot at it. She'll know I made the effort for it. Knowing Michelle, it'll make her work harder for the next thing that she does. And again: we could both be wrong about this. It couldn't hurt to cover the bases. Roland, what's the status of the movie right now?"</font> <p><font face="Times New Roman,Times">"It's been pushed back, of course," Roland said. "We were in the process of hiring crew and now we've had to let them all off. It's damned inconvenient -- I'm going to lose Januz, my cinematographer, to another project. Some child's film. About <i>primates</i>." He grimaced. "Those things never do well. I don't know what he's thinking."</font> <p><font face="Times New Roman,Times">"Do you have any other actresses lined up?"</font> <p><font face="Times New Roman,Times">"Not any of the really good ones," Roland said. "Once we selected Ellen, they all went off to other commitments. The earliest we'll have any of our A-list choices open is nine months from now. We have some B-listers who could do it, but this isn't the sort of film that will succeed without an established name."</font> <p><font face="Times New Roman,Times">"Well, then," I said. "You've got nothing to lose."</font> <p><font face="Times New Roman,Times">Roland did his thoughtful thing again. "Even if Michelle confounded our expectations," he said. "I don't see how we could afford her. You know that the studios don't throw any sort of money at all to these things."</font> <p><font face="Times New Roman,Times">Inwardly, I did a victory dance. When a producer starts talking about money, it means he's cleared off any philosophical problems he might have with your client. We were now moving through the final steps of the dance. Outwardly, of course, I showed no change in emotion. "Michelle's not looking to do this picture for the paycheck," I said. "I think that, should she confound us, we could come to an accommodation concerning salary."</font> <p><font face="Times New Roman,Times">One more minute of the thoughtful thing. "All right, fine," Roland said. "I don't suppose it could hurt to give her a look. And if, God forbid, she pans out and we get this production on track, all the better. To tell you the truth, Tom, I was thinking of abandoning <i>Hard Memories</i> altogether for another project, which is actually along the same lines -- Holocaust drama, that is."</font> <p><font face="Times New Roman,Times">"Really," I said.</font> <p><font face="Times New Roman,Times">"Yes. Well," Roland ducked his head in what I suspected was his version of a shrug, "it's not really a project yet. It's just a script -- came into our slush pile by a student at NYU, but it's marvelous. It's about a Polish poet, a Catholic, who is put in a Nazi concentration camp for helping Jews during World War II."</font> <p><font face="Times New Roman,Times">"Krysztof Kordus?" I asked.</font> <p><font face="Times New Roman,Times">Roland looked surprised. "Yes, right, that's the man. Again, Tom, I'm impressed. Most people in this business don't know about anything they didn't read in <i>Variety</i>. Anyway, this script is brilliant, really moving. They did a thing on this Kordus fellow a couple decades back on <i>television</i>," -- again, the word was almost spat -- "but this script is far beyond what they did with that. The problem now, of course, is getting clearance to use the man's works in the film. I'm going to have Rajiv chase down who's in charge of Kordus' literary estate, and see what we can come up with. Probably will charge us an arm and a leg for clearance. That's the way these things work."</font> <p><font face="Times New Roman,Times">"You don't have to have Rajiv track anything down," I said. "I can tell you who administers Krysztof's literary estate. You're looking at him."</font> <p><font face="Times New Roman,Times">Roland slipped his arm off the couch and leaned forward. "Get out," he said. "You can't be serious."</font> <p><font face="Times New Roman,Times">"I am," I said. "My father was Krysztof's agent. When Krysztof died, he named my father administrator of his literary estate. When my father died, I inherited the role. I tried to place Krysztof's estate with a real literary agent, but his family asked me to continue on. They wanted to keep it in the family, as it were. I couldn't very well say no, so I stayed with it. It's really not very difficult, since the deals for his books are already in place. All I do is sign off on the current arrangements and mail his daughter a check every three months."</font> <p><font face="Times New Roman,Times">"Tom," Roland said. "I am so <i>very</i> glad you dropped by. Hold on a moment, and I'll get you the script for this project. Read it and let's talk."</font> <p><font face="Times New Roman,Times">"Two scripts, if you don't mind," I said. "Remember why I came here in the first place."</font> <p><font face="Times New Roman,Times">"But of course," Roland said. "By all means, let's set up the screen test. Will a week from today be good? Say, noon?"</font> <p><font face="Times New Roman,Times">"That would be just fine."</font> <p><font face="Times New Roman,Times">"Brilliant," Roland said, and got up. "Don't go anywhere. I'll be back in a flash." he went out to get the scripts from his assistant. I finished my scotch. It was very good scotch.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">I called Michelle with the good news as soon as I got home. She squealed like a happy pig, which in my mind didn't bode well for her chances for the role.</font> <p><font face="Times New Roman,Times">"Thank you, Tom, thank you, thank you, thank you!" she said. "I'm so happy! I can't believe it!"</font> <p><font face="Times New Roman,Times">"Settle down, Michelle," I said, not unkindly. "All you're getting at this point is a reading. You haven't got the film yet. You could go in only to find out they hate you." This was my subtle way of getting her ready for the disappointment.</font> <p><font face="Times New Roman,Times">It wasn't working. "Oh, I don't care," she said. "I'm ready. I've been doing my reading. They're going to be surprised. You'll see. You'll be there, right, Tom?"</font> <p><font face="Times New Roman,Times">"Uh...," I said. "Oh, what the hey. I'll be there."</font> <p><font face="Times New Roman,Times">"Tom, I could just kiss you," Michelle said.</font> <p><font face="Times New Roman,Times">"Let's not try to ruin our client-agent relationship," I said. Michelle giggled. I cringed inwardly and changed the subject. "Miranda tells me you called earlier with a problem with the <i>Earth Resurrected</i> folks. Something about a latex mask?"</font> <p><font face="Times New Roman,Times">"Oh, <i>that</i>," Michelle said. "Tom, they want to pour latex on my head so they can make a stand-in dummy, or something. I don't want to do it."</font> <p><font face="Times New Roman,Times">"Michelle, it's not that bad. They have to make those masks so they can get shots of your head doing things it doesn't normally do, like having veins pop out or your eyes explode. Things like that. All the great action stars have to have them made. Arnold Schwarzenegger has done it. Really, you're not an action star <i>until</i> you have one made."</font> <p><font face="Times New Roman,Times">"But they pour goo on your head, and then you sit there for hours." Michelle said. "How do you <i>breathe</i> through that?"</font> <p><font face="Times New Roman,Times">"As I understand it, they stick straws up your nose," I said.</font> <p><font face="Times New Roman,Times">"No way," Michelle said.</font> <p><font face="Times New Roman,Times">There was a scratching at the back door. I looked over and saw Ralph the retriever standing on the other side of the door.</font> <p><font face="Times New Roman,Times">"Michelle, hold on a second, I have to let my dog in," I said.</font> <p><font face="Times New Roman,Times">"Tom, I can't do the latex mask thing," Michelle said. "I don't want straws in my nose. What if I have a cold? What if they fall out? How am I going to breathe?"</font> <p><font face="Times New Roman,Times">"Michelle, let me just, oh, just hold on a sec." I placed the phone down, ran over the door and slid it open. I ran back to the phone. Ralph walked through the door.</font> <p><font face="Times New Roman,Times">"Michelle, you still there?" I asked.</font> <p><font face="Times New Roman,Times">"I'm not going to do it, Tom," she said again. "I'm claustrophobic. I can't even put a blanket over my head without freaking out. I don't care if they fire me or not."</font> <p><font face="Times New Roman,Times">"Don't say that," I said. "Listen, when are you supposed to have your mask made?"</font> <p><font face="Times New Roman,Times">"A week from today," she said. "3 in the afternoon. I have to go to Pomona."</font> <p><font face="Times New Roman,Times">"Damn," I said. "That's the same day as your reading."</font> <p><font face="Times New Roman,Times">"Well, then," Michelle said. "I can't get the mask made."</font> <p><font face="Times New Roman,Times">Ralph walked over to me and sat. I started knuckling his head, absently. "How about this," I said. "I'll go with you to both. I'll pick you up, we'll go to the reading. Once the reading is done, we'll go to have the mask made, and I'll make sure the straws stay in place. Okay?"</font> <p><font face="Times New Roman,Times">"Tom...," Michelle began.</font> <p><font face="Times New Roman,Times">"Come on, Michelle," I said. "We'll go to Mondo Chicken afterwards. I'm buying."</font> <p><font face="Times New Roman,Times">"Oh, all right," Michelle said. "You always know the right thing to say, Tom."</font> <p><font face="Times New Roman,Times">"That's why you love me, Michelle," I said. I hung up, set the phone down, and knelt down to rub Ralph's ears and coat.</font> <p><font face="Times New Roman,Times">"Hey, there, Ralph," I said, in the goo-goo voice you use with dogs,."Where's your little friend Joshua? Yeah? Your little friend? The one that I'm gonna kill for heading off into the woods when I told him not to go? Huh? Where is the little bastard, Ralphie?"</font> <p><font face="Times New Roman,Times">"Why the hell are you asking me?" Ralph said. "I'm just a dog."</font> <p><font face="Times New Roman,Times">I screamed for a really long time.</font> ]]>

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</entry>
<entry>
<title>Chapter Twelve</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003057.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:12:18Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3057</id>
<created>2004-12-09T04:12:18Z</created>
<summary type="text/plain">&quot;Eeyow,&quot; Ralph said, after I stopped hollering. &quot;That hurt. I would have been happy with a simple &apos;Welcome back.&apos;&quot; &quot;Joshua?&quot; I asked. &quot;Of course,&quot; Ralph/Joshua said. &quot;But I&apos;m also Ralph now, too. Ralphua. Joshualph. Take your pick.&quot; &quot;Joshua,&quot; I said,...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scalzi.com/agent/">
<![CDATA[<p><font face="Times New Roman,Times">"Eeyow," Ralph said, after I stopped hollering. "That hurt. I would have been happy with a simple 'Welcome back.'"</font> <p><font face="Times New Roman,Times">"Joshua?" I asked.</font> <p><font face="Times New Roman,Times">"Of course," Ralph/Joshua said. "But I'm also Ralph now, too. Ralphua. Joshualph. Take your pick."</font> <p><font face="Times New Roman,Times">"Joshua," I said, "What have you done?"</font> <p><font face="Times New Roman,Times">"Tom, snap out of it," Joshua said, irritably. "It's obvious what I've done. Look, I'm a dog!" Joshua barked. "Convinced? Or do you want me to hump your leg?"</font> <p><font face="Times New Roman,Times">I know <i>what</i> you are," I said. "Now I want to know why you did it. I thought you liked Ralph. I thought he was your friend, Joshua. And now look what you've done." I gesticulated, looking for the right words. None came. I used the next best. "You <i>ate</i> him, Joshua!"</font> <p><font face="Times New Roman,Times">Joshua laughed, which sounded unbelievably bizarre coming from a dog. "I'm sorry, Tom," he said, finally. "Now I know what you're getting at. You make it sound like I was waiting for the right moment to body-snatch Ralph. It didn't happen that way. I told you before that the Yherajk don't do that sort of thing. Tom, Ralph was dying. And this was the only way to save him."</font> <p><font face="Times New Roman,Times">"I don't understand," I said.</font> <p><font face="Times New Roman,Times">"Well, if you promise not to yell at me anymore, I'll tell you. All right?"</font> <p><font face="Times New Roman,Times">"All right," I said.</font> <p><font face="Times New Roman,Times">"Good," Joshua said. Let's go into the living room. Could you do me the favor of getting me a beer?"</font> <p><font face="Times New Roman,Times">"What?"</font> <p><font face="Times New Roman,Times">"A beer, Tom. You know. A brew. Oat soda. Suds. I don't have any tendrils to open things with anymore. And just because I'm a dog doesn't mean I couldn't use a drink every now and then. I'll meet you in the living room." He padded out. I went to get him a beer, a bowl to drink it out of, and a couple of aspirin for myself, and then joined him in the living room, taking a seat in my lounger.</font> <p><font face="Times New Roman,Times">I downed the aspirin, took a slug of the beer to chase them down, and put the rest of it in the bowl. Joshua lapped it up. I reached over to pet him, but then I stopped. It didn't seem appropriate anymore. You don't pet thinking things.</font> <p><font face="Times New Roman,Times">"That's better," Joshua said. "Thanks, Tom."</font> <p><font face="Times New Roman,Times">"You're welcome," I said. "Now, what happened out there?"</font> <p><font face="Times New Roman,Times">"Ralph had a heart attack," Joshua said, and I watched his mouth as he spoke. His mouth hung open as the words came out -- it was like he had swallowed a radio. "We were a couple of miles from here, going up a hillside. Ralph had been fine up until then. But on the way up the hill, I heard him give a little whimper. I looked back and he had collapsed. I went back to see if there was anything wrong, but I didn't see any cuts or bone breaks. So that's when I entered his brain, and found out he had a heart attack."</font> <p><font face="Times New Roman,Times">"How could you tell?"</font> <p><font face="Times New Roman,Times">"I could read where he was feeling pain," Joshua said. "His whole chest felt like it was being squeezed. Ralph was confused, of course; he's just a dog, after all. He didn't know what was going on."</font> <p><font face="Times New Roman,Times">"Why didn't you call me then?" I asked. "I would have come back and taken Ralph to the vet."</font> <p><font face="Times New Roman,Times">"Think about it, Tom," Joshua said. "You were in Venice Beach at the time, remember? By the time you got back here and hiked out to where we were, Ralph would have been long gone. And even if you <i>had</i> got back in time and had taken him to a vet, the vet would've just told you there was nothing to be done. And besides, he's not really your dog. You couldn't have done anything."</font> <p><font face="Times New Roman,Times">That stung. Joshua must have picked up on it. "I don't mean to imply that you had done anything wrong, Tom," he said, gently. "Just that there wasn't time. Even if there was, this was a better way. Ralph deserved better than to die on a vet table with strangers over him."</font> <p><font face="Times New Roman,Times">"So Ralph had a heart attack," I said, my voice slightly husky. "What did you do then?"</font> <p><font face="Times New Roman,Times">"The first thing I did was I cut off the pain," Joshua said. "I didn't want him feeling any pain. I also cut off his motor control, so he wouldn't go bounding off because he was feeling better. Then I sent a tendril into his chest to see how bad it was, and whether or not we could make it back to the house. As it turned out, it was pretty bad. Ralph was old and his heart was in bad shape.</font> <p><font face="Times New Roman,Times">"By this time, Ralph was pretty much out of it -- his little brain was blipping all over the place, Tom. I didn't want him to die, so I did two things. First I called your assistant and told her that we'd be late. And then I inhabited Ralph."</font> <p><font face="Times New Roman,Times">"What does that mean?" I asked.</font> <p><font face="Times New Roman,Times">"Well, look at me," Joshua said.</font> <p><font face="Times New Roman,Times">"I mean, how it that different from Ralph just dying?" I said. "After all, it's not Ralph in there, Joshua. It's you."</font> <p><font face="Times New Roman,Times">"Not quite accurate," Joshua said. "All of Ralph's memories and feelings are still here. I distinctly remember being a dog and doing doggie things."</font> <p><font face="Times New Roman,Times">"But you're <i>not</i> Ralph," I said.</font> <p><font face="Times New Roman,Times">"No," Joshua admitted. "But on the other hand, Ralph didn't die. His personality just...melded into mine. From Ralph's point of view, he suddenly became a lot more intelligent. He's the dog with the 180 IQ. On my end, I now know the world from a dog's eye point of view. I, being Joshua, am obviously going to be dominant. But don't be surprised when I do something that reminds you of Ralph. It's all here, in one big package. Which is why I said, 'Ralphua.'"</font> <p><font face="Times New Roman,Times">"What did Ralph think of this, if you don't mind me asking?"</font> <p><font face="Times New Roman,Times">"He was good with it," Joshua said. "Though not in any way you'd understand. I basically let him know not to worry, and he basically let me know that he trusted me. Then he and I became we. Which then became me. And <i>I'm</i> pleased to be alive, so there you have it."</font> <p><font face="Times New Roman,Times">I leaned back in my chair. "This is making my head hurt."</font> <p><font face="Times New Roman,Times">"Have some more aspirin," Joshua suggested.</font> <p><font face="Times New Roman,Times">I looked back down at Joshua. He sat there like a typical retriever. "What did you do with your old body?" I asked. "Did you leave it up there on the hillside? Do we need to go find it and bury it or something?"</font> <p><font face="Times New Roman,Times">"Nope," Joshua said. "It's in here. Timesharing, as it were. Right now my old body is in Ralph's digestive system and in his blood vessels. He's not eating anything that I'm not eating, obviously, and my cells are doing the role of blood, transferring oxygen to his cells. See, look at my tongue," Joshua's doggie tongue rolled out, an albino sort of pink, "not nearly as red as it used to be. Anyway, this is only short term solution.-- controlling two bodies is a lot of work, even when I have my old body more or less on autopilot."</font> <p><font face="Times New Roman,Times">"What's the long term solution?"</font> <p><font face="Times New Roman,Times">"Well, eventually my cells will take the place of all his cells," Joshua said. "It's more efficient, especially since I won't have all these damned specialized organs to deal with. The only thing I'll need to be concerned with is maintaining my shape and appearance, which won't be that difficult. It'll take about a week."</font> <p><font face="Times New Roman,Times">"What happens to the old cells?" I asked.</font> <p><font face="Times New Roman,Times">"I digest them."</font> <p><font face="Times New Roman,Times">"Oh, <i>man</i>," I said. "You <i>are</i> eating him."</font> <p><font face="Times New Roman,Times">"Tom," Joshua said. "It's not nearly as gross as you think. And anyway, it needs to be done -- I can't keep controlling both bodies, and my Yherajk body is more flexible."</font> <p><font face="Times New Roman,Times">"And none of this," -- I waved my hands -- "conflicts with your 'don't take over other life forms' thinking."</font> <p><font face="Times New Roman,Times">"Hmmmm, well," Joshua said. "It's a borderline case. The limitation is 'sentient life forms'. We could argue whether or not Ralph, character though he was, truly qualified as sentient. Now,<i> I</i> think he was -- a low-grade variety, you know, but that's a matter of degree, not of kind. But I also feel that he gave me consent. Sort of. It's something that could be argued. But I don't feel wrong for having done it. Besides, I <i>like</i> being a dog. I marked every tree on the way here, you know. It's all my territory now."</font> <p><font face="Times New Roman,Times">"Good thing my cat's not still alive," I said "I think you and he may have had words about that."</font> <p><font face="Times New Roman,Times">"Hey, that reminds me," Joshua said. "Was your cat a striped tabby?"</font> <p><font face="Times New Roman,Times">"He was," I said. "Orange. Big."</font> <p><font face="Times New Roman,Times">"Don't know about the orange part, but I've got a memory of chasing a big tabby down the road a couple of years back and seeing it get squashed by a big truck." Joshua squinted, which is a funny look on a dog. "A Ford Explorer, it looks like."</font> <p><font face="Times New Roman,Times">"Great. Ralph is a cat murderer. Just what I needed."</font> <p><font face="Times New Roman,Times">"He was just playing around with the cat, Tom," Joshua said. "He felt really guilty about it afterwards."</font> <p><font face="Times New Roman,Times">I slapped my hands on my legs and stood up. "On that note, I'm going to get another beer. I think I could use it."</font> <p><font face="Times New Roman,Times">"Could you bring me another one, too?" Joshua asked. "Can't open one myself, you know."</font> <p><font face="Times New Roman,Times">"Now wait a minute," I said. "If you can't make tendrils anymore, how did you make the call earlier today?"</font> <p><font face="Times New Roman,Times">"The cel phone has a 'redial' button, Tom. And believe me, it was a pain in the ass to try to hit it."</font> <p><font face="Times New Roman,Times">"Where <i>is</i> the cel phone?" I asked.</font> <p><font face="Times New Roman,Times">"Uh...." Joshua hung his head. "I left it out on the hillside. Sorry. I didn't want to have to carry it in my mouth for two miles."</font> <p><font face="Times New Roman,Times">"Joshua, you're a <i>retriever</i>," I said. "That's what you <i>do</i>."</font> <p><font face="Times New Roman,Times">"That's what I <i>did</i>," Joshua said. "I'm in another line of work now."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">The next morning, Joshua and I visited Carl.</font> <p><font face="Times New Roman,Times">"Well, isn't that just the most adorable puppy!" Carl's assistant Marcella said, leaning over her desk to look at Joshua.</font> <p><font face="Times New Roman,Times">"Only on the outside," I said.</font> <p><font face="Times New Roman,Times">"Why, Tom, what a terrible thing to say," Marcella said. "You know that dogs can pick up on what you're saying about them."</font> <p><font face="Times New Roman,Times">"I have no doubt whatsoever about that," I said. "Is Carl in? I'd like to speak to him, if he has a moment."</font> <p><font face="Times New Roman,Times">"He's in," Marcella said. "Let me see if he can see you." She motioned us over to the waiting area. As we sat, Joshua put his paw on my foot, our signal for when he had something he wanted to say to me. I leaned down, very close to his mouth. "What?" I whispered.</font> <p><font face="Times New Roman,Times">"I just want you to know, I'm having a rough time of things at the moment," Joshua said, his voice barely above a whisper itself. "My dog nature is getting the best of me."</font> <p><font face="Times New Roman,Times">"What do you mean?" I said.</font> <p><font face="Times New Roman,Times">"I mean I have this <i>incredible</i> urge to stick my nose in every crotch that goes by," Joshua said. "It's driving me insane."</font> <p><font face="Times New Roman,Times">"Try to control yourself," I said. "After this meeting I'll take you to the park and you can sniff some other dogs' butts. Good enough?"</font> <p><font face="Times New Roman,Times">"You're mocking me, aren't you," Joshua said.</font> <p><font face="Times New Roman,Times">"Maybe," I said.</font> <p><font face="Times New Roman,Times">"Tom?" Marcella looked over to us. "Carl will see you now." She crinkled a smile and wiggled her fingers at Joshua. Joshua surged, as if to make a beeline for her lap. I held him by his collar and dragged him into Carl's office. Carl was at his desk, glancing at a <i>Hollywood Reporter.</i> He set it down as I closed the door.</font> <p><font face="Times New Roman,Times">"Tom," Carl said, and then glanced down at Joshua. "Is this Joshua's friend?"</font> <p><font face="Times New Roman,Times">"Not exactly," I said, and turned to Joshua. "Say hello, Joshua."</font> <p><font face="Times New Roman,Times">"Hello, Joshua," Joshua said.</font> <p><font face="Times New Roman,Times">Carl was momentarily startled but recovered quite a bit quicker than I did. "Cute," he finally said.</font> <p><font face="Times New Roman,Times">"Thanks. I love that joke," Joshua said.</font> <p><font face="Times New Roman,Times">"Would one of you mind telling me how Joshua got in there?" Carl said.</font> <p><font face="Times New Roman,Times">"His dog friend was old and had a heart attack, and Joshua decided to inhabit the body," I said.</font> <p><font face="Times New Roman,Times">"I've also melded with the dog's personality," Joshua said.</font> <p><font face="Times New Roman,Times">Carl furrowed his brow. "You mean your personality is part <i>dog</i>?"</font> <p><font face="Times New Roman,Times">"If you throw a stick, will I not fetch?" Joshua intoned. "If you scratch my backside, will I not jerk my leg? if you show me a cat, will I not chase? Sorry, Tom."</font> <p><font face="Times New Roman,Times">"It's all right," I said.</font> <p><font face="Times New Roman,Times">"Tom, "Carl said, "I'm hoping this isn't your idea of how to bring our peoples together. Joshua appears happy to be a dog, but I don't think that's the form that we want the Yherajk to take for their grand debut."</font> <p><font face="Times New Roman,Times">"Believe me, it's not," I said. "But I think letting him be a dog for a while has some interesting aspects."</font> <p><font face="Times New Roman,Times">"Explain," Carl said.</font> <p><font face="Times New Roman,Times">"Well, for one thing, it finally allows him to interact with humans besides you and me," I said. "I can take him places now. He's not going to get the full human experience, to be sure, but he's going to see more of the place than he would trapped in my house all the time. And maybe the interaction will give us some ideas to go on for how we finally do introduce the Yherajk."</font> <p><font face="Times New Roman,Times">"Joshua?" Carl said.</font> <p><font face="Times New Roman,Times">"Being a dog isn't optimal for observation," Joshua said. "But it's better than what I was doing, which was watching cable television and going into online chat rooms. And I'm having fun. I am the Alpha Dog of the Universe. It doesn't get much better than that."</font> <p><font face="Times New Roman,Times">Carl turned his attention back to me. "What is your plan?"</font> <p><font face="Times New Roman,Times">"I don't have one at the moment," I said. "I thought I'd just take him places and let him look around. You know, be a professional dog walker for a while."</font> <p><font face="Times New Roman,Times">"He's good at it," Joshua volunteered, "and he needs the exercise."</font> <p><font face="Times New Roman,Times">"Quiet, you," Carl said to Joshua. Joshua immediately looked like a dog who knows he's taken a dump in the wrong place in the house. I never would have told Joshua to be quiet. But then, I'm not his dad.</font> <p><font face="Times New Roman,Times">"I can't have you wandering around with a dog," Carl said. "That Van Doren character is still floating around out there. We have to keep you busy." Carl thought for a few moments, then turned back to Joshua.</font> <p><font face="Times New Roman,Times">"Can you act?" Carl asked Joshua.</font> <p><font face="Times New Roman,Times">"I'm pretending to be a dog, aren't I?" Joshua said.</font> <p><font face="Times New Roman,Times">Carl buzzed Marcella. "Get me Albert Bowen, if you please, Marcella," he said, and clicked her off. He turned to me. "You have anything going on in the next few days?"</font> <p><font face="Times New Roman,Times">"Not really. I got Michelle Beck a reading for <i>Hard Memories,</i> but that's not until next week. Amanda's handling all the rest of my clients. I'm free," I said.</font> <p><font face="Times New Roman,Times">"Good," Carl said. "Albert Bowen and I went to college together. He's a vet and a trainer, and handles animal casting for commercials and television. Let's see what we can do with this."</font> <p><font face="Times New Roman,Times">Marcella's came over the speakerphone. "Albert Bowen holding for Carl Lupo," she said, and clicked off.</font> <p><font face="Times New Roman,Times">"Hey, Al," Carl said.</font> <p><font face="Times New Roman,Times">"Wolfman!" Bowen said on the other end. Carl twitched slightly at the nickname. College familiarity was probably the only reason Carl let him get away with it. "Haven't heard from you in a while, my friend. What can I do for you?"</font> <p><font face="Times New Roman,Times">"I got an interesting potential client, Al," Carl said. "Animal trainer from the Yukon Territory. Trains dogs. One of my agents did a trek up the Pacific coastline about a year ago and found this guy doing a show outside of Whitehorse. Smartest damned dogs you ever saw. The agent managed to convince the guy to ship one of the dogs down for a week, to see if they might have a future in commercials and films. I think they might, and if it works out, we're going to represent the trainer."</font> <p><font face="Times New Roman,Times">"The trainer shipped one of the <i>dogs</i>?" Bowen said. "He didn't come down himself?"</font> <p><font face="Times New Roman,Times">"Said he didn't need to. Sent the agent a manual with hand signs. Said that's all he'd need, the dog would understand. I told you these were smart dogs, Al."</font> <p><font face="Times New Roman,Times">"Hmmph. I'll have to see it before I believe it," Bowen said.</font> <p><font face="Times New Roman,Times">"Well, Al, that's my plan. I'm going to send the agent over with the dog. The agent's name is Tom Stein, and the dog's name is Joshua. You want to give the dog a looksee and tell me what you think? And if you can use him in any commercials over the next week or so, that'd be good with us. The trainer has given us free rein for this week only."</font> <p><font face="Times New Roman,Times">"Who is this guy?" Bowen said.</font> <p><font face="Times New Roman,Times">"Not going to say, Al," Carl said. "Company secret until we have a deal signed. But if you like what you see, I think we can work out an exclusive contract for your casting company. Work for you?"</font> <p><font face="Times New Roman,Times">"Hell, yes, Carl," Bowen said. "Have them come up today around one. We'll put the dog through the paces and I'll get back to you by tomorrow morning. You know where my ranch is?"</font> <p><font face="Times New Roman,Times">"Valencia, if I'm not mistaken," Carl said.</font> <p><font face="Times New Roman,Times">"Right you are," Bowen said. "take the Magic Mountain exit, go left, and head into the hills for five miles. Can't miss it. We'll be looking forward to seeing them." Carl and Bowen did their good-bye pleasantries and hung up.</font> <p><font face="Times New Roman,Times">"Yukon Territory? Whitehorse?" I said.</font> <p><font face="Times New Roman,Times">Carl smiled broadly. "I'd like to see anyone check up on <i>that</i> whopper," he said.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">Al Bowen met us in the driveway of his ranch, clearly eager to meet Joshua. That is, until he saw him.</font> <p><font face="Times New Roman,Times">"<i>This</i> is the dog?" Bowen said, after we made our introductions. It was clear that he didn't think Joshua was any great prize. But the same could be said of him; Al Bowen was one of those guys who looked like he had spent far too much of his life being a roadie for the Grateful Dead.</font> <p><font face="Times New Roman,Times">"That's him," I said. "He's really more intelligent than he looks."</font> <p><font face="Times New Roman,Times">"I hope so," Bowen said, and knelt down. "He's not a biter, is he?"</font> <p><font face="Times New Roman,Times">"Not that I know of," I said.</font> <p><font face="Times New Roman,Times">Bowen held out his hand to let Joshua sniff him. Joshua declined. Bowen took hold of Joshua's snout and took at look at his gums, then felt down Joshua's body.</font> <p><font face="Times New Roman,Times">"How old is this dog?" He finally asked.</font> <p><font face="Times New Roman,Times">"Eight years, I think," I said.</font> <p><font face="Times New Roman,Times">Bowen snorted. "He's twice that if he's a year, Tom," he said, straightening up. "I have to tell you, if Carl hadn't vouched for this animal, I'd turn you around right now. Come on, let's go this way." He led us past the ranch house, into the back.</font> <p><font face="Times New Roman,Times">"Nice place you've got here," I said.</font> <p><font face="Times New Roman,Times">"Thanks," Bowen said. "It's nothing big, just a couple thousand acres. Family land, you know. Been in the family since the 1800s. Thought I might have to sell it in the 70s, but then I got my vet degree and started doing this. Pays the bills. Got quite a menagerie here -- dogs, cats, pigs, horses, even some llamas. We had a herd of cattle we'd rent out for stampede scenes, but there's not much call for that recently. Had to turn most of them into cat food." We stopped at an enclosed yard that looked like an obstacle course.</font> <p><font face="Times New Roman,Times">"What is this?"</font> <p><font face="Times New Roman,Times">"Well, this is a training track," Bowen said. "If we want to have an animal do something complicated, like run through a house and open a window, we'll sort of create that here and run them through it until it gets hardwired into their brains. I figure that dog of yours has a repertoire of tricks. Tell me what they are, and we'll set up the track and run him through a couple."</font> <p><font face="Times New Roman,Times">"That's not the way he was trained," I said.</font> <p><font face="Times New Roman,Times">Bowen looked at me like I was a bad peyote flashback. "What do you mean?" he said.</font> <p><font face="Times New Roman,Times">"Well, as I understand it, he's sort of trained the other way. Set up the track the way you want it, and tell him what to do, and he'll do it." I was making all this up, and this sounded reasonable to me.</font> <p><font face="Times New Roman,Times">But apparently it didn't sound that way to Bowen. "Look, Tom," he said. "I don't know what fool chase Carl has you running, or if you've pulled a fast one on Carl. But every dog has to be trained for specific tasks. I love and respect dogs, but even the smartest ones can't just be told to do something brand new and then do it. That's just not the way their brains work."</font> <p><font face="Times New Roman,Times">"Mr. Bowen, before you say it can't be done, why don't we try it first?" I said. "I think you'll be surprised."</font> <p><font face="Times New Roman,Times">Bowen looked irritated, and then he laughed. "Fine, then," he said. "Give me a minute to prepare the track." He went into the enclosed area and began moving things around.</font> <p><font face="Times New Roman,Times">"'Is he a biter'," Joshua said, under his breath. "I almost nipped off his nose, just for that one."</font> <p><font face="Times New Roman,Times">"Behave yourself, Joshua," I said. "You think you can handle this?"</font> <p><font face="Times New Roman,Times">"Deep in my bowels of my intellect, I have the knowledge necessary to pilot an interstellar spacecraft," Joshua said. "I think I should be sufficiently competent to walk and jump."</font> <p><font face="Times New Roman,Times">"No need to get testy," I said.</font> <p><font face="Times New Roman,Times">"Sorry," Joshua said. "Personally, I think I'm a fine dog. Remind me to pee on this guy's shoes before we go."</font> <p><font face="Times New Roman,Times">Bowen came back to our side of the enclosure and opened it to let us through.</font> <p><font face="Times New Roman,Times">"Let me walk you through this," he said.</font> <p><font face="Times New Roman,Times">"You can just tell me," I said. "That should be fine."</font> <p><font face="Times New Roman,Times">Bowen smirked. "All right, then. Here's what I want. I want your dog to leap over that plastic fence over there, come back around this way to this" -- he motioned to a window with a shade on it -- "and grab the blind string in his mouth to open the blind. Finally, I want him to go all the way back there" -- He pointed to what looked like a kid's playhouse -- "there's a doorbell button on the right side of the door that he should be able to press. Have him press it, turn around, sit, and bark back at us."</font> <p><font face="Times New Roman,Times">"Is that all?" I said.</font> <p><font face="Times New Roman,Times">"Son," Bowen said. "It would take the better part of a year for a dog to learn something this complicated. If your dog can get just one of these things on the first try, he qualifies as the smartest dog in the history of dogs."</font> <p><font face="Times New Roman,Times">"Joshua," I snapped my fingers as if to make him heel. He sauntered over and sat, looking at me. I pointed to the plastic fence.</font> <p><font face="Times New Roman,Times">"Jump!" I said. I then moved my arm over to the blind.</font> <p><font face="Times New Roman,Times">"Pull!" I said. I then moved my arm over to the playhouse doorbell.</font> <p><font face="Times New Roman,Times">"Press!" I said. I then made a spinning motion with my hand, and mimed my hand sitting.</font> <p><font face="Times New Roman,Times">"Bark!" I said.</font> <p><font face="Times New Roman,Times">Joshua shot me a look that clearly said, <i>give me a fucking break.</i></font> <p><font face="Times New Roman,Times">"Go!" I said. He sprinted off.</font> <p><font face="Times New Roman,Times">"Mary mother of God in a lobster bib," Al Bowen said, roughly twenty seconds later.</font> <p><font face="Times New Roman,Times">"I thought he was a little sloppy about the blinds," I said. They were, in fact, slightly crooked.</font> <p><font face="Times New Roman,Times">"Listen," Bowen said. "I've got a Mighty Dog commercial scheduled here for the day after tomorrow. Tell me you can make it."</font> <p><font face="Times New Roman,Times">"Sure," I said.</font> <p><font face="Times New Roman,Times">"We start shooting at 10:30," Bowen said. "Try to be here by 7. This is smartest dog I've ever seen in my life, but he's still going to need a lot of grooming work." He shook his head and walked away.</font> <p><font face="Times New Roman,Times">Joshua walked up. "Well?" he said.</font> <p><font face="Times New Roman,Times">"You're going to be in a Mighty Dog commercial," I said.</font> <p><font face="Times New Roman,Times">"Well, all right, then," Joshua said. "I would hate to be associated with anything that wasn't 100% pure beef, you know."</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Thirteen</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003058.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:43:46Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3058</id>
<created>2004-12-09T04:43:46Z</created>
<summary type="text/plain">On September 1, 1939, Nazi Germany began World War II by bombing the hell out of the Polish capital of Warsaw. By September 27, the Germans were dipping their feet in the Vistula river, which bisects the city; shortly thereafter,...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scalzi.com/agent/">
<![CDATA[<p><font face="Times New Roman,Times">On September 1, 1939, Nazi Germany began World War II by bombing the hell out of the Polish capital of Warsaw. By September 27, the Germans were dipping their feet in the Vistula river, which bisects the city; shortly thereafter, the Jews of Warsaw were herded into the Warsaw Ghetto -- 500,000 of them, initially, in an area roughly one mile square. In July of 1942, the Nazis began deporting the Jews<i> en masse</i> from the ghetto. Between July 22 and October 3, 300,000 were deported to the various concentration camps -- Treblinka and Chelmno were the closest to the city of Warsaw -- and exterminated. In April of 1943, the 40,000 or so Jews who remained in the ghetto were attacked by the Nazis. They fought back, heroically, for three weeks. And then nearly all of them were killed.</font> <p><font face="Times New Roman,Times">One who survived was Rachel Spiegelman. In pre-War times, Rachel and her family were well-to-do professionals; the daughter and granddaughter of physicians, Rachel herself had studied law and worked as the office manager of her husband's law firm. In addition to Polish and Yiddish, she spoke German and English, and had even been to America as a child, to visit family members who had emigrated there. She was a daughter and wife of privilege, and the fall from having servants and summer homes to living six to a room in the ghetto was a long one.</font> <p><font face="Times New Roman,Times">And yet, inasmuch as one can in the circumstances, Rachel thrived. She was tough-minded and sensible -- and also formidable. When the Nazis informed the ghetto residents that they were to form Jewish councils that would oversee housing, sanitation and manufacturing production, she forbade any member of her family from joining the councils, declaring that those who worked with the Germans were leading the rest to the slaughter. When her husband disobeyed her and served on a council, Rachel threw him out of the room that they shared with Rachel's parents, her brother, and her brother's wife.</font> <p><font face="Times New Roman,Times">She then organized her neighborhood to operate around the councils and clashed with them repeatedly over their edicts. With a young Pole who was rumored to be her lover, she operated a black market, somehow finding meat and sweets when the Germans allowed only turnips and beets to be sent into the ghetto. When the Nazis ordered the Jewish councils to find "volunteers" for deportation, Rachel , working desperately, found her neighbors work in armament plants or hid them, delaying but ultimately failing to stem the death flow out of the ghetto. She fought alongside the remaining Jews during the ghetto uprising for two weeks, one of the very few women left in the ghetto to do so; in the third week, against her better judgment, she attempted to escape the ghetto with her young Pole. They actually did it, only to be turned in by one the Pole's "friends". He was shot and killed; she was sent to Treblinka.</font> <p><font face="Times New Roman,Times">From April until the beginning of August, Rachel slaved in the camp; on August 3rd, it was decided that she was no longer needed. She was sent a mile up the road to Treblinka II, where the "bathhouses" were. These bathhouses were connected to huge diesel engines that pumped in carbon monoxide -- deadly, but not very efficient. It typically took nearly a half hour before the hundreds crammed inside the "bathhouses" died. It was a long and terrifying death, and between 700,000 and 900,000 people died that way, in that camp.</font> <p><font face="Times New Roman,Times">On August 3rd, however, there were some surprising deaths at Treblinka II; namely, an SS officer and several guards. They were killed by some of the Jews who worked at the camp, performing the executions, excavating the corpses for gold teeth and other valuables, and transporting the bodies to mass graves. The Jews chose that day to attempt a revolt, and while it was not successful, over 200 Jews escaped the camp during the chaos. Rachel was one of them. Most of the escapees were eventually recaptured or killed. Rachel was not. Rachel went north, eventually finding passage to Sweden. After the war ended, she emigrated from there to the United States.</font> <p><font face="Times New Roman,Times">Rachel's story would be remarkable enough if it had ended there. But it did not. Once Rachel arrived in the US, she was outraged to discover that her adopted country, the one that had fought for the freedom of Europe, was dealing with Black Americans like the Germans dealt with the Jews. Even some of the laws were effectively the same -- No intermarriage, segregated schools and services, and violence either ignored or actively condoned by those whose job it was to keep the peace. "There are black shirts beneath those white robes," she would later write.</font> <p><font face="Times New Roman,Times">So she did something about it. She went back to law school and got her J.D. -- and the next day got on a bus to Montgomery, Alabama, the Heart of Dixie. She passed the bar and set up shop: a female, Jewish lawyer, offering legal services to black sharecroppers and factory workers. Her office was firebombed twice in the first month. The next, someone drove by and put a bullet through her window. It ricocheted and struck her in the leg. She went to the hospital to have it removed, and was denied medical help by the emergency room resident, who refused to work on a "nigger-loving Jew." Rachel responded by prying out the bullet herself, right there, slamming it down on the resident's clip board, and walking out under her own power. Then she sued the hospital and the resident. She won. Her office was firebombed again.</font> <p><font face="Times New Roman,Times">She stayed on -- on through the Montgomery Bus Boycott of 1955, when she bought her first car to avoid riding the buses and ferried black friends to and from work. On through the Birmingham protests of 1963, when she was arrested twice by white policemen and bitten three times by their dogs. On through Martin Luther King's 1965 march from Selma to Montgomery, when she and King walked arm-in-arm as they strode past her offices, now staffed with partners -- half of them black.</font> <p><font face="Times New Roman,Times">Just before she died in 1975, she wrote in <i>Time</i> magazine, "I feel the work I have done was the work I was destined to do. I know what it is to lose my rights and to be told that I have no right to exist, to see my family, my friends and my humanity stripped away from me. These are hard memories, couched in sorrow and anger. But I also know what it is to see others begin to gain their rights and their humanity, to be told, yes, you are our brothers and sisters. Come join us at the family table, and be welcome. My work, though such a small part of a larger whole, has helped to make this a reality. It makes those hard memories a little easier to bear, because <i>these</i> memories -- they are glorious."</font> <p><font face="Times New Roman,Times">This is the woman that Michelle Beck wanted to portray. Could she do it?</font> <p><font face="Times New Roman,Times">Well, she was the right sex.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">By the time Michelle and I waited in Roland Lanois' anteroom, however, any hint that I felt Michelle to be utterly wrong for the role had vanished. After a certain point as an agent, you simply stop worrying about the far-reaching implications of what you are doing and deal with the at-the-moment details. Some would call it enforced amorality. But it's really just a matter of being there for your client, and doing what needs to be done. At the moment, I was trying to keep Michelle from hyperventilating.</font> <p><font face="Times New Roman,Times">"Breathe," I said. "Respiration is a good thing."</font> <p><font face="Times New Roman,Times">"I'm so sorry, Tom," Michelle said. She was gripping both sides of her chair so hard it looked like she might dent the metal. "I'm just so <i>nervous</i>. I didn't think I would be. But I am. Oh, God," she said. She started thumping her chest with her fist. "Oh, Tom, I'm sorry." She sounded like a helicopter.</font> <p><font face="Times New Roman,Times">I grabbed the fist before she could break her ribs. "Stop apologizing. You haven't done anything wrong. It's okay to be nervous, Michelle. This is a pretty big role. But I don't think you need to bruise yourself over it. Have you read the scene Roland wants you to do?"</font> <p><font face="Times New Roman,Times">"Yes," she said, and then grinned sheepishly. "I actually memorized the whole thing. All the parts. I didn't want to blow it. Isn't that stupid?"</font> <p><font face="Times New Roman,Times">"No, not really," I said. "You know, when Elvis started work on his very first film, he memorized the entire script. All the parts, not just his own. No one told him there was any other way to do it."</font> <p><font face="Times New Roman,Times">Michelle looked at me, confused. "Elvis was an actor?"</font> <p><font face="Times New Roman,Times">"Well, I don't know that I'd go <i>that</i> far," I said. "But he was in movies. <i>Jailhouse Rock. Love Me Tender. Blue Hawaii.</i>"</font> <p><font face="Times New Roman,Times">"I thought those were songs," Michelle said.</font> <p><font face="Times New Roman,Times">"They are songs," I agreed. "But they're also movies."</font> <p><font face="Times New Roman,Times">"Oh, great," Michelle said. "Now Elvis songs are going on in my head." She stood up and started pacing. Watching her was making me tired.</font> <p><font face="Times New Roman,Times">Rajiv, Roland's assistant, came out of Roland's office. "Okay," he said. "We're setting up the video camera, so if you want to come on in, we'll get started right away."</font> <p><font face="Times New Roman,Times">Michelle took in a sharp intake of breath; it sounded like she was trying to inhale the ficus plant on the other side of the office. Rajiv jumped slightly at the noise.</font> <p><font face="Times New Roman,Times">"Give us just a minute," I said.</font> <p><font face="Times New Roman,Times">"No rush," Rajiv said, and closed the door.</font> <p><font face="Times New Roman,Times">"Oh God," Michelle said, wringing her hands. "Oh God oh God oh God oh God."</font> <p><font face="Times New Roman,Times">I went over and started massaging her shoulders. "Come on, Michelle," I said. "This is what you wanted."</font> <p><font face="Times New Roman,Times">"God, Tom," Michelle said. "Why am I so nervous? I've never been this nervous about an audition before."</font> <p><font face="Times New Roman,Times">"It's because you're finally using a script that has words longer than two syllables," I said.</font> <p><font face="Times New Roman,Times">Michelle wheeled around and pushed me, semi-hard, in the chest. "You're a jerk," she said.</font> <p><font face="Times New Roman,Times">"Noted," I said. "On the other hand, you're not hyperventilating any more. Now, come on. Let's do this thing." I took her hand, walked her to the office door, and opened it.</font> <p><font face="Times New Roman,Times">Inside was Roland, his assistant Rajiv, and a woman that I did not recognize. Roland and the woman were sitting comfortably on the couch; Rajiv was standing over a video camera, fiddling with something.</font> <p><font face="Times New Roman,Times">Roland got up and strode over to us as we came through the door. "Tom," he said. "A pleasure to see you again. I hope you are well."</font> <p><font face="Times New Roman,Times">"I am, Roland, thanks," I said, and motioned to Michelle. "This is my client, Michelle Beck."</font> <p><font face="Times New Roman,Times">"But of course. Miss Beck. The woman who has driven my poor assistant to traitorous activity. It is a pleasure." Roland took Michelle's hand, and in a playfully dramatic fashion, kissed it. Michelle smiled uncertainly and glanced over to me. I gave a shrug that said <i>go with it.</i></font> <p><font face="Times New Roman,Times">"And now, if you'll both allow me to make introductions of my own," Roland said. "First, Miss Beck, I should like to introduce you Rajiv Patel, my assistant, with whom you have had many long and interesting phone conversations. I believe somewhere in the office he may have erected a shrine to you."</font> <p><font face="Times New Roman,Times">Rajiv was dark-skinned enough that it was somewhat astonishing to be able to see his blush. "Hello, Michelle," he said, and went back to fooling around with the video camera.</font> <p><font face="Times New Roman,Times">"And this," he said, turning to the woman on the couch, "Is Avika Spiegelman, who is one of the assistant producers of the film."</font> <p><font face="Times New Roman,Times">I walked over to shake her hand. "A pleasure," I said. "Are you related to Rachel Spiegelman?"</font> <p><font face="Times New Roman,Times">"She was my aunt," she said. "Actually my second cousin, or cousin twice removed, or whatever you'd like to call it. But we all called her 'Aunt Rachel.' It was simpler that way."</font> <p><font face="Times New Roman,Times">"In addition to being one of our producers, Ms. Spiegelman is acting as an advisor to the film, giving us insight to the real Rachel Spiegelman," Roland said. "As such, I thought it might be prudent to have her give us her thoughts."</font> <p><font face="Times New Roman,Times">"I loved you in <i>Summertime Blues,</i>" Avika said to Michelle. "You were perfect for <i>that</i> role."</font> <p><font face="Times New Roman,Times">Roland and I caught the subtext of that statement; Michelle did not. Instead she smiled brightly. "Thank you," she said. Avika smiled thinly. It was going to be a tougher crowd than I had expected.</font> <p><font face="Times New Roman,Times">"All right, we're ready," Rajiv said.</font> <p><font face="Times New Roman,Times">"Splendid," Roland clapped his hands together and turned back to Michelle. "My dear Miss Beck, if you wouldn't mind sitting in the chair in front of the video camera. Ms. Spiegelman will be feeding you lines while Rajiv records you. Do you have a copy of the script?"</font> <p><font face="Times New Roman,Times">"She memorized the scene, Roland," I said.</font> <p><font face="Times New Roman,Times">"Really," Roland said. "Well, that's certainly a point in your favor, my dear. Let's have a seat, shall we?"</font> <p><font face="Times New Roman,Times">Michelle sat in front of the video camera. Rajiv fixed the focus on the camera and then stepped back. Avika opened up her script. Roland sat back down on the couch. I stood back by the door.</font> <p><font face="Times New Roman,Times">Roland looked at Michelle. "Are we ready, then?"</font> <p><font face="Times New Roman,Times">Michelle nodded. Roland glanced over at Avika and nodded. Avika scrolled down her page until she found the line she was looking for. "'How dare you tell me what I can and cannot do,'" she said, tonelessly. "'You are my wife, not my master.'"</font> <p><font face="Times New Roman,Times">Michelle blinked, opened her mouth as if to say something, and then closed it again. "I'm sorry," she finally said. "Could you say the line again?"</font> <p><font face="Times New Roman,Times">"'How dare you tell me what I can and cannot do,'" Avika repeated. "'You are my wife, not my master.'"</font> <p><font face="Times New Roman,Times">Michelle stared at Avika, then stared over to me, panicked.</font> <p><font face="Times New Roman,Times">"Is something wrong, Miss Beck?" Roland inquired.</font> <p><font face="Times New Roman,Times">"I...uh...I," Michelle began, and placed her hand on her chest. Eventually she got out the words. "That's not the scene I memorized," she said.</font> <p><font face="Times New Roman,Times">"It's scene 29," Avika said, peering over the top of her script.</font> <p><font face="Times New Roman,Times">"I memorized scene 24," Michelle said. "I thought we were doing scene 24."</font> <p><font face="Times New Roman,Times">Roland looked over to Rajiv. "Rajiv, did you tell Miss Beck we were going to be doing scene 24?"</font> <p><font face="Times New Roman,Times">"I don't think so," Rajiv said. "I'm pretty sure I said scene 29."</font> <p><font face="Times New Roman,Times">"I must have read it wrong after I wrote it down," Michelle said. "My nines and my fours look a lot alike."</font> <p><font face="Times New Roman,Times">"As do mine," Roland said. "It's a common mistake, I'm sure. Why don't we just do scene 24, then."</font> <p><font face="Times New Roman,Times">Avika was already there. "This scene only has four lines in it," she said. "Three of them are spoken by other characters."</font> <p><font face="Times New Roman,Times">"What's Rachel's line?" Roland asked.</font> <p><font face="Times New Roman,Times">Avika looked down at the page. "'Yes,'" she said.</font> <p><font face="Times New Roman,Times">"Hmmm," Roland said. "Not a lot to work with."</font> <p><font face="Times New Roman,Times">"Now we know how she memorized the scene," Avika said. Even Michelle couldn't miss that one. She blushed and began taking in sharp breaths.</font> <p><font face="Times New Roman,Times">Roland clapped his hands together again and stood up. "Why don't we do this. Rajiv will go get a copy of the script for Miss Beck, and we'll spend a couple of minutes preparing scene 29, and then we'll be ready to give it a go. Sound good? All right. Rajiv, if you wouldn't mind getting that script and working with Miss Beck for a couple of minutes, then. I'm going to go for a little walk." He wandered out of the room, distracted. After a moment, Avika Spiegelman followed him. Rajiv hovered, and then went out into the main office to get another copy of the script.</font> <p><font face="Times New Roman,Times">I went over to Michelle. "Don't panic," I said.</font> <p><font face="Times New Roman,Times">"What was I thinking?" Michelle said. She ran both her hands through her hair.</font> <p><font face="Times New Roman,Times">"You just memorized the wrong scene, that's all," I said. "It's nothing to worry about."</font> <p><font face="Times New Roman,Times">Michelle rolled her eyes at me. "Tom, the scene has <i>four lines,</i>" she said. "Don't you think I should have figured out it was the wrong scene?"</font> <p><font face="Times New Roman,Times">"Well, I think that the fact you're only line was 'yes,' should have been a tip-off," I admitted.</font> <p><font face="Times New Roman,Times">Michelle looked restless. I quickly held my hand up. "But -- even so. It was an honest mistake, Michelle. You need to roll with it, and do the scene right." I took her hand and clasped it, lightly. "You can do it, Michelle. Just be calm."</font> <p><font face="Times New Roman,Times">"Did you see how that woman looked at me?" Michelle said.</font> <p><font face="Times New Roman,Times">"I get the feeling that Avika Spiegelman doesn't get many thrills out of life," I said. "Think of her as an object of pity, not of fear."</font> <p><font face="Times New Roman,Times">"She made me feel like an idiot, Tom. Like I'm back in grade school and the nuns are out to get me."</font> <p><font face="Times New Roman,Times">I grinned. "That's a pretty good simile, Michelle," I said.</font> <p><font face="Times New Roman,Times">"A what?" Michelle said.</font> <p><font face="Times New Roman,Times">Rajiv came back in the office with scripts in hand.</font> <p><font face="Times New Roman,Times">"Listen," I said. "Practice the scene with Rajiv. I'll track down Roland and schmooze the man. It's what you pay me the big bucks for."</font> <p><font face="Times New Roman,Times">Michelle smiled wanly as I exited.</font> <p><font face="Times New Roman,Times">Roland's office was tucked into a corner of the studio lot; to the left were huge sound sets. To the right was a little park in the center of a collection of offices. Roland was in the little park, standing. Avika Spiegelman stood next to him. As I got closer, it became clear that Avika was chewing Roland out over something. Before I could hear what it was, however, she saw me approach, clammed up, shot Roland a look and walked away from him. He stood there, a rueful little grin on his face, as I came up.</font> <p><font face="Times New Roman,Times">"Looks like you two had a nice chat," I said.</font> <p><font face="Times New Roman,Times">"Lovely," Roland said, watching Avika walk back into the office. "It reminded me of some of the more painful dental experiences of my life."</font> <p><font face="Times New Roman,Times">"Up the anesthesia," I suggested.</font> <p><font face="Times New Roman,Times">"Or simply get defanged," Roland said. "Which is, now that I think about it, the process I'm undergoing at the moment. Tom, would you mind terribly if I had a smoke?"</font> <p><font face="Times New Roman,Times">"Not at all," I said.</font> <p><font face="Times New Roman,Times">"Thanks," Roland said. He fished out a Marlboro, and lit up. "I'm trying to quit," he said. "But I'm afraid now's not a good time."</font> <p><font face="Times New Roman,Times">"The audition is that bad?" I said.</font> <p><font face="Times New Roman,Times">"Well, Tom, we haven't really had the audition yet, have we," Roland said. "We have to actually have lines read to see if they're being done properly."</font> <p><font face="Times New Roman,Times">"Ouch," I said, on behalf of my client.</font> <p><font face="Times New Roman,Times">Roland picked up on it. "Sorry about that, Tom," he said. "I'm don't mean to run Michelle down. She's a lovely girl. And I'm afraid I haven't been straightforward with her or with you about this reading."</font> <p><font face="Times New Roman,Times">"What do you mean?" I said.</font> <p><font face="Times New Roman,Times">Roland took a long drag on his cigarette before answering. "To be brief," he said, "I have less than a month left on my option for <i>Hard Memories.</i> If I don't have the lead cast by that time, I'll lose the option. The buzzards are already circling, you know."</font> <p><font face="Times New Roman,Times">"I didn't know," I said.</font> <p><font face="Times New Roman,Times">"Yes. Well, that's why Michelle is having a reading today, not because of your own work last week. In fact, once it became clear Ellen was going to drop, I told Rajiv to do whatever he could to encourage Miss Beck to read. I don't really expect her to be brilliant, mind you. But if she was passable, I thought I might convince Ms. Spiegelman to let us make the attempt. Michelle is, as you say, quite a draw at the moment."</font> <p><font face="Times New Roman,Times">"Not to be rude, Roland," I said. "But why does it matter what Avika thinks? You're the director and producer."</font> <p><font face="Times New Roman,Times">"Funny about that," Roland said. "One of the conditions the Spiegelman family put on my optioning the official biography was the right of refusal for the lead actress. At the time, when I had everyone from Ellen Merlow to Meryl Streep interested in the script, I considered it the least of my worries."</font> <p><font face="Times New Roman,Times">"I take it that Avika isn't impressed so far," I said.</font> <p><font face="Times New Roman,Times">Roland used his cigarette as a pointer towards the office. "In our conversation prior to your arrival, Ms. Spiegelman declared that she's met pets who are smarter than Miss Beck."</font> <p><font face="Times New Roman,Times">"Well, so have I," I said, truthfully. "But they haven't brought in $300 million with their last two films."</font> <p><font face="Times New Roman,Times">"And I wish you the best of luck convincing Ms. Spiegelman with that argument," Roland said.</font> <p><font face="Times New Roman,Times">"I didn't realize you had so much riding on this audition," I said.</font> <p><font face="Times New Roman,Times">"That's why I said I was sorry, Tom," Roland said. "I wasn't entirely honest with you on the matter. I don't know that it would have changed anything if I had; still, I try to be more honest than the typical Hollywood producer."</font> <p><font face="Times New Roman,Times">"You have other projects in the pipe, I'm sure," I said.</font> <p><font face="Times New Roman,Times">"No, not really," Roland said, and brought back the rueful smile. "I'm a prestige producer, Tom. One of those fellows you hire when your studio has been cranking out one too many action films, and you need to throw in an Oscar contender to prove you still care about the art of filmmaking. None of my films actually make money. Even <i>The Green Fields</i> only broke even, and that after video. So I tend to work one project at a time. I've been thinking about that Kordus project, but you know where we are on that one. Which reminds me, have you looked at that script yet?'</font> <p><font face="Times New Roman,Times">"I did," I said. "It's very good." Actually, it wasn't just good, it was astonishingly good. And written by a 23-year-old film student. Reading it, I had made the mental note to myself to get him to hire me as his agent, or steal him away from whichever one he currently had.</font> <p><font face="Times New Roman,Times">"It is, isn't it?" Roland puffed a final puff on his cigarette and threw it to the ground, snuffing it out. "If I don't manage to pull this project's chestnuts out of the fire, I'll have a nice long time to fiddle with it. Come on, Tom. Let's get back for the second act." We headed back.</font> <p><font face="Times New Roman,Times">Back in the office, Rajiv had pulled up a chair and was sitting with Michelle, going over scene 29. Avika, upon seeing Roland and me enter, pointedly looked at her watch and then at us both. "Well," Roland said. "Are we ready to begin again?"</font> <p><font face="Times New Roman,Times">Michelle looked for me, uncertain. I smiled back at her and gave her a thumbs-up signal. Rajiv rolled his chair back and took his position behind the video recorder. Roland sat down again and nodded to Avika. Avika recited her line.</font> <p><font face="Times New Roman,Times">My phone rang.</font> <p><font face="Times New Roman,Times">"Sorry," I said, after everyone glared at me. I ducked out of the office.</font> <p><font face="Times New Roman,Times">It was Miranda. "Carl wants to know when you're getting into the office," she said.</font> <p><font face="Times New Roman,Times">"Probably not long now," I said. "Michelle is self-destructing at the moment. Did he say why?"</font> <p><font face="Times New Roman,Times">"He mentioned something about someone needing a dog ASAP, and that Marcella would have details," she said. "I have no idea what that means. It sounds like code, and I've lost my secret decoder ring."</font> <p><font face="Times New Roman,Times">"I know what it means," I said. "But I can't. I have to be with Michelle this afternoon. I promised her I would go with her to have to her latex mask made."</font> <p><font face="Times New Roman,Times">"I'm just passing along messages," Miranda said. "I can't give you permission to defy the orders of your CEO."</font> <p><font face="Times New Roman,Times">I sighed. "Is Carl in right now?" I asked.</font> <p><font face="Times New Roman,Times">"Let me check," Miranda said, and put me on hold. My hold music, I was shocked to discover, was Olivia Newton-John. I was going to have to have someone drag my Muzak out of the Seventies. Before it became thoroughly intolerable, Miranda came back on the line.</font> <p><font face="Times New Roman,Times">"Marcella says he's in a meeting right now but can schedule three minutes for you if you really need it. She also notes that his tone indicated that you probably don't want to need those three minutes."</font> <p><font face="Times New Roman,Times">The door to Roland's office opened up and Roland popped his head out. "Tom," he said. "I think you'd better come in here. We've had a development."</font> <p><font face="Times New Roman,Times">"Gotta go, Miranda," I said, and snapped the cel phone shut.</font> <p><font face="Times New Roman,Times">In the office, Michelle was lying on the floor. Rajiv, panting, was placing ice cubes on her forehead. He had sprinted to the bar to scoop up the cubes, proving chivalry was not dead, merely out of breath. Avika sat on the couch, not knowing whether to look concerned or outraged.</font> <p><font face="Times New Roman,Times">"I don't know what happened," Roland said. "She was very nervous about doing the lines, but she seemed all right. And then her eyes rolled back in her head and she fell off her chair."</font> <p><font face="Times New Roman,Times">"You're kidding," I said.</font> <p><font face="Times New Roman,Times">"She's out cold on the floor, Tom," Roland said, his gentility cracking just for a second. "I don't generally brain the actors at readings. I usually wait until we're actually on the set."</font> <p><font face="Times New Roman,Times">"What a fucking nightmare," I muttered, and then turned to Roland. "It's her auto-suggestion," I said.</font> <p><font face="Times New Roman,Times">"What?" Avika said, from the couch.</font> <p><font face="Times New Roman,Times">I sighed again. "She's been going to a hypnotherapist," I said. "The damned fool put in an auto-suggestion that blacks her out every time she gets too stressed out."</font> <p><font face="Times New Roman,Times">"That's the stupidest thing I've ever heard," Avika said.</font> <p><font face="Times New Roman,Times">I ignored her. "Give her a few seconds and she'll be good as new," I said to Roland.</font> <p><font face="Times New Roman,Times">"What a relief <i>that</i> is," Avika said, and stood up. "Well, I've wasted enough time for one day. When she comes to, thank her for her time and then show her the door. She's not getting the role."</font> <p><font face="Times New Roman,Times">Roland looked at Michelle sadly. "Yes, right, all right," he said.</font> <p><font face="Times New Roman,Times">"I don't think you're giving her a chance," I said. "You haven't even heard her do a reading yet."</font> <p><font face="Times New Roman,Times">"Who has the time?" Avika said. "Between the wrong scenes and the fainting, by the time we run through the scene, Roland's option will be up, anyway. As if it matters. Frankly, Mr. Stein, I don't know what Roland was thinking. Your client is good for roles that require teenagers to be deflowered. But this role is something else entirely. Michelle Beck has about as much in common with my aunt as David Hasselhoff has with Gandhi. After today, I'd rather give the part to a golden retriever than to her."</font> <p><font face="Times New Roman,Times">"I could arrange that," I said.</font> <p><font face="Times New Roman,Times">Roland jumped in before Avika could respond. "Thank you for coming, Ms. Spiegelman," he said, showing her to the door. "And don't worry. We'll find someone for the role."</font> <p><font face="Times New Roman,Times">"No offense, Roland," Avika said. "But if this is where we are in the casting process, I seriously doubt it." She nodded to me and walked out.</font> <p><font face="Times New Roman,Times">Roland turned to me and slumped slightly. "Scotch?" he said.</font> <p><font face="Times New Roman,Times">"No, thanks," I said. "I have to be driving back soon."</font> <p><font face="Times New Roman,Times">Michelle moaned slightly as she worked her way back into consciousness.</font> <p><font face="Times New Roman,Times">"Well, then," Roland said. "I'll have a double for the both of us."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"Bad day?" Miranda asked, when Michelle and I arrived at the office.</font> <p><font face="Times New Roman,Times">"You have no idea," I said, and walked Michelle into my office to lie down on my couch. Michelle's reaction to her incredible imploding reading had passed beyond mere depression and moved into the region of pharmaceutically untreatable mental states. I urged her to take a nap before she went to have latex splotzed all over her face.</font> <p><font face="Times New Roman,Times">"That's terrible," Miranda said, after I recounted our little adventure. "I mean, I didn't think she was going to be good for the role, but what a way to flame out."</font> <p><font face="Times New Roman,Times">"If I were her hypnotherapist, I'd lie low for a couple of weeks," I said. "I don't think their next session is going to be very pleasant. Listen, did you find out anything more about what Carl wants?"</font> <p><font face="Times New Roman,Times">"I did," Miranda said, reaching for her notebook. "I went over to Marcella's desk and got the message. Here -- apparently a stunt dog they have on this Bruce Willis film contracted a nasty case of mange, and they need a replacement for some shots they're doing this afternoon." She tore the page out of her notebook and handed it to me. "You're going to have to spend a lot of time in makeup, Tom."</font> <p><font face="Times New Roman,Times">"Hardy har," I said, taking the note. The film was shooting in Pasadena, which was helpful -- it wasn't far from where I lived, and not all that far from Pomona, where Michelle was to have her face done. "It's not me. It's Joshua, the Wonder Pup."</font> <p><font face="Times New Roman,Times">"Isn't that the name of your friend that's always calling?" Miranda said.</font> <p><font face="Times New Roman,Times">"It is. Oddly enough, they look a lot alike, too. When am I supposed to be at the set?" I asked.</font> <p><font face="Times New Roman,Times">"You're supposed to go as soon as you can," Miranda said. "Which, I'd guess, means right now."</font> <p><font face="Times New Roman,Times">"Fine," I said. "Miranda, I'm going to need you to do something for me. You need to take Michelle to have her face done."</font> <p><font face="Times New Roman,Times">"I'm kind of busy here," Miranda said.</font> <p><font face="Times New Roman,Times">"Really," I said. "Doing what?"</font> <p><font face="Times New Roman,Times">"Answering phones?" Miranda ventured.</font> <p><font face="Times New Roman,Times">"Who's going to call? Carl isn't going to call, because I'm transporting his dog to the set. Michelle isn't going to call because she's going to be wrapped in latex. The only person who might call is Van Doren, and I don't want to talk to him, anyway."</font> <p><font face="Times New Roman,Times">"Hmrph," Miranda said.</font> <p><font face="Times New Roman,Times">"Is there a problem here, Miranda?" I asked.</font> <p><font face="Times New Roman,Times">Miranda scrunched up her face. "No. It's just that now that she's all depressed, I feel guilty for not wanting her to get the part. I forgot that she's a real person sometimes, and not just this thing that makes 12 million dollars for being perky. It annoys me to have pity for someone who makes more in a day than I'm going to make in a year."</font> <p><font face="Times New Roman,Times">"Try," I said. "I'm supposed to go with her, but I can't. You saw her, Miranda. She's definitely not in any condition to be by herself at the moment. She's certainly not in any condition to drive. I'm afraid in her state she'll zonk out on the 60, drive into opposing traffic and mangle herself on a semi. Look, as soon as I'm done with this other thing, I'll be there. And anyway, Michelle likes you. Thinks you like her too, for some strange reason. Could be a big bonding moment for you two."</font> <p><font face="Times New Roman,Times">"Hmrph," Miranda said again.</font> <p><font face="Times New Roman,Times">"Come on, Miranda," I said. "You're my assistant. Assist."</font> <p><font face="Times New Roman,Times">"Can I expense lunch?" Miranda asked.</font> <p><font face="Times New Roman,Times">"By all means. Expense dinner, too."</font> <p><font face="Times New Roman,Times">"Whoo-hoo," Miranda said. "Taco Bell, here I come."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"So," Joshua said. "Can I have my own trailer yet?"</font> <p><font face="Times New Roman,Times">"Not yet," I said. "but, look, you have your own water bowl."</font> <p><font face="Times New Roman,Times">"Man, that's the problem with being a dog," Joshua said. "The perks are just <i>not</i> there."</font> <p><font face="Times New Roman,Times">Joshua and I were waiting as the second unit crew of Bruce Willis' latest action spectacular set up their next shot. The first unit crew was in Miami, shooting on location with Willis and his costars. The second unit crew, meanwhile, was roaming around Los Angeles, shooting all the scenes the first unit didn't want to deal with: cut scenes, establishing shots, and, of course, scenes with dogs. Joshua was, in fact, the biggest star on the set that day.</font> <p><font face="Times New Roman,Times">In the space of less than one week, Joshua has become the most requested dog in Los Angeles film. It was the Mighty Dog commercial that did it: Joshua nailed it on the first take, no small feat in an industry where 30 seconds of animal action is often stitched out of twelve to fifteen hours of raw footage. This so stunned the director that he filmed the commercial twice just to cover his ass. Even with the extra take, the commercial was wrapped in two hours flat, saving the ad company about $200,000 in fees. The ad company tried to lock Joshua down to an exclusive contract before the commercial was done. I politely declined. Joshua peed on the company rep's shoes.</font> <p><font face="Times New Roman,Times">By the time we got back to the house, Al Bowen had gotten ten phone calls asking to get Joshua for a commercial. We let Bowen pick and choose the assignments; I got the distinct feeling that Bowen was using the opportunity to rack up some long-term favors. He wasn't such a genial hippie after all. Not that it bothered either Joshua or me. Joshua was having fun and I didn't mind hanging around a set, grazing off the craft service table and catching up on my reading.</font> <p><font face="Times New Roman,Times">Joshua especially liked hanging around with dogs now that he was one -- when we weren't at a commercial set, we'd go to the beach or a park where he could go off, tail wagging, to meet and greet other members of the species. I suspected that his enthusiasm for other dogs probably came from poor Ralph, who had spent most of his life not in the company of other dogs, and was now making up for lost time. But then, since Joshua had been on Earth, most of his time had been spent alone as well. So maybe they were both making up for lost time.</font> <p><font face="Times New Roman,Times">The tendency for vicious gossip, however, was pure Joshua. "See that dog over there?" Joshua pointed out a German Shepherd with his muzzle. "It's my understanding that he was almost fired off the last set he was on because he just would not stop licking his genitals on camera."</font> <p><font face="Times New Roman,Times">"Stop it," I said. "What a horrible thing to say about your costar."</font> <p><font face="Times New Roman,Times">"Hey, I didn't <i>start</i> the rumor," Joshua said. "And anyway, it's true. I heard his trainer talking about it to another trainer while I was on set. From what I hear, off-camera, he runs through his paces perfectly. You couldn't ask for a better-trained dog. As soon as he hears the cameras running, though -- bam, nosedive into the crotch. It's the sound of the cameras, I think. Such a good-looking dog too, you know. It's a real shame."</font> <p><font face="Times New Roman,Times">"You know, your gossip would be much more interesting if it were actually about human beings," I said.</font> <p><font face="Times New Roman,Times">"Maybe for you," Joshua said. "But I'm in the canine universe, Tom. It's a whole different ballgame down here. See that poodle? She's a tick carrier. Saw one on her when we were doing that scene near the trees. It was the size of a Jeep Cherokee, Tom. I was scared for myself."</font> <p><font face="Times New Roman,Times">"I don't think any of the other dogs would like you if they knew how you talked about them behind their backs."</font> <p><font face="Times New Roman,Times">"Well, that's just the point," Joshua said. "I can't very well tell any of them, now, can I? Language capability is a bitch, Tom."</font> <p><font face="Times New Roman,Times">"Pun intended, I'm sure."</font> <p><font face="Times New Roman,Times">"But of course."</font> <p><font face="Times New Roman,Times">Al Bowen picked that moment to walk up. "You sure spend a lot of time talking with that dog," he said.</font> <p><font face="Times New Roman,Times">"Well, I see you talking with your dogs, too," I said. "And with your other animals."</font> <p><font face="Times New Roman,Times">"I'm talking <i>to</i> my dogs," Bowen said. "You, on the other hand, talk like you're having a conversation. I can see you jabbering at Joshua from the other side of the set. I don't know how to break this to you, Tom. You may have the smartest dog in the world, but he still doesn't speak."</font> <p><font face="Times New Roman,Times">"Doesn't speak?" I said, feigning incredulousness. "Doesn't speak? Joshua, what's on top of a house?"</font> <p><font face="Times New Roman,Times">Joshua barked a bark that could have sounded like "roof," if one had enough to drink.</font> <p><font face="Times New Roman,Times">"And what's the bottom of a tree?"</font> <p><font face="Times New Roman,Times">This time, it could have been "root".</font> <p><font face="Times New Roman,Times">"And who's the greatest baseball player of all time?</font> <p><font face="Times New Roman,Times">The bark, with a little help, could have been a "Ruth."</font> <p><font face="Times New Roman,Times">"There you are," I said. "A talking dog."</font> <p><font face="Times New Roman,Times">"Very cute," Bowen said. "Could you please bring your talking dog to the set? It's the last shot of the day. We need him as the strong, silent type, if you don't mind." He walked away.</font> <p><font face="Times New Roman,Times">"Hmmmm," Joshua said. "Guess I should have said 'DiMaggio.'"</font> <p><font face="Times New Roman,Times">"I can't believe you actually knew the joke," I said.</font> <p><font face="Times New Roman,Times">"Between my brain, Ralph's brain, and Carl's memories, you'd be amazed at the stuff I've got up here," Joshua said. "Now, let's go. I do so love those tasty liver snacks I get whenever I do a scene right." He bounded off to the set, towards the German Shepherd he had been backstabbing mere moments before. The German Shepherd, oblivious to Joshua's treachery, greeted him with a sloppy canine grin.</font> <p><font face="Times New Roman,Times">It was a happy moment. As much as anything else, I remember that fact.</font> <p><font face="Times New Roman,Times">I answered the cel phone on the second ring. "Michelle can't possibly be done with her latex job," I said. "It's barely five o' clock."</font> <p><font face="Times New Roman,Times">"Tom, you have to get out here," Miranda said. Her voiced odd, strained. "We have a problem. A big problem."</font> <p><font face="Times New Roman,Times">"What's the problem?" I asked.</font> <p><font face="Times New Roman,Times">"It's not something I think you'd want me to talk about on a cellular phone," Miranda said.</font> <p><font face="Times New Roman,Times">"It's a digital phone, Miranda," I said. "Virtually snoop-proof. Now what is it?"</font> <p><font face="Times New Roman,Times">There was silence on the other end of the phone.</font> <p><font face="Times New Roman,Times">"Miranda?" I said.</font> <p><font face="Times New Roman,Times">Suddenly Miranda was back. "Michelle's in the hospital, Tom. It's bad. It's very bad. They think she has brain damage. They think she might die. They have her on a respirator right now, and they're trying to figure out what to do next. You have to get out here now, Tom. She's at Pomona Valley Hospital. It's right off the 10. Hurry up."</font> <p><font face="Times New Roman,Times">"All right," I said. "I'm on my way, Miranda."</font> <p><font face="Times New Roman,Times">"Hurry up, Tom." Miranda said.</font> <p><font face="Times New Roman,Times">"I will," I said.</font> <p><font face="Times New Roman,Times">"Hurry," she said again, and then hung up.</font> <p><font face="Times New Roman,Times">After she hung up I realized her voiced sounded odd because she'd been crying.</font> ]]>

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</entry>
<entry>
<title>Chapter Fourteen</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003059.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:44:54Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3059</id>
<created>2004-12-09T04:44:54Z</created>
<summary type="text/plain">This much we knew. Michelle and Miranda arrived at the workshop of Featured Creatures, Inc., one of the special effects houses working on Earth Resurrected, at 3:15. Miranda said that she and Michelle barely talked on the way out to...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

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<![CDATA[<p><font face="Times New Roman,Times">This much we knew.</font> <p><font face="Times New Roman,Times">Michelle and Miranda arrived at the workshop of Featured Creatures, Inc., one of the special effects houses working on <i>Earth Resurrected</i>, at 3:15. Miranda said that she and Michelle barely talked on the way out to Pomona, or during the brief lunch they had at the El Loco Taco drive-in before heading out. Michelle would answer questions asked her, but that was about it; after about ten minutes of this, Miranda stopped trying to converse and switched the radio on to a light hits station.</font> <p><font face="Times New Roman,Times">They were met at Featured Creatures by Judy Martin, the technician who was going to plaster goo over Michelle's face. Miranda said that Martin looked somewhat dazed right from the beginning. As it turned out, Martin's husband had picked that day to announce to his wife that he was divorcing her, and that he intended to marry her younger sister Helen, who, if she really had to know, was the one he'd always been in love with, anyway. Martin had spent most of the day on the phone with her lawyer, her traitorous sister, her mother, and the Ford dealership at which she and her husband had just jointly purchased an Explorer. She wanted to send it back.</font> <p><font face="Times New Roman,Times">Martin took Michelle and Miranda back through the workshop to a room where the latex was to be applied. The room, fairly small to begin with, was stuffed to the ceiling with monster body parts, motor equipment for creature models, and two gallon cans of latex. In a corner of the room was what looked like a dentist's chair, in which Michelle was to sit as the latex was applied to her face. Michelle sat in the chair and was ready to go, when the workshop intercom paged Judy to the phone. It was the Ford dealership. Martin went to the phone in the room, punched the flashing line button, and immediately began screaming into the receiver. Miranda looked over at Michelle to roll her eyes. Michelle was just staring out, blankly.</font> <p><font face="Times New Roman,Times">Ten minutes later, Martin slammed down the phone, hollered an obscenity at no one in particular, and stalked back over to the chair to prepare Michelle. As she was doing so, she spoke to Miranda.</font> <p><font face="Times New Roman,Times">"You're going to have to leave," she said. "You're going to get in my way."</font> <p><font face="Times New Roman,Times">"I'd rather stay," Miranda said.</font> <p><font face="Times New Roman,Times">"I don't care," Martin said "Get out."</font> <p><font face="Times New Roman,Times">Miranda flushed, a bad sign for whomever it was who caused the reaction. But before she could fully get her dander up, Michelle spoke. "I want her to stay," she said.</font> <p><font face="Times New Roman,Times">"This isn't a committee," Martin said.</font> <p><font face="Times New Roman,Times">"How about we do this," Miranda said. "You stay. We leave. We explain to the producers that we left because of you. The producers fire your company from the film. And then your company fires you."</font> <p><font face="Times New Roman,Times">At this point, Miranda swears, Martin actually snarled. Miranda grabbed a stool from one of the work benches and took a seat. Michelle reached over for Miranda's hand. Miranda gave it.</font> <p><font face="Times New Roman,Times">About five minutes later, as Martin applied the latex, Miranda spoke up again. "How is she going to breathe?" she asked, to Martin.</font> <p><font face="Times New Roman,Times">"What?" Martin said, spackling Michelle with a frosting knife.</font> <p><font face="Times New Roman,Times">"You're about to cover her nose with latex." Miranda said. "Once you do that, Michelle won't be able to breathe. Shouldn't you be thinking about these things?"</font> <p><font face="Times New Roman,Times">"Don't tell me my fucking job," Martin said, but went to find a couple of breathing straws for Michelle. As Martin covered Michelle's nose and eyes with latex, Michelle squeezed hard on Miranda's hand. Miranda squeezed back.</font> <p><font face="Times New Roman,Times">After Martin finished, she stepped back and turned to Miranda. "That's going to take about three hours to dry," she said. "She can't move between now and then."</font> <p><font face="Times New Roman,Times">"Where are you going?" Miranda asked.</font> <p><font face="Times New Roman,Times">"I have to make some phone calls," Martin said.</font> <p><font face="Times New Roman,Times">"You should stay here," Miranda said.</font> <p><font face="Times New Roman,Times">"Why?" Martin said. "You're here, aren't you?" She looked at Michelle again. "You know, she's my husband's favorite actress. He's such an asshole." And she walked out.</font> <p><font face="Times New Roman,Times">Over the next half hour, Miranda slowly aware that the chicken burrito she had at El Loco Taco was doing terrifying things to her digestive tract. At first she ignored it, but near the end of the half-hour, Miranda felt the line between discomfort and peritonitis had become tissue-thin.</font> <p><font face="Times New Roman,Times">"Michelle, I have to find a bathroom," she said.</font> <p><font face="Times New Roman,Times">Michelle's grip on Miranda's hand suddenly became vise-tight.</font> <p><font face="Times New Roman,Times">"I'll go as fast as I can," Miranda said, pried her hand loose, and went to find the bathroom.</font> <p><font face="Times New Roman,Times">It was back near the reception area. On the way there, she saw Martin in an office, screaming into another phone. She thought about asking her to go back and check on Michelle. Then Martin grabbed the phone and hurled it furiously across the room. Miranda decided against it. In the bathroom, Miranda discovered just exactly what the burrito did to her; it was about ten minutes before she was done.</font> <p><font face="Times New Roman,Times">Miranda was walking back to the latex room when she saw Martin standing outside of it, with the door open. As she got closer, Martin heard her steps, turned around and yelled. "It's not my fault!"</font> <p><font face="Times New Roman,Times">"What are you talking about?" Miranda said. Then she looked into the room and saw.</font> <p><font face="Times New Roman,Times">Michelle was out of a chair and sprawled on the floor for the second time that day. This time, however, things were much worse. There was creature debris all over the floor. A can of latex lay on its side, its contents flowing out. Miranda looked up and saw the wreckage of a set of shelves; they had collapsed. Miranda's gaze went back down to the floor and she noticed a glint of red on the bottom of the latex can. Then she noticed the small pool of blood near Michelle's head.</font> <p><font face="Times New Roman,Times">"Oh shit," she said, and pushed Martin out of the way to get to Michelle.</font> <p><font face="Times New Roman,Times">Michelle sprawled face down; Miranda checked quickly to see if she had broken any bones, and then turned her over. That's when she saw that Michelle's breathing straws had fallen out and the latex had closed up over Michelle's nostrils. Michelle was suffocating.</font> <p><font face="Times New Roman,Times">Miranda immediately dug her fingers into the latex and began tearing it off from Michelle's face. Her lips were blue when Miranda ripped the latex away. Miranda got down in the latex and blood, reached a hand underneath Michelle's neck to lift it up, then began mouth-to-mouth.</font> <p><font face="Times New Roman,Times">"She wasn't supposed to move!" Martin said.</font> <p><font face="Times New Roman,Times">"Damn it," Miranda said, and checked for Michelle's pulse. It was there, faint and fast. "Call 911," she said, to Martin.</font> <p><font face="Times New Roman,Times">"Why weren't you watching her?" Martin demanded. "This isn't my fault."</font> <p><font face="Times New Roman,Times">Miranda launched herself at Martin, grabbed her, and slammed her against a wall. "I want you to do two things," she said to the cowering Martin. "First, shut the hell up. Second. I want you to get on the phone, call 911, and get an ambulance here, <i>now</i>. Do it, or I swear to you, I'll rip out your fucking heart. Do it. Now."</font> <p><font face="Times New Roman,Times">She let Martin go. Martin goggled at her for a second, then grabbed the phone and called 911. Miranda got back down on the floor and kept up the mouth-to-mouth for another ten minutes, until the paramedics arrived and pulled her off.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">What we didn't know is what happened between the time Miranda left and when she came back. The most logical sequence of events has Michelle, claustrophobic, getting up from the chair in a blind panic, accidentally running into the shelves, being knocked unconscious from the falling debris and then suffocating when the latex covered her nostrils. It was the scenario that the Pomona police, in examining the scene and questioning both Miranda and Judy Martin, latched onto and were going forward with.</font> <p><font face="Times New Roman,Times">There was one small problem. Miranda said that she didn't recall seeing the breathing straws around Michelle when she was giving her mouth-to-mouth. This might mean nothing, of course: when you're busily trying to save someone's life, you're not going to take the time to notice all the minutiae around you. But it might also mean that the breathing straws came out earlier. And that opens up other possibilities.</font> <p><font face="Times New Roman,Times">For Miranda, who had to be physically restrained by the paramedics from killing Judy Martin, the answer was simple: Martin's slipshod preparation had allowed the breathing straws to fall out. Michelle, frantic, reached for them, got up to get help, collided with the shelves, and got brained. I also thought Miranda may have suspected Martin of pulling the straws herself, as misplaced revenge against her estranged husband's favorite actress, but that was a little far-fetched for me.</font> <p><font face="Times New Roman,Times">My own suspicions were also far-fetched, but not nearly enough for my own comfort: I thought that Michelle, in her depressed state, might have pulled the straws herself, in a melodramatic and not-too-well-thought-out suicide attempt. Either she expected Miranda to come back and panicked when Miranda didn't arrive on cue, or she was sincere, and halfway through realized that suffocation was a nasty way to go. Either way, that's when she got up out of the chair.</font> <p><font face="Times New Roman,Times">And that's when I think her autosuggestion kicked in, knocking her out just in time to crash into the shelves. The only good thing I could possibly see out of this scenario was that she was already out of it when she was hit by the can of latex. She would have felt no pain.</font> <p><font face="Times New Roman,Times">No matter how you sliced it, however, Michelle was lying in a hospital bed, respirator down her throat.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">I arrived over an hour after Miranda called; when I announced on the set that I had to take Joshua with me, I had to deal with both threats and begging on the part of the crew. I told them if they could do the scene in exactly five minutes, I would wait. In the meantime, I called Carl's office and told Marcella to have him call me as soon as possible. After that, there was no one else to call; Michelle had been an only child, and both her parents were dead. She wasn't married. As far as I knew, I was the person on the planet closest to her. At that moment, that stuck me as the saddest thing I'd ever heard.</font> <p><font face="Times New Roman,Times">Joshua pegged the scene in one take, and immediately bounded towards my Honda; we screeched off without a goodbye and raced to the 210, got to the 10 by way of the 605, and then sat in evening rush hour traffic for 45 minutes. Carl called; I filled him in on the situation, and he said he'd make some phone calls. I had no idea what that meant, but it made me feel better. I eventually got off the 10 and made it to the Pomona Valley Hospital on surface streets, quicker than if I had stayed on the freeway.</font> <p><font face="Times New Roman,Times">I understood the power of Carl's phone calls when I saw a man in a suit looking for me in the emergency area.</font> <p><font face="Times New Roman,Times">"Tom Stein?" he said.</font> <p><font face="Times New Roman,Times">"Yes," I said.</font> <p><font face="Times New Roman,Times">"I'm Mike Mizuhara," he said, extending his hand. I shook it. "Chief of staff for Pomona Valley."</font> <p><font face="Times New Roman,Times">"Where is Michelle?" I asked.</font> <p><font face="Times New Roman,Times">"She's in ICU right now; I'll take you to her immediately. But we have to do something with your dog," he pointed to Joshua.</font> <p><font face="Times New Roman,Times">"What? Oh. I'm sorry," I said. "I almost forgot he was with me."</font> <p><font face="Times New Roman,Times">"No problem," Mizuhara said. "Why don't we take him to my office. He can wait there." We headed toward his office.</font> <p><font face="Times New Roman,Times">"Has the press arrived yet?" I asked. I had been surprised not to see any reporters in the emergency room; news of these sorts of things usually got around quickly.</font> <p><font face="Times New Roman,Times">"No press so far," Mizuhara said. "The paramedics didn't know who it was because she had a whole bunch of stuff...latex?....all over her face when she came in. The doctors working on her either didn't recognize her or didn't care who she was when they got all of it off her. Then I got a call from Carl about it. We've got her registered under Jane Doe at the moment. She arrived just after a shift change. The next shift change is at two am. With any luck, we should be able to keep this quiet until morning. By that time, our press folks will be ready. Carl also wanted me to let you know he's on his way himself as soon as he can. He's asked us to clear a space for his helicopter in our parking lot."</font> <p><font face="Times New Roman,Times">"Carl is amazing," I said.</font> <p><font face="Times New Roman,Times">"Sure is," Mizuhara said. "But then, I owe him one. He gave my son a job at Century Pictures just before he left. Now my son is vice-president in charge of development. I never thought he'd ever get a job. Carl can use me any time. Here's the office," he opened the door.</font> <p><font face="Times New Roman,Times">I walked Joshua inside; Joshua gave me a significant look which I knew meant that he had something to say to me. I asked Mizuhara to give me a minute to reassure my dog and then bent down.</font> <p><font face="Times New Roman,Times">"What?" I said.</font> <p><font face="Times New Roman,Times">"Try to get me in to see Michelle at some point," Joshua said. "I can scan her if you want. Find out what really happened, at least."</font> <p><font face="Times New Roman,Times">"Thanks, Joshua," I said, and got up to go.</font> <p><font face="Times New Roman,Times">"Will he be okay in there?" Mizuhara asked.</font> <p><font face="Times New Roman,Times">"Sure," I said. "Don't worry. He's house-trained. Let's go see Michelle."</font> <p><font face="Times New Roman,Times">Michelle was on the third floor, in a private room in ICU. Miranda was waiting in the hallway; she rushed to me when she saw me coming.</font> <p><font face="Times New Roman,Times">"Oh, Tom," she said. "I'm so sorry. This is my fault. I'm sorry."</font> <p><font face="Times New Roman,Times">"Shhh," I said. "It's not anyone's fault. It's all right."</font> <p><font face="Times New Roman,Times">"Actually, Miss Escalon saved her life," Mizuhara said. "From what I understand, her mouth to mouth kept Miss Beck alive until the paramedics got there."</font> <p><font face="Times New Roman,Times">"Hear that?" I said, to Miranda. "You're a lifesaver for sure. I think that deserves another raise, don't you?"</font> <p><font face="Times New Roman,Times">Miranda gave a little laugh and then started crying again. I hugged her.</font> <p><font face="Times New Roman,Times">I spent a few minutes with Miranda, getting her version of events, and then went with Mizuhara to see Michelle. She was the only patient in a semi-private room with three beds. Her head was bandaged; the sounds in the room were of a heart monitor and the sound of a respirator inflating and deflating. It was a terrible thing.</font> <p><font face="Times New Roman,Times">The door opened and a tall man in a lab coat came through.</font> <p><font face="Times New Roman,Times">"Tom, this is Doctor Paul Adams," Mizuhara said. "He's the one that worked on Michelle."</font> <p><font face="Times New Roman,Times">We shook hands. "How is she?" I asked.</font> <p><font face="Times New Roman,Times">"She's not good," Adams said. "We don't know how long she was without oxygen, but we think she went right up to the limit -- five or six minutes. Her heart activity is fine, but we haven't been able to get her to breathe on her own. Her brain activity is very low; I think it's very likely she's probably suffered some permanent brain damage. She's in a comatose state now. I think we can expect her to come out of it at some point, and then we can judge the extent of her brain injuries."</font> <p><font face="Times New Roman,Times">"'At some point,'" I said. "What does that mean?"</font> <p><font face="Times New Roman,Times">"Hard to say," Adams said. "She could come out of it later today, or it could be weeks. It just depends. The concussion she got," he pointed to the bandage, "doesn't help any, although it's actually the least of her problems; it was fairly superficial. In and of itself, it would have knocked her out, but she would have come out of it with nothing more than a bump and maybe some stitches. It was the lack of oxygen to the brain that's the real problem. If you don't mind me asking, what the hell was she doing with latex all over her face?"</font> <p><font face="Times New Roman,Times">"They were making a mask of her face for a movie," I said.</font> <p><font face="Times New Roman,Times">"So that's how they do it," Adams said. "Well, I'm no expert on these things, but I think they might want to find another way to do it from here on out. That mask of hers just about killed her."</font> <p><font face="Times New Roman,Times">"Dr. Adams," I said. "This may be offensive, but I hope you won't be going to the press with any of this."</font> <p><font face="Times New Roman,Times">"You're right, it <i>is</i> offensive," Adams said. "But I understand your concern. The staff that worked with me all understand that it's more important for Miss Beck to recover than it is to be shown in the <i>National Enquirer</i> with a tube down her throat."</font> <p><font face="Times New Roman,Times">"Thanks," I said.</font> <p><font face="Times New Roman,Times">"Of course," Adams said, and looked back at Michelle. "Don't expect too much from her over the next couple of days," he said. "But if you can, talk to her. Let her hear familiar voices. That helps as often as not. If she has any family, you should contact them and see if they can come as well."</font> <p><font face="Times New Roman,Times">"I'm afraid she has no family," I said. "Although she has a dog. Would it be okay to bring him in to see her?"</font> <p><font face="Times New Roman,Times">"I'd really rather not," Adams said. "It's a question of hygiene. Also of state law. Unless it's a guide dog, of course." We shook hands again and he departed.</font> <p><font face="Times New Roman,Times">"I have to join Dr. Adams," Mizuhara said. "Carl should be arriving any minute now and we want to be there to meet him." We shook hands as well, and he left.</font> <p><font face="Times New Roman,Times">I stayed in the room, staring at Michelle. Miranda was in the hall, feeling guilty about Michelle's situation, but if anyone had to shoulder the blame, I felt it should be me. If I had gone with her rather than Miranda, this might not have happened. Michelle and I would be on our way to Mondo Chicken, her to sulk in her oriental chicken salad, and me doing my best to cheer her up. It occurred to me that if no one was closer to Michelle than me, than the reverse was also probably true as well. I couldn't think of anyone I was closer to than her. Except possibly Miranda, who I had managed to drag into this mess as well.</font> <p><font face="Times New Roman,Times">I sighed to myself, and rested my head back against the wall. I had really managed to screw this one up.</font> <p><font face="Times New Roman,Times">After a few minutes, there was a knock on the door. Miranda poked her head through. "Carl is here," she said.</font> <p><font face="Times New Roman,Times">I went out to see Carl, Mizuhara and Adams chatting about something or other. Carl turned to me when he saw me. "Tom," he said, shaking my shoulder. "I'm terribly sorry. But you did right to call me. Mike and I go back a ways."</font> <p><font face="Times New Roman,Times">"So I heard," I said. "Los Angeles really is a small town."</font> <p><font face="Times New Roman,Times">"Yes it is," Carl said. "Tom, Mike and I were trying to decide what we should do next. My first inclination is to move Michelle closer, perhaps to Cedars, but Mike and Dr. Adams think she'd best off here."</font> <p><font face="Times New Roman,Times">"If it's a question of the quality of care..." Dr. Adams began.</font> <p><font face="Times New Roman,Times">"No, not at all," Carl said. "But in the next 24 hours you're going to be dealing with things you've never had to deal with before. Photographers posing as maintenance workers and nurses. Fan vigils. Reporters trying to interview everyone down to the cafeteria staff. It's a mess."</font> <p><font face="Times New Roman,Times">"We've managed to keep the lid on it so far," Mizuhara said. "And I think Dr. Adams will agree with me when I say that the best thing for the patient is continuity of care. Additionally, I'm not comfortable with moving her now. She's stable at the moment but she's certainly not out of the woods."</font> <p><font face="Times New Roman,Times">"We'd probably cause more of a commotion moving her than just keeping her here, anyway," Adams said.</font> <p><font face="Times New Roman,Times">"Tom?" Carl said. "What do you want to do?"</font> <p><font face="Times New Roman,Times">"I don't think I'm really qualified to answer that," I said.</font> <p><font face="Times New Roman,Times">All three of them stared at me for a minute. I suddenly became very uncomfortable.</font> <p><font face="Times New Roman,Times">"What?" I asked.</font> <p><font face="Times New Roman,Times">"You don't know, do you?" Carl said.</font> <p><font face="Times New Roman,Times">"Know what?" I said, looking at Carl, then Adams, and then Mizuhara.</font> <p><font face="Times New Roman,Times">"Tom, we had her insurance send over her information," Mizuhara said. "Discreetly, of course; I handled the request myself. Most people have someone listed who has the right to make medical decisions for them if they are unable to make the decisions themselves. Usually it's a relative or spouse or a longtime companion."</font> <p><font face="Times New Roman,Times">"Sure," I said. I'd filled out insurance forms in my own time; if anything ever happened to me, my mother would have to decide whether to unplug me or not.</font> <p><font face="Times New Roman,Times">"Well, Miss Beck doesn't have any of those," Mizuhara said.</font> <p><font face="Times New Roman,Times">"All right," I said. "So?"</font> <p><font face="Times New Roman,Times">"Tom," Carl said. "The person who Michelle authorized to make medical decisions for her is you."</font> <p><font face="Times New Roman,Times">I found a chair and sat down.</font> <p><font face="Times New Roman,Times">"You really didn't know?" Adams asked.</font> <p><font face="Times New Roman,Times">I shook my head. "No. No, I didn't."</font> <p><font face="Times New Roman,Times">"I'm sorry," Adams said. "It's a hard job to have."</font> <p><font face="Times New Roman,Times">"Tom," Carl said, again. "What do you want to do?"</font> <p><font face="Times New Roman,Times">I covered my face with my hands and just sat there for a few minutes, awash in guilt and grief. I felt my actions had put Michelle here to begin with; now I was being asked to make decisions that could affect the rest of her life. I was going to need a really good cry when this was all over.</font> <p><font face="Times New Roman,Times">But not right now. I put my hands down in my lap.</font> <p><font face="Times New Roman,Times">"We'll keep her here," I said.</font> <p><font face="Times New Roman,Times">Now if I could just figure the rest of it out.</font> ]]>

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<entry>
<title>Chapter Fifteen</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003060.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:45:52Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3060</id>
<created>2004-12-09T04:45:52Z</created>
<summary type="text/plain">The leak, of course, was as impossible to track as it was inevitable to occur. Sometime after the 2 am shift change, one of the janitors or nurses or doctors hit the phones, waking up friends and relatives because, after...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

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<![CDATA[<p><font face="Times New Roman,Times">The leak, of course, was as impossible to track as it was inevitable to occur. Sometime after the 2 am shift change, one of the janitors or nurses or doctors hit the phones, waking up friends and relatives because, after all, how often does the hottest female star in the United States come into your hospital in a coma? At 3:35 in the morning, one of these friends or relatives called KOST-FM and requested to hear "Your Eyes Tell Me," the hit theme song from <i>Summertime Blues,</i> because she heard Michelle Beck had died. After the song played, another listener called in to say no, she wasn't dead, but she was in a coma, and she had heard that Michelle's corneas were slated to be given to Marlee Matlin, who was, after all, deaf.</font> <p><font face="Times New Roman,Times">KOST happened to be the favorite morning radio station of Curt McLachlan, KABC's morning news director, who was, at 3:35, getting into his car to head to work. The first thing he did was switch off "Your Eyes Tell Me," because it was, by any objective standard, the single worst pop song of the decade. The second thing he did was get on the car phone with his counterpart at <i>Good Morning America,</i> which, at 6:37 Eastern Time, was just a few minutes away from air. GMA's news director screamed at the video morgue to pull up clips of Michelle, and at some poor, groggy intern, 19 years old and two days into her stint of slave labor, to ready a blurb for the hosts to announce on the air. Once McLachlan got off the phone with <i>Good Morning America,</i> he called his own assignment editor out of a sound sleep and told him to get working on a package. He flipped on the radio just in time to hear about the corneas going to Marlee Matlin. This prompted another round of phone calls.</font> <p><font face="Times New Roman,Times">News of Michelle's death and/or coma hit the airwaves at 7:03 Eastern, 4:03 Pacific. The folks at GMA had the presence of mind to stress that the report was from unconfirmed "radio sources". It hardly mattered. Newspaper and magazine entertainment editors up and down the Eastern seaboard of the United States leapt from their breakfasts and called reporters at home, hollering their demand for verification. It was the biggest potential star death since River Phoenix spasmed his life away in front of the Viper Club.</font> <p><font face="Times New Roman,Times">My phone first rang at 4:13 am. It was the gossip columnist from the <i>New York Daily News,</i> looking for verification. I hung up on her and disconnected my phone. Less than a minute later, my cel phone rang. Then the other. I turned them both off and then realized my third cel phone was lost in the woods where Joshua had left it. I reconnected my home phone, which immediately started ringing; I picked up the receiver, dropped it back in the cradle, and then picked up again almost instantly, before it had a chance to ring again. I called Miranda, apologized to her for waking her up, and told her to meet me in the office. Then I called Carl, who, as it happened, was already up and on the phone.</font> <p><font face="Times New Roman,Times">"I have the <i>New York Times</i> on call waiting, Tom," he said. "They said they couldn't reach you directly."</font> <p><font face="Times New Roman,Times">"I disconnected my phone," I said. My own call waiting was going off like mad, making the phone sound like a Geiger counter.</font> <p><font face="Times New Roman,Times">"Good man," Carl said. "These guys are nothing but a pain in the ass. I'm fending them off for now. What do you want to do ?"</font> <p><font face="Times New Roman,Times">"I was going to ask you that same question," I said.</font> <p><font face="Times New Roman,Times">"Right now, we don't do anything," Carl said. "I've got to call Mike and make sure they're ready for the onslaught -- it's going to hit earlier than we expected. You'll need to make a statement, though; let's schedule it for noon and have no comments from anyone until then. Are you planning to go into the office right now?"</font> <p><font face="Times New Roman,Times">"I was, yes," I said.</font> <p><font face="Times New Roman,Times">"Don't. The fact that you're in the office at four thirty in the morning will only verify the situation. Get in at your usual time. And be ready for the reporters. See you at eight, Tom," Carl said, and then hung up, presumably to yell at the <i>New York Times</i> reporter that had the temerity to wake him up at home. I called Miranda as she was getting out the door; she sounded grateful for the reprieve.</font> <p><font face="Times New Roman,Times">At Pomona Valley, Carl's promised onslaught had already begun. The hospital switchboard was lighting up with calls from reporters who were calling every Los Angeles area hospital trying to find the one that was treating Michelle. This was followed by calls from fans looking for the same thing. These in turn were followed by both fans and reporters who had found out that Pomona Valley was in fact the hospital they wanted; the reporters were invoking the First Amendment, and the fans their right to know about their favorite star. These were followed by fans and reporters posing as family members. As Michelle had no living family, this didn't get them very far.</font> <p><font face="Times New Roman,Times">Credit where credit is due: Mike Mizuhara was as good as his word. He had the ICU ward sealed off; everyone who stepped off the elevator or out of the stairwell was greeted by a Pomona city cop, who had a printed list. On the list was the name and, more importantly, the photograph, of every doctor, nurse and staff member who had access to the fourth floor. Anyone who showed up on the fourth floor without permission was quickly and efficiently arrested for trespassing.</font> <p><font face="Times New Roman,Times">By eight am, more than a dozen people, posing as doctors, nurses, or staff, were in the pokey. A couple of them, from the tabloids, tried to bribe the officers. The officers were not amused; they had integrity, and besides, Mike Mizuhara had informed them that any bribe would be matched, plus ten percent; I later learned that Carl, who had bankrolled this effort, ended up shelling out nearly $25,000. The would-be bribers ended up in the pokey like everyone else, their money confiscated as evidence.</font> <p><font face="Times New Roman,Times">One amateur video guy, hoping to sell his tape to the afternoon tabloid shows, simply got on the elevator and, when the door opened on the fourth floor, sprinted down the hall, yodeling, waving his video camera wildly in hopes that a frame or two would later show Michelle in her bed. He was surprised when the cop stationed at the stairwell popped up in front of him. He was even more surprised when the cop shot him with a taser. He was given his props for the attempt, but went to the slammer anyway.</font> <p><font face="Times New Roman,Times">When it became clear that no one was getting onto the fourth floor, more drastic measures were attempted: four people were arrested when they tried to trip the fire alarms to cause an evacuation -- three by pulling the fire alarm, one by setting fire to that morning's edition of the <i>Inland Daily Bulletin</i> and waving it at the smoke alarm. He was caught by an orderly's flying tackle; the tackle cracked his skull on the floor. He was treated for concussion on the spot, and then transferred to the county jail infirmary.</font> <p><font face="Times New Roman,Times">As Carl suggested, I went into work at the usual time. I took Joshua with me, at his insistence. "I want to do something for you," he said, though he wouldn't explain what. On the way in, I flipped through the radio stations. Nearly all the radio stations were talking about Michelle; on one, the DJ was lamenting the fact that Michelle's possible death brought down the number of people on earth worth screwing. On another radio station, a caller had noted proudly that he had uploaded the faked picture of the three way between Michelle, George Clooney and Gwenyth Paltrow onto every single pornographic Internet newsgroup as a "tribute."</font> <p><font face="Times New Roman,Times">The entrance to Lupo Associates was swarmed with reporters, camera operators and sound men. As I parked I saw Jim Van Doren near the periphery of the crowd, scanning the parking lot for my car; he spotted it and started moving towards it. Some of the more alert camera operators followed him; within seconds a stampede was coming toward my car.</font> <p><font face="Times New Roman,Times">"Oh, shit," I said.</font> <p><font face="Times New Roman,Times">"Let me out of the car," Joshua said. "Then follow me. Get ready to run."</font> <p><font face="Times New Roman,Times">I hopped out of the car and let Joshua out. Joshua hit the ground running and hurled himself at the oncoming swarm, snarling and baring his fangs. There was chaos as members of the press retreated, screaming, from Joshua's full frontal assault; suddenly a path miraculously appeared through them. I set out at a sprint. Reporters, torn between being bitten by an angry dog and getting their story, hollered questions at me as they retreated; their sound people desperately swung their boom mikes towards me to catch my response. At least one of the boom mikes connected with a camera operator. I heard a crunch as a $75,000 video camera hit the ground but didn't stay to watch.</font> <p><font face="Times New Roman,Times">Joshua snarled one last snarl, then raced towards the agency entrance, getting there at the same time as I did. We were met at the door by Miranda, who unlocked it just long enough to let us through, and then pushed it shut again the second we were inside.</font> <p><font face="Times New Roman,Times">I turned around, expecting to see the reporters pressed up against the glass, shouting questions. Instead, there was a riot going on in the parking lot. Apparently the cameraman who got whacked by the boom mike had decided to take the cost of the damage out of the mike operator's hide. A couple of people were trying to separate the two; the rest, drawn into the melee, were content to start swinging. There's something deeply satisfying about watching some of the most overly-paid reporters in the country slugging each other, pulling each other's hair, and kneeing each other in the groin.</font> <p><font face="Times New Roman,Times">"Tom, you should have been a movie star," Miranda said. "You sure know how to make a hell of an entrance."</font> <p><font face="Times New Roman,Times">"It's not me that did all that," I said, still looking at the crowd. "You can thank my furry friend Joshua over there."</font> <p><font face="Times New Roman,Times">Off to the side of the riot, Jim Van Doren leaned against a car. He looked at the fight, then turned to look at me. Then he saluted. What a kidder.</font> <p><font face="Times New Roman,Times">"Did you do that, Joshua?" Miranda said, in that voice you use with dogs. "What a good dog!"</font> <p><font face="Times New Roman,Times">Joshua barked happily.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">I spoke to the press at noon, like we had planned. Carl had flown in Mike Mizuhara and Dr. Adams from Pomona Valley; all four of us were standing at a podium that had been put in front of the agency's entrance. Slightly off to one side, Miranda sat, petting Joshua, who sat attentively, waiting for a reporter to get too far out of line. I was told that the press announcement was being carried live on three of the local stations and also on the E! Channel. For some reason, I found this profoundly irritating.</font> <p><font face="Times New Roman,Times">Precisely at noon, I stepped up to the podium, tapped the microphone to make sure it was on, and got out my prepared statement.</font> <p><font face="Times New Roman,Times">"Good afternoon," I said, because at 30 seconds past noon, it was. "Since early this morning, the media has been filled with rumors concerning the well-being of my client Michelle Beck. It has come time to answer these rumors with the facts.</font> <p><font face="Times New Roman,Times">"First, and most important -- Michelle Beck is not dead nor is she near death. Rumors of her death have been irresponsibly spread; let them end here.</font> <p><font face="Times New Roman,Times">"Second, yesterday, at about four pm, Miss Beck was involved in an accident during pre-production work on <i>Earth Resurrected.</i> The accident caused her to be suffocated; first aid was administered at the scene and Miss Beck was then taken to Pomona Valley Hospital, where she remains now.</font> <p><font face="Times New Roman,Times">"Miss Beck has not regained consciousness since the accident, nor is there a timetable for her to do so. After I am done, Dr. Adams, who treated Michelle when she came in, and Dr. Mizuhara, the chief of staff of Pomona Valley, will give a brief medical update on Miss Beck's condition and will answer questions that relate to her medical condition.</font> <p><font face="Times New Roman,Times">"Those of us who knew her are praying for her recovery and hope that her fans worldwide will also do so. However, we ask that you do not attempt to visit her; she needs rest and quiet. Pomona Valley Hospital and the Pomona Police Department will not hesitate to arrest and prosecute any unauthorized attempts to visit Miss Beck. Please respect this request: it's in Miss Beck's best interests.</font> <p><font face="Times New Roman,Times">"Pomona Valley has also requested me to ask fans and admirers to stop sending flowers and fruit baskets -- their waiting room is clogged and after this point they will just be thrown out. If you feel you must do something, please write a check to the Pomona Valley Hospital general fund. I know that Michelle would greatly prefer that to flowers -- these people are helping her and they deserve all our support."</font> <p><font face="Times New Roman,Times">I folded up the prepared statement and asked if there were questions. Obviously, there were.</font> <p><font face="Times New Roman,Times">"What will happen to Michelle if she doesn't emerge from her coma?" asked the reporter from <i>Entertainment Weekly.</i> "Will she stay on a respirator or will she eventually be disconnected?"</font> <p><font face="Times New Roman,Times">"We haven't even thought about that yet," I said. "Nor have the doctors at Pomona Valley given us any indication that's where things are going. Until we know her medical situation a little better, it would be premature to think about it."</font> <p><font face="Times New Roman,Times">"Who is the one that will eventually make that decision?" asked the anchor of<i> Inside Story</i>. "Her parents or some other relative?"</font> <p><font face="Times New Roman,Times">"Michelle's parents passed away a couple of years ago," I said, "and she has no other family. When I got to the hospital, I was told that I was the person to whom she entrusted her emergency medical decisions to. So I suppose if that decision has to be made, I'll be the one to make it."</font> <p><font face="Times New Roman,Times">This answer caused a mild stir. I pointed to the reporter from the <i>Los Angeles Times</i>, but before she could ask her question, someone in the back hollered a question.</font> <p><font face="Times New Roman,Times">"Do you think it's appropriate for you to make that decision?"</font> <p><font face="Times New Roman,Times">Everyone's head swiveled around. It was Jim Van Doren, of course.</font> <p><font face="Times New Roman,Times">"Excuse me?" I said.</font> <p><font face="Times New Roman,Times">"I said, do you feel it's appropriate for you to be the one that makes that decision? Yes, you're her agent, but recently, there's been some questions about your own work and the way you've treated some of your clients. Do you really think it's wise for you to be the one who makes this life-or-death decision?"</font> <p><font face="Times New Roman,Times">Over to the side of me, I could hear Joshua growling lowly. I knew how he felt.</font> <p><font face="Times New Roman,Times">"Listen," I said. "I never <i>asked</i> to be the one Michelle gave this responsibility to. Drs. Adams and Mizuhara can tell you how surprised I was when I was told about it. Would I have wanted this responsibility? No. Will I refuse it now? No."</font> <p><font face="Times New Roman,Times">"Uh-huh," Van Doren said. "Are you the beneficiary of her estate?"</font> <p><font face="Times New Roman,Times">"What?" I said.</font> <p><font face="Times New Roman,Times">"I'm just thinking here," Van Doren said. "If you're the person she trusts with her life, you're probably the person that'd benefit from her death. She just got $12 million for <i>Earth Resurrected</i>; that's a lot. So are you the beneficiary? Or will that be a surprise, too?"</font> <p><font face="Times New Roman,Times">The crowd of reporters erupted. I just stood there, blinking, stunned that Van Doren could just casually imply that I was a crazed murderer. On the other hand, he was driving me insane, and if he'd been in reach, I probably could have killed him right there. Van Doren just stood there, with a little smile that said <i>gotcha</i>.</font> <p><font face="Times New Roman,Times">I was still gripping the side of the podium when Carl tapped me and gently dislodged me from where I was standing. Miranda came up to me and pulled me back away. Joshua looked up at me worriedly. I heard Carl speaking to the reporters -- "Let's try to keep our eye on the ball, here...," he began -- and then wheeled around into the building.</font> <p><font face="Times New Roman,Times">I stormed into my office and went to my office closet. Miranda came in about a second afterwards, followed by Joshua.</font> <p><font face="Times New Roman,Times">"What are you doing?" Miranda asked.</font> <p><font face="Times New Roman,Times">"Tony Baltz got me a set of golf clubs last Christmas," I said, rummaging. "I'm going to take one and put a divot in Van Doren's head. What do you think? The five iron? Or maybe the nine. Or the putter, right between the eyes."</font> <p><font face="Times New Roman,Times">"I don't think that would be very helpful," Miranda said.</font> <p><font face="Times New Roman,Times">"Oh, I think it would," I said. I emerged with the seven iron in my hand. "It would make me feel a lot better."</font> <p><font face="Times New Roman,Times">"Only for a minute," Miranda said. "But I have to warn you, prison is just one long bummer."</font> <p><font face="Times New Roman,Times">I burst into tears. No one was more surprised than I. Miranda rushed over and held me, returning the favor from the day before, when I had done the same for her.</font> <p><font face="Times New Roman,Times">"I'm sorry," I said. "It's not every day that I'm accused of murdering my client."</font> <p><font face="Times New Roman,Times">"Oh, shut up," Miranda said gently, cupping my face in her hand. "You didn't kill her, did you?"</font> <p><font face="Times New Roman,Times">"Of course not," I said.</font> <p><font face="Times New Roman,Times">"Well, then," Miranda said. "Don't let it bother you. Tom, you did more for Michelle than anyone else ever would have. You're a good man, Tom. Everybody knows it. I know it. You're a good man."</font> <p><font face="Times New Roman,Times">I kissed Miranda. No one was more surprised than I.</font> <p><font face="Times New Roman,Times">"I'm sorry," I said. "I don't know what I'm thinking."</font> <p><font face="Times New Roman,Times">"Oh, shut up," Miranda said, and kissed me back.</font> <p><font face="Times New Roman,Times">After a couple of minutes of this, Joshua whined, which I think is was doggie equivalent of clearing one's throat to remind others you are there.</font> <p><font face="Times New Roman,Times">"Spectator," I said.</font> <p><font face="Times New Roman,Times">"He's a dog," Miranda said "He doesn't care."</font> <p><font face="Times New Roman,Times">"You'd be surprised," I said.</font> <p><font face="Times New Roman,Times">The situation became academic a second later, when there was a knock. Miranda and I disentangled ourselves as Carl came through the door.</font> <p><font face="Times New Roman,Times">"I've got Mike and Adams at the podium now," he said. "Are you all right?"</font> <p><font face="Times New Roman,Times">"I'm severely pissed off, but other than that, I'm fine," I said.</font> <p><font face="Times New Roman,Times">"Be prepared to be pissed off a little more," Carl said. "Brad Turnow's on his way over."</font> <p><font face="Times New Roman,Times">My brain fuzzed a second before I realized he was talking about the producer of <i>Earth Resurrected.</i> "Oh, Christ, what a pain," I said.</font> <p><font face="Times New Roman,Times">Miranda looked at me and then at Carl. "What does Brad want?" she asked.</font> <p><font face="Times New Roman,Times">"His money back," I said.</font> <p><font face="Times New Roman,Times">"His star is in a coma," Carl said. "He's going to have to get someone else to play the part. He'll figure that, since Michelle is laid up, it's only fair he should get his money back."</font> <p><font face="Times New Roman,Times">"What a jerk," Miranda said.</font> <p><font face="Times New Roman,Times">"Do you want any backup?" Carl said, to me. "We could gang up on him."</font> <p><font face="Times New Roman,Times">"No," I said. "It's all right. I can handle him."</font> <p><font face="Times New Roman,Times">"That's what I like to hear," Carl said. "Kick his ass a couple of times. He'll be here at 1:15. That leaves you two about an hour to smooch."</font> <p><font face="Times New Roman,Times">I think I blushed; Miranda, who is made of sterner stuff, merely smiled. "Mr. Lupo, with all due respect to your position, that's just none of your damned business," she said.</font> <p><font face="Times New Roman,Times">"On the contrary," Carl said, smiling back. "I didn't get where I am today by not noticing these sorts of things. Come on, Joshua," he said, motioning to the dog. "Whether it's my business or not, I know when I'm not wanted ."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"It's a terrible thing that happened to Michelle," Brad said, stating the obvious.</font> <p><font face="Times New Roman,Times">"Yes, it is," I said.</font> <p><font face="Times New Roman,Times">"I mean, my God," Brad said. "I'd hate for it to happen to me."</font> <p><font face="Times New Roman,Times">My eyes flicked over to the clock on my phone. For five minutes now, Brad had been finding new and not-so-exciting ways to restate the obvious point that Michelle was in a world of hurt. I was giving him another minute before I worked him over with a golf club.</font> <p><font face="Times New Roman,Times">The question is whether Brad would be missed. Somehow I doubted it. Up until <i>Murdered Earth</i>, Brad was a distinctly lower-rung producer, cranking out cheesy, low-production value science fiction and adventure epics that would just about break even in the theaters and then eke out a profit in the video store afterlife: the sort of films you make when you're either on your way up or down the Hollywood food chain, but never when you're anywhere near the top. <i>Murdered Earth</i> was the exception because for once, Brad managed to get lucky with a star who was breaking into the stratosphere. That was Michelle, of course; the studio estimated that Michelle's presence in the film added $55 million to the $85 million domestic take. Having seen <i>Murdered Earth,</i> I personally gave Michelle credit for another ten million or so.</font> <p><font face="Times New Roman,Times">But with a hit movie under his belt, Brad was now a mid-rung producer looking to move up the ladder a little more. <i>Earth Resurrected</i> was going to do it for him, or so he thought. Now that Michelle was down and his production suddenly air-braking into oblivion, Brad wanted to do what he could before the whole thing derailed and sent him crashing back down into the ranks of a straight-to-video producer. Which meant getting someone else for the part and trying to recoup on his losses.</font> <p><font face="Times New Roman,Times">If I were in his position, I'd probably try to do something like what he was doing. Of course, I wouldn't have given Michelle $12 million, either. Be that as it may, I could sympathize with his situation. The problem was, he was about to try to screw my client. Sympathize or not, there's no way I was going to allow that.</font> <p><font face="Times New Roman,Times">"Look, I'll tell you why I'm here," Brad said.</font> <p><font face="Times New Roman,Times">"I'd appreciate that," I said.</font> <p><font face="Times New Roman,Times">"It's terrible what's happened to Michelle," Brad said again. Below his view, I was groping for the 7-iron. "But it also creates a real problem for<i> Earth Resurrected.</i> Tom, we're just about ready to roll, and we can't wait too much longer. Hell, we've already got the special effects crews working on some scenes, and the second unit's out shooting."</font> <p><font face="Times New Roman,Times">I sat there silently, waiting for Brad to continue. He wanted me to be openly sympathetic to his plight, which I was not willing to do. After a few seconds of waiting for me to say something, he went on.</font> <p><font face="Times New Roman,Times">"The real problem is Allen Green," Brad said. "In our contract, we committed to a start date, and if we miss that start date by more than a week, he can walk, with his full paycheck. Pay or Play. That's 20 million, shot right down the tubes. The start date's in ten days, Tom. Even if Michelle comes out of her coma today, she's not going to be ready to go in ten days. You know that."</font> <p><font face="Times New Roman,Times">Again, I said nothing. Why make it easy?</font> <p><font face="Times New Roman,Times">Finally, Brad said what he came to say. "We have to replace Michelle, Tom. I'm sorry, but we can't wait."</font> <p><font face="Times New Roman,Times">"The reason you paid $12 million for her was because you thought she was indispensable," I said. "I don't see how that's changed. She's a lot more indispensable than Allen Green. She's the only person who'll have been in both films."</font> <p><font face="Times New Roman,Times">"She <i>was</i> indispensable," Brad said. "Don't get me wrong, Tom, I want her to be in the film. But she's in a coma! And everybody knows it."</font> <p><font face="Times New Roman,Times">The subtext here: since everyone knows Michelle's in a coma, no one will actually expect her to be in the sequel anymore. It can be used as an excuse to replace her without anyone complaining. It's a fair enough assessment, although it left unanswered the question of who would go see the sequel, good excuse or not, if the reason that over two-thirds of the audience went to see the original isn't there anymore.</font> <p><font face="Times New Roman,Times">"If you're going to replace her, you must have someone lined up already, Brad," I said.</font> <p><font face="Times New Roman,Times">"We do," he said.</font> <p><font face="Times New Roman,Times">"Gee," I said. "That was fast. Michelle hasn't been in a coma a whole day yet."</font> <p><font face="Times New Roman,Times">Brad flushed at that one. "I told you, we're under some time pressure here," he said.</font> <p><font face="Times New Roman,Times">"You did," I agreed. "Who is it?"</font> <p><font face="Times New Roman,Times">"Charlene Mayfield," Brad said. "You've heard of her?"</font> <p><font face="Times New Roman,Times">I had, barely. Charlene was a clone of Michelle, which is not saying all that much, as blonde, perky types are fairly endemic in these here parts. Charlene played a waitress on one of those sitcoms that acts as a sacrificial offering against NBC's Thursday night lineup and is thus canceled after six or thirteen episodes; if you weren't actually in the business, you'd probably have no idea who she is.</font> <p><font face="Times New Roman,Times">"She's going to be great," Brad said. "I think she'll be able to step right into the part. Not that she could ever truly replace Michelle, of course," he added hastily.</font> <p><font face="Times New Roman,Times">"Of course," I said.</font> <p><font face="Times New Roman,Times">"So," Brad said. "Are there any problems? You understand where we're coming from?"</font> <p><font face="Times New Roman,Times">"No, I have no problems," I said. "You're on a tight schedule, I understand."</font> <p><font face="Times New Roman,Times">Brad smiled. "That's really great to hear, Tom. I knew you would understand."</font> <p><font face="Times New Roman,Times">"Thanks," I said.</font> <p><font face="Times New Roman,Times">"There is one other issue," Brad said.</font> <p><font face="Times New Roman,Times">"Shoot," I said.</font> <p><font face="Times New Roman,Times">"It's about Michelle's salary."</font> <p><font face="Times New Roman,Times">"What about it?"</font> <p><font face="Times New Roman,Times">"Well, seeing as Michelle is no longer on the film, there's some question about salary disbursement," Brad said.</font> <p><font face="Times New Roman,Times">"What question?" I said . "You already mailed me the check. I've already handed it over to our accountants to be processed. It's <i>been</i> disbursed, so I don't see how there could be a question about it."</font> <p><font face="Times New Roman,Times">"Well, that's just it," Brad said, uncomfortably. "I think you can see what I'm getting at here."</font> <p><font face="Times New Roman,Times">"I'm afraid I can't," I said. "You'd better spell it out for me, Brad."</font> <p><font face="Times New Roman,Times">He squirmed. It was fun to watch.</font> <p><font face="Times New Roman,Times">"Look," he said. "We'd like you to return the salary."</font> <p><font face="Times New Roman,Times">"Oh, is that all?" I said. "Heck. That's easy. The answer is no."</font> <p><font face="Times New Roman,Times">"What?"</font> <p><font face="Times New Roman,Times">"No."</font> <p><font face="Times New Roman,Times">"No?"</font> <p><font face="Times New Roman,Times">"What part of that two letter word don't you understand, Brad?" I asked. "Was it the vowel that threw you, or the consonant?"</font> <p><font face="Times New Roman,Times">"God damn it, Tom," Brad said. "This isn't a joke. You can't just expect us to walk away from twelve million dollars."</font> <p><font face="Times New Roman,Times">"I can," I said. "I do. You hired Michelle for a job. Now, through no fault of her own, you have decided you want someone else in the role. I'm fine with that. But inasmuch as Michelle did nothing to warrant her dismissal, I don't see how you could begrudge her her salary as severance pay."</font> <p><font face="Times New Roman,Times">"Jesus Christ," Brad said. "The girl's in a fucking coma!"</font> <p><font face="Times New Roman,Times">"Yes, she is," I said. "One that was brought about by the negligence of one of your crew members."</font> <p><font face="Times New Roman,Times">"That's not true," Brad said. "That woman worked for Featured Creatures."</font> <p><font face="Times New Roman,Times">"Which worked for you," I said. "You hired them, Brad. The legal line of responsibility goes right back to you."</font> <p><font face="Times New Roman,Times">"I think that could be argued," Brad said.</font> <p><font face="Times New Roman,Times">"You could try," I said. "It'll take you about two years to get a court date. In the meantime, I'm sure our legal department could probably hold up the start of your production a couple of weeks. Maybe a month, if we have to."</font> <p><font face="Times New Roman,Times">"You're a real son of a bitch," Brad said.</font> <p><font face="Times New Roman,Times">"Hey," I said. "I'm not the one trying to screw someone in a coma."</font> <p><font face="Times New Roman,Times">Brad decided to try another tactic. "Tom, look. It's not a matter of me not wanting to do right by Michelle. You know I want to."</font> <p><font face="Times New Roman,Times">"That's good to hear, Brad," I said.</font> <p><font face="Times New Roman,Times">"But now we're paying two actresses for the same part. We have to have some economies of scale going on here."</font> <p><font face="Times New Roman,Times">"So you're paying Charlene Mayfield $12 million?" I asked.</font> <p><font face="Times New Roman,Times">"Well, of course not that much," Brad said. "But we're paying her quite a bit."</font> <p><font face="Times New Roman,Times">"How much?" I asked.</font> <p><font face="Times New Roman,Times">"Well, I can't really discuss it," Brad said.</font> <p><font face="Times New Roman,Times">"Hmmm." I said. I buzzed Miranda. "Miranda, how much is Charlene Mayfield getting for <i>Earth Resurrected</i>?" I asked.</font> <p><font face="Times New Roman,Times">"One hundred seventy five thousand dollars," Miranda said. "According to her agent, who I just called."</font> <p><font face="Times New Roman,Times">"Really," I said. "Do we know if she's making any gross points?"</font> <p><font face="Times New Roman,Times">"Of course she isn't," Miranda said. "Although she's apparently getting a point on the net."</font> <p><font face="Times New Roman,Times">Net points are a promise of the percentage of profits the film makes, should it ever make it into the black; as opposed to gross points, which are a straight percentage of the film's haul at the box office. Since studio bookkeeping is such that even a film that makes a quarter of a billion dollars in domestic box office can run deeply into the red, net points are rarely if ever given -- they're what you're given if you're gullible, stupid, or the screenwriter.</font> <p><font face="Times New Roman,Times">"A whole point on the net," I said, looking directly at Brad.</font> <p><font face="Times New Roman,Times">"That's right," Miranda said. "That'll be worth at least a case or two of Fresca." I thanked her and signed her off.</font> <p><font face="Times New Roman,Times">"Wow, Brad, a hundred seventy five thousand dollars," I said. "Aren't you the generous one. That's nearly as much as you're going to pay for your second unit catering. Good thing I had Miranda listen in on the conversation and double-check that salary for us."</font> <p><font face="Times New Roman,Times">"That was a dirty trick," Brad said.</font> <p><font face="Times New Roman,Times">"It's not dirty, it's called looking out for my client's well-being."</font> <p><font face="Times New Roman,Times">"Is it about your percentage?" Brad said. "Because if it is, I'm willing to deal. What if I said you could keep your ten percent, clear? No questions."</font> <p><font face="Times New Roman,Times">I rubbed my forehead. It was barely 1:30, and I was tired already.</font> <p><font face="Times New Roman,Times">"Look, Brad," I said. "What say we cut the shit, because I'm having a really bad day, and you're not making it any better."</font> <p><font face="Times New Roman,Times">Brad blinked. "All right."</font> <p><font face="Times New Roman,Times">"Good," I said. "The fact of the matter is, you're not getting the twelve million back. The way I figure it, since you are the one who indirectly put her into the coma, it's the very least you can do. It's possible that if we took it to court, you might get that money back. But in the meantime you will have tanked your entire movie production. What is it budgeted at? 80 million? 90 million?"</font> <p><font face="Times New Roman,Times">"83 million, counting salaries." Brad just about spat the word <i>salaries</i>.</font> <p><font face="Times New Roman,Times">"83 million against twelve million is a bad bet any day, Brad. And that's not counting the money you're going to throw down the lawyer hole. <i>Our</i> lawyers are on staff. <i>We</i> don't pay them any extra. And, of course, we're not even talking about the counter-suits we'll throw back at you for negligence and violation of contract. Not to mention the <i>other</i> suits that will be filed against you by the studio and your other investors if you close down production. Make no mistake, Brad, you're going to get fucked. You won't be able to sit for a year."</font> <p><font face="Times New Roman,Times">Brad bristled, which is exactly what I wanted him to do. I'd gotten into the sensitive area where males feel threatened and will make stupid, macho statements just so they'll feel their balls are still attached. I was hoping that Brad would grope for his testicles.</font> <p><font face="Times New Roman,Times">Sure enough, he did. "Don't you threaten me, you little asshole," Brad said. "If you want a court fight, I'll give it to you. You'll spend so much time giving depositions you'll forget what the sun looks like. Don't think I don't have what it takes to win this."</font> <p><font face="Times New Roman,Times">"I don't doubt that you'd try, Brad. But let me scope out a scenario for you. You go to court to snatch money away from an actor who your own negligence has managed to put in a coma. You tank the film you're working on to do it. Let's say that somehow you manage to win. Fine. You get your twelve million back, and you go back to your offices to get ready to do another movie...<i>and no one will work with you."</i></font> <p><font face="Times New Roman,Times">Brad's eyebrows knitted. "What do you mean?"</font> <p><font face="Times New Roman,Times">"I mean no one will ever work with you again. Actors won't want to work with you, because you've given the clear signal that you don't give a shit about them. Agents won't want to work with you, because they'll never be sure you won't try to dick their clients around. Studios won't want to work with you because you'll have made it clear that you value your pride over their money. Which is not an attitude they want to know about. <i>You will never work in this town again.</i> Never."</font> <p><font face="Times New Roman,Times">Brad looked like he'd been kicked in the balls. Which, in a way, he had. "You don't know that for sure," he said.</font> <p><font face="Times New Roman,Times">I leaned forward in my chair, over my desk, close to Brad's ear. "Try me," I whispered.</font> <p><font face="Times New Roman,Times">I sat back. Brad sat there, stunned, for a good minute. The he got up, spun out of his chair, stalked around the office a couple of times, sat back down, and started gnawing on his thumb.</font> <p><font face="Times New Roman,Times">"Fuck!" he finally said.</font> <p><font face="Times New Roman,Times">It was over. I won.</font> <p><font face="Times New Roman,Times">Now was the time to get him back to our side. "Brad," I said. "You don't <i>want</i> to have the money back. You think you do right now because you're cheap and you're in a panic. But it's penny wise and pound foolish. In the long run, you're going to look good by letting Michelle keep it."</font> <p><font face="Times New Roman,Times">Brad smirked. "Somehow I doubt that," he said.</font> <p><font face="Times New Roman,Times">"Such little faith," I said. "Try this one on: today, as you may or may not know, I was casually accused of setting up my client for her accident."</font> <p><font face="Times New Roman,Times">"I watched that in the office, right before I called," Brad said. "What an asshole."</font> <p><font face="Times New Roman,Times">"You have no idea," I said. "What if we say that I set up this meeting in a panic, and begged you to take the twelve million back? That way, from my point of view, any suspicion would be off of me, because I'd have no financial reason to off my client."</font> <p><font face="Times New Roman,Times">Brad looked at me strangely. "This benefits you, but I'm waiting to see how it benefits me."</font> <p><font face="Times New Roman,Times">"It benefits you, Brad, because you angrily refuse to accept the money back. How dare I assume that just because Michelle is in a coma, that'd you'd snatch the money back. We can say that in addition to refusing the money, you demanded that if Michelle didn't recover, that I donate the money to brain trauma research. Say, fund a professorship at UCLA Medical School or some such."</font> <p><font face="Times New Roman,Times">"What <i>were</i> you going to do with the money, if you don't mind me asking?"</font> <p><font face="Times New Roman,Times">I gestured to the heavens with my hands. "Damn it, Brad. I don't <i>know</i> that she left me her money. Even if she did, I sure as hell don't want it. If it got given to me, that's probably what I'd do with it. Yes, that's what I would do. But my point here is -- this idea came from <i>you</i>. You look good because you took a stand for Michelle."</font> <p><font face="Times New Roman,Times">"And you throw the scent off of yourself."</font> <p><font face="Times New Roman,Times">"There is that added benefit, yes."</font> <p><font face="Times New Roman,Times">Brad thought about it. "And you'll say that this is what happened?"</font> <p><font face="Times New Roman,Times">"No, Brad," I said. "This <i>is</i> what happened. At least, as I remember it."</font> <p><font face="Times New Roman,Times">Brad smiled, even though I'm sure it hurt to do it. "You sure are a piece of work, Tom. All right, keep the twelve."</font> <p><font face="Times New Roman,Times">"And her gross points."</font> <p><font face="Times New Roman,Times">"Oh, come <i>on</i>, Tom," Brad said. "Stop with the kicking."</font> <p><font face="Times New Roman,Times">"Tell you what," I said. "I'll drop our twelve gross points if you give Charlene Mayfield six."</font> <p><font face="Times New Roman,Times">"What do you care?" Brad said. "She's not even your client."</font> <p><font face="Times New Roman,Times">"Brad, you moron," I said. "They're not from <i>me</i>. They're from <i>you</i>. Remember the concept: Make Brad Look Good."</font> <p><font face="Times New Roman,Times">"Oh. All right."</font> <p><font face="Times New Roman,Times">"Great," I said, leaned back and closed my eyes. I was getting a headache. When I opened them again, Brad was still sitting there, looking pensive.</font> <p><font face="Times New Roman,Times">"Something on your mind, Brad?" I asked.</font> <p><font face="Times New Roman,Times">"Hmmm? No, just thinking about the accident. It's a terrible thing, you know."</font> <p><font face="Times New Roman,Times">"I know," I said. "We've been through this."</font> <p><font face="Times New Roman,Times">"No, I know," Brad said. "I was just thinking about why we were having the mask made in the first place."</font> <p><font face="Times New Roman,Times">"You were going to have her head explode, or something, I thought," I said.</font> <p><font face="Times New Roman,Times">"Well, not really that," Brad said. "It's for this scene in the film where the alien overlord is trying to get control of Michelle's body -- we were going to have the overlord stick his tentacles in her mouth and ears as a way to get to her brain. Really disgusting, of course -- eyeballs popping and mouth really huge and all that. Obviously we couldn't do any of those effects with Michelle's real face."</font> <p><font face="Times New Roman,Times">"Glad that you recognize that, Brad."</font> <p><font face="Times New Roman,Times">"We could have used digital effects, but those things are expensive," he said, apparently oblivious to the fact that his latex mask had, in fact, just cost him twelve million dollars. He grinned suddenly, a rueful grin. "You know, I could have used that alien overlord right about now."</font> <p><font face="Times New Roman,Times">"What do you mean?" I said.</font> <p><font face="Times New Roman,Times">"Oh, nothing," Brad said, waving me off. "I was just free-associating. If our alien overlord was real, then it wouldn't matter if Michelle was in a coma or not. He'd just suck her brain out, plop himself in, and do the part himself. No one would know any better. Michelle's not exactly Meryl Streep. Would have saved me money, anyway."</font> <p><font face="Times New Roman,Times">Brad caught a look at my face. "Jesus, Tom," he said. "I'm sorry. That was probably not the nicest thing I could have said right about now. Sorry if I just upset you. You all right?"</font> <p><font face="Times New Roman,Times">"I'm fine," I said. "I'm sorry, Brad. I just had a thought myself."</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Sixteen</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003061.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:46:48Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3061</id>
<created>2004-12-09T04:46:48Z</created>
<summary type="text/plain">The door to the fourth floor of Pomona Valley Hospital opened, and I was confronted by the face of officer Bob Ramos. &quot;Hi, Mr. Stein,&quot; he said. &quot;Hi, Bob,&quot; I said. &quot;Nice dog you have there,&quot; Officer Ramos said. Joshua...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scalzi.com/agent/">
<![CDATA[<p><font face="Times New Roman,Times">The door to the fourth floor of Pomona Valley Hospital opened, and I was confronted by the face of officer Bob Ramos.</font> <p><font face="Times New Roman,Times">"Hi, Mr. Stein," he said.</font> <p><font face="Times New Roman,Times">"Hi, Bob," I said.</font> <p><font face="Times New Roman,Times">"Nice dog you have there," Officer Ramos said.</font> <p><font face="Times New Roman,Times">Joshua did his best stupid dog grin.</font> <p><font face="Times New Roman,Times">"Not my dog, it's Michelle's," I said. "I thought he might help bring her out of it. You know."</font> <p><font face="Times New Roman,Times">"Sure," Ramos said. "I guess we can pretty safely say you don't want Dr. Adams to know about it, right?"</font> <p><font face="Times New Roman,Times">"Right," I agreed. "I'm not visiting at two in the morning just because I'm not sleepy."</font> <p><font face="Times New Roman,Times">"Got it," Ramos said.</font> <p><font face="Times New Roman,Times">"By the way," I said. "I've got something for you." I pulled out a CD that I'd been carrying under my arm.</font> <p><font face="Times New Roman,Times">Ramos took it. "What is this?"</font> <p><font face="Times New Roman,Times">"You mentioned that your daughter was a fan of Tea Reader's," I said. "So I thought she might like to have an autographed copy of the CD. See, look, it's even made out to 'Maria.'" I didn't tell Ramos that the CD had in fact been autographed by Miranda. The chances of Tea Reader herself doing me a favor these days were slim and fast approaching none.</font> <p><font face="Times New Roman,Times">"Well, that was really nice of you to do that," Ramos said. "My little girl is going to be thrilled right out of her socks. You're a real stand-up guy, Mr. Stein."</font> <p><font face="Times New Roman,Times">"It's nothing," I said. "Glad to do it. Is anyone else in with Michelle?"</font> <p><font face="Times New Roman,Times">"I've been here since midnight and no one's come through except for the nurse," Ramos said. "You might check with Officer Gardner. She's over at the stairs. Been there since 11."</font> <p><font face="Times New Roman,Times">"That's all right," I said. "I'm just going to pop in for a couple of minutes. You'll let me know if the nurse comes by again?"</font> <p><font face="Times New Roman,Times">"Sure," Ramos said. "I'll make a lot of noise. Give you enough time to hide the dog in the can."</font> <p><font face="Times New Roman,Times">"Thanks, Bob," I said, and then headed down the hall with Joshua.</font> <p><font face="Times New Roman,Times">The door to Michelle's room had been left open. Inside, a cone of light illuminated Michelle, whose bed had been positioned so she was reclining rather than lying down directly. The rest of the room was dark, and the other two beds in the room, still empty, had their curtains closed around them. I closed the door, and then went over to Michelle. She was unchanged: comatose and on a respirator. I felt a fresh wave of guilt.</font> <p><font face="Times New Roman,Times">"Tom," Joshua said. "I can't do anything from down here."</font> <p><font face="Times New Roman,Times">"Do you want to get on the bed?" I asked.</font> <p><font face="Times New Roman,Times">"No, that'd be mighty uncomfortable," Joshua said. "Grab me one of those visitor's chairs and put it near the head of the bed, please."</font> <p><font face="Times New Roman,Times">There was one near the bed on my side; I wheeled it around to Joshua's side, to avoid him accidentally knocking over the IV. He asked me to turn it around so that the back faced the bed; when I had done so, he jumped up on the chair and propped himself up on the back of the chair, putting himself on a level with the bed.</font> <p><font face="Times New Roman,Times">"That'll probably be close enough," Joshua said.</font> <p><font face="Times New Roman,Times">"Are you going to be able to reach her?" I asked.</font> <p><font face="Times New Roman,Times">"Sure," Joshua said. "Ralph's body is totally gone now, you know. It's all me. I can make tendrils now. It still helps to be close, of course. Now I have to figure out where to enter her head -- she's got so many tubes in her. I think I'll go through the ears. This is going to take a couple of minutes, so don't talk to me for a few. I'm going to have to concentrate."</font> <p><font face="Times New Roman,Times">With that, Joshua made sure he was securely positioned, and closed his eyes. Then his face disappeared. His snout elongated and became the transparent goo that Yherajks were usually made of. It looked like a glass elephant trunk. The trunk waved in the air for a second, as if tasting the air, and then made its way to Michelle's head. An inch above her face, the trunk split in two; each tendril wandered casually over to an ear, then covered it. Michelle looked like she was wearing headphones that were attached to a headless dog.</font> <p><font face="Times New Roman,Times">The scene was so surreal that I lapsed into mute gawking. It took Joshua to bring me out of it.</font> <p><font face="Times New Roman,Times">"Tom," he said, "I think we have company."</font> <p><font face="Times New Roman,Times">"What?" I said.</font> <p><font face="Times New Roman,Times">"Turn around."</font> <p><font face="Times New Roman,Times">I did. Miranda stood there, a book in her hands. Behind her, the curtain was pulled back from one of the vacant beds. Miranda was looking past me, at the scene of Joshua and Michelle. Her eyes were wide and black, and she had the expression you get when you're seeing something horrifying and you hope you're dreaming.</font> <p><font face="Times New Roman,Times">"Miranda," I said.</font> <p><font face="Times New Roman,Times">Miranda glanced over at me, not really seeing me at first. Then I could almost hear her brain <i>click</i> as to who I was, where she was, and that she, in fact, was not dreaming. She opened her mouth and took a sharp intake of breath. In one more second, I knew, it would come out as the loudest scream I had ever heard.</font> <p><font face="Times New Roman,Times">I leapt at her. I clamped my hand over her mouth and turned her around. Then I picked her up and sprinted to the bathroom with her, kicking, in my arms.</font> <p><font face="Times New Roman,Times">Behind me, I heard Joshua say, in a conversational tone of voice, "If she screams, we're fucked, Tom. Calm her down." The conversational tone of voice was simply so that it couldn't be heard outside the room -- Joshua's voice was as tense as I'd ever heard it. As I shoved Miranda into the bathroom, I caught a whiff of something rotten and realized that Joshua <i>was</i> screaming -- just in his own language. I closed the bathroom door behind me, locked it, and hit the light switch to start the fan.</font> <p><font face="Times New Roman,Times">In shoving her into the bathroom, I had accidentally pushed Miranda into the sink. Her aborted scream went out of her with a <i>whuff</i>; her book went flying. She reeled sideways, colliding with the tub. I reached for her to help her regain her balance; Miranda grabbed me, ducked her head down, and launched herself into my abdomen. It felt like I had been hit by a cannonball, and the impact slammed me up against the door -- I felt myself bounce off of it. I couldn't breathe and went down to the tiles.</font> <p><font face="Times New Roman,Times">Miranda was now pushing me away from the door, trying to unlock it. I lurched up from the floor, grabbed her around the waist, and pulled her to the floor with me. On her way down, Miranda cracked me in the eye with her elbow. There was a mushrooming sensation of pain behind my eyeball; I was pretty sure I was going to be blinded for life. But I held on, rolled over on top of Miranda, pinned her arms with my legs, and used my weight to pin her down. Miranda opened her mouth to scream again. I reached down to cover her mouth. Her head dodged sideways and then flicked back; she caught the side of my hand in her mouth and bit down, hard. I had to bite the side of my cheek to keep from screaming myself.</font> <p><font face="Times New Roman,Times">"Miranda," I said, gritting my teeth. "This is <i>really</i> beginning to hurt."</font> <p><font face="Times New Roman,Times">Miranda let go of my hand; I pulled it up and started shaking it in pain.</font> <p><font face="Times New Roman,Times">"Thank you."</font> <p><font face="Times New Roman,Times">"Get off of me, <i>now</i>," Miranda said.</font> <p><font face="Times New Roman,Times">"I will," I said. "But you have to promise me not to scream."</font> <p><font face="Times New Roman,Times">"Tom, I want to know what the <i>fuck</i> that thing was out there."</font> <p><font face="Times New Roman,Times">"That's good," I said. "Because I want to tell you. Now I just need you to promise me you're not going to run screaming. Okay?"</font> <p><font face="Times New Roman,Times">Miranda nodded her assent. I gladly collapsed off of her and leaned my back against the door, clutching my hand. I could feel the blood; I wasn't yet mentally prepared to look at it and see the carnage. Miranda got up slowly, never taking her eyes off me, and perched on the tub; she was preparing to make a hole through me if she had to in order to escape. I had been lucky to catch her by surprise. In a real fight, she could have sent me to the hospital. Fortunately, we were already there.</font> <p><font face="Times New Roman,Times">"Explain," she said.</font> <p><font face="Times New Roman,Times">"Remember Joshua?" I said.</font> <p><font face="Times New Roman,Times">"The dog?" she said.</font> <p><font face="Times New Roman,Times">"No, the other Joshua," I said. "Well, actually, yes, the dog Joshua, too. They're both the same person."</font> <p><font face="Times New Roman,Times">Miranda looked at me very dangerously. I held my hand up.</font> <p><font face="Times New Roman,Times">"Start over," I said, took a second and then started again. "You remember that secret project Carl has me doing."</font> <p><font face="Times New Roman,Times">"Yes."</font> <p><font face="Times New Roman,Times">"The project is about aliens. Space aliens. They had contacted Carl. He wanted me to find a way to introduce them to the world. That thing out there is one of them."</font> <p><font face="Times New Roman,Times">"Joshua," Miranda said.</font> <p><font face="Times New Roman,Times">"Yes," I said. "He was an alien first, and then he took over the body of a dog named Ralph. Long story."</font> <p><font face="Times New Roman,Times">"What is it doing to Michelle?" Miranda asked.</font> <p><font face="Times New Roman,Times">"He's scanning her brain," I said. "Trying to see if she's ever coming out of the coma."</font> <p><font face="Times New Roman,Times">Miranda shook her head violently. "This doesn't make any sense."</font> <p><font face="Times New Roman,Times">I laughed, weakly. "If you have a more rational explanation, Miranda, I'd love to hear it." I finally got up enough courage to look at my hand. It was covered in blood; Miranda looked to have ripped out a fairly large chunk.</font> <p><font face="Times New Roman,Times">Miranda noticed it too. "My God, Tom, you're bleeding," she said.</font> <p><font face="Times New Roman,Times">"I know," I said. "I think I have a black eye, too. Our first fight. Remind me never to piss you off again."</font> <p><font face="Times New Roman,Times">Miranda came off the tub, helped me up, and walked me over to the sink. She turned on the water and put my hand under it; I just about jumped out my skin from the pain.</font> <p><font face="Times New Roman,Times">"Sorry," Miranda said. "Sorry about everything, Tom. I just didn't know what was going on. I still don't."</font> <p><font face="Times New Roman,Times">"What were you doing here, Miranda?" I asked. "The officer at the front said no one was here."</font> <p><font face="Times New Roman,Times">Miranda shrugged and started soaping the wound, which hurt like you wouldn't believe. "Dr. Adams said that we should talk to her, that it might help bring her back out. I figured I would come read to her. I brought <i>Alice in Wonderland,</i> if you can believe it. I got here about eight. Around eleven I got tired. It was a long day. I didn't think anyone would mind if I took a nap."</font> <p><font face="Times New Roman,Times">The blood had been pretty much washed away; with it gone the wound appeared much less severe than it had seemed. Miranda grabbed a washcloth from the rack near the tub, folded it once, and pressed it over the wound.</font> <p><font face="Times New Roman,Times">"Hold it there for a while," she said. "It doesn't look that bad. I don't think you'll need stitches."</font> <p><font face="Times New Roman,Times">"That's a relief," I said. "It would have been a little difficult to explain how it happened." It was an attempt at humor, but Miranda wasn't biting. So to speak.</font> <p><font face="Times New Roman,Times">"Tom," she said. "You said that he was scanning her brain."</font> <p><font face="Times New Roman,Times">"That's right," I said.</font> <p><font face="Times New Roman,Times">"What happens then?" she asked.</font> <p><font face="Times New Roman,Times">"Well, if it looks like she'll come out of it, he'll do what he can to help her. He's got the experiences of thousands of his people, Miranda. One of them has to have been a doctor or a scientist that could make guesses on how to do that."</font> <p><font face="Times New Roman,Times">"What if she has permanent damage, Tom? What if she's never going to come out of the coma?"</font> <p><font face="Times New Roman,Times">I took a deep breath. "Then I'm going to ask Joshua to inhabit her body."</font> <p><font face="Times New Roman,Times">Miranda drew back. <i>"What?"</i> she said, rather too loudly.</font> <p><font face="Times New Roman,Times">"Keep it down," I said.</font> <p><font face="Times New Roman,Times">"Keep it <i>down</i>?" Miranda said. "We're talking about Michelle's life, and now that thing wants to take it so he can have the body? Don't you have a problem with that?"</font> <p><font face="Times New Roman,Times">"Miranda," I said. "If Michelle's never coming out of the coma, she's <i>already</i> dead. Brain dead, at least, with her body kept alive by a machine. She's gone. And if that's the case, then there's an opportunity to make her death at least have some meaning, an opportunity for something historic."</font> <p><font face="Times New Roman,Times">"It's body snatching," Miranda said.</font> <p><font face="Times New Roman,Times">"Not any more than organ donation," I said. "Look, Miranda, the Yherajk --"</font> <p><font face="Times New Roman,Times">"The what?"</font> <p><font face="Times New Roman,Times">"The people who Joshua come from," I said. "They're called the Yherajk. In their natural form, they look like Jell-O globs. People will be terrified of them. But if they could see them in human form first, it would make it easier. We need a Trojan horse, Miranda. Something that will allow the Yherajk to make it through the door of human consciousness without terrifying humanity half out of its brain. Think how you just felt out there; now multiply that by six billion. We need a Trojan horse."</font> <p><font face="Times New Roman,Times">"The Trojan horse wasn't so great for the Trojans," Miranda said.</font> <p><font face="Times New Roman,Times">"It's just an analogy," I said.</font> <p><font face="Times New Roman,Times">"How do you know Joshua won't just say she's not coming out the coma, so he can get control of the body?" Miranda asked.</font> <p><font face="Times New Roman,Times">"Because he doesn't know I'm going to ask him to do it," I said. "This isn't his idea, Miranda. It's mine."</font> <p><font face="Times New Roman,Times">Miranda slumped back down onto the tub and pressed both hands against her head, as if to keep it from exploding. "I think I'm in shock," she said. "I can't feel anything. I don't know what to make of what you're saying to me."</font> <p><font face="Times New Roman,Times">I knelt down until I was at her level and took her hand. "If you were in shock, you wouldn't know you were in shock, Miranda," I said. "I think you're going to be just fine. Listen, I know how sudden this feels. When Carl introduced me to Joshua, it was the same thing -- just threw me right into the deep end. He trusted me to be able to swim. I trust you to be able to swim, Miranda. And I'm going to need you to help me from here on out. I've had to deal with this thing by myself -- Carl gave it to me because he couldn't be seen handling it, and I couldn't get help from anyone else. Now you know. I need you to help me. I need you, Miranda. Okay?"</font> <p><font face="Times New Roman,Times">"Oh, God, Tom," Miranda said. "If I knew the job was going to be this tough, I would have asked for more up front."</font> <p><font face="Times New Roman,Times">"Hey," I said. "I already got you two raises in the last few weeks. Don't push it."</font> <p><font face="Times New Roman,Times">Miranda laughed that time. She had a very nice laugh.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"Good to see you're both alive," Joshua said, as we returned to the bed. "I was worried there for a while. It sounded like a cat got caught in a dryer."</font> <p><font face="Times New Roman,Times">"We got it worked out," I said.</font> <p><font face="Times New Roman,Times">"Good thing, too," Joshua said. "Because from the look of it, Tom, she kicked your ass."</font> <p><font face="Times New Roman,Times">"I pulled my punches," I said.</font> <p><font face="Times New Roman,Times">"I'm sure you did," Joshua said, dryly. "Hello, Miranda. Sorry about the surprise. I'm afraid you're not seeing me at my best. I really do look nicer with a head. But then, really, don't we all."</font> <p><font face="Times New Roman,Times">"Hello, Joshua," Miranda said. "I hope you don't mind if it takes me a little while to get used to this all."</font> <p><font face="Times New Roman,Times">"No problem," Joshua said. "Personally, I'm glad you're in on the secret. Tom could use a better brain than the one he's got."</font> <p><font face="Times New Roman,Times">"Enough with the insults," I said. "Have you found anything?"</font> <p><font face="Times New Roman,Times">"I'm afraid I have," Joshua said. "I have bad news and worse news. Do you have a preference to which you want to hear first?"</font> <p><font face="Times New Roman,Times">My heart sank. Miranda reached over and took my hand. "Might as well tell me the worse news," I said.</font> <p><font face="Times New Roman,Times">"She's gone, Tom," Joshua said, bluntly. "From what I can tell, large chunks of her brain had already died before Miranda got to her. She was down a long time. It's pretty obvious, actually; I'm surprised that the doctors here haven't already told you. They probably want to do a couple more CAT scans to be sure. But <i>I'm</i> sure. It's a mess in here. I'm sorry, Tom. I really am."</font> <p><font face="Times New Roman,Times">"Isn't there anything you can do?" Miranda said. "Tom said that you have the experience of doctors and scientists. Can't you do anything?"</font> <p><font face="Times New Roman,Times">"It's not a question of expertise, it's a question of raw materials," Joshua said. "Michelle's brain is severely damaged, and the damage affects a wide range of functions. It's not like a stroke, where the damage is localized, and the brain might find some way to route around the damage. Here, if I was to try to route around damage, I'd only come across more damage. They're never going to get her lungs pumping again on their own, and from where I'm at, most of the parts of the brain that control things like her liver and kidneys look to be non-functioning. I'd expect that in another day or so, you'll be told they expect liver and renal failure within a few days. I'm sorry, Miranda. If I could do something, I would. But there's nothing <i>to</i> do."</font> <p><font face="Times New Roman,Times">"What parts of her brain <i>do</i> work?" I asked.</font> <p><font face="Times New Roman,Times">"Well, her heart's still pumping, so that tells you something," Joshua said. "Her digestive tract is fine, not counting the liver or kidneys, which I've already spoken about. Her auditory centers are working --"</font> <p><font face="Times New Roman,Times">"She can hear?" I asked.</font> <p><font face="Times New Roman,Times">"That's not what I said," Joshua said. "The parts of her brain that process sound are still doing that. But the parts of the brain that <i>interpret</i> sound aren't. Sound is going into the microphone, but it's not being recorded, if you know what I mean."</font> <p><font face="Times New Roman,Times">"What about <i>her</i>?" Miranda said. "You're talking about her body processes. What about her? Her personality? Her memories? Those things?"</font> <p><font face="Times New Roman,Times">"Like everything else," Joshua said. "Some parts are there, some aren't. Most of her recent memories are here; I'd say the last couple of weeks for sure. After that, it gets spotty. Of course, that could just have been the way her mind worked, anyway. You humans remember some things better than others. But as to her personality -- well, let's just say that if we managed to somehow get the rest of her brain working, and she came out of it, she wouldn't be the Michelle you remember."</font> <p><font face="Times New Roman,Times">"What would she be?" I asked.</font> <p><font face="Times New Roman,Times">"Psychotic," Joshua said. "Frankly I doubt that she would comprehend the world anymore. It would just be some terrifying blur to her."</font> <p><font face="Times New Roman,Times">"So she's dead," I said.</font> <p><font face="Times New Roman,Times">"She -- Michelle -- is dead <i>now</i>," Joshua said. "This body, on a respirator, will last about another week. Best estimate. I'm going to disconnect from her now, Tom, if you don't mind. The scenery in here is starting to make me depressed."</font> <p><font face="Times New Roman,Times">About a minute later Joshua was completely reconstituted as a dog. He leapt down from the chair and padded over to us.</font> <p><font face="Times New Roman,Times">"Is anyone else hungry?" he said. "I don't know what it is, but ever since I melded with Ralph, every time I'm depressed I just want to eat."</font> <p><font face="Times New Roman,Times">"Hold that thought for a second, Joshua," I said. "I have a question for you."</font> <p><font face="Times New Roman,Times">Joshua sat. "All right, what is it?"</font> <p><font face="Times New Roman,Times">"You're positive that Michelle is gone and that the body will be dead within a week."</font> <p><font face="Times New Roman,Times">"Pretty much," he said. "I'm sorry about that for you."</font> <p><font face="Times New Roman,Times">"Joshua, why don't you use her body?" I said.</font> <p><font face="Times New Roman,Times">Joshua looked perplexed. "Come again?"</font> <p><font face="Times New Roman,Times">"She's dead," I said. "And you could use her body. You would finally be able to walk around and interact with humans. Michelle was famous. You'd already have a high profile. You could finally be a true intermediary between our species. Michelle's gone, we know that. But here's an opportunity."</font> <p><font face="Times New Roman,Times">"Tom," Joshua said, slowly. "I know you think that what you're suggesting is a good idea. From where you're standing, maybe it looks that way. But it's not. I can't take Michelle's body."</font> <p><font face="Times New Roman,Times">Beside me, I could feel Miranda nearly collapse with relief. Despite what I told her, she must have still harbored the worry that Joshua was simply waiting to snatch Michelle's body. Now that he was rejecting the offer, Miranda could believe that he was genuine and honest in his intentions. I, however, was merely confused.</font> <p><font face="Times New Roman,Times">"I don't follow," I said. "<i>Can't</i> take Michelle's body? Or <i>won't</i> take Michelle's body?"</font> <p><font face="Times New Roman,Times">"Either," Joshua said. "Both. Can't and won't."</font> <p><font face="Times New Roman,Times">"Why not?" I asked.</font> <p><font face="Times New Roman,Times">"Tom, Michelle is brain damaged. Even if I could inhabit her body, I couldn't control it or keep it alive. I need an at least nominally functioning brain to do that. Michelle doesn't have that any more. It'd be like trying to drive a car without a steering wheel."</font> <p><font face="Times New Roman,Times">"But that's just temporary," I said. "You have Ralph's appearance now, but there's none of Ralph's body in you anymore."</font> <p><font face="Times New Roman,Times">"That's true," Joshua said. "But Ralph's brain was in one piece when I inhabited him. I had time to learn how to be a dog. I don't have that here."</font> <p><font face="Times New Roman,Times">"That's the <i>can't,</i>" I said. "And maybe we can find some way around that. What's the <i>won't</i>?"</font> <p><font face="Times New Roman,Times">"The <i>won't</i> is that Michelle didn't give me permission to inhabit her body or transfer her personality," Joshua said. "That's incredibly important, Tom. Otherwise it's tantamount to causing soul death. I won't do that. It goes against everything that a Yherajk stands for, ethically."</font> <p><font face="Times New Roman,Times">"You didn't get explicit go ahead from Ralph, and yet you inhabited his body," I said.</font> <p><font face="Times New Roman,Times">"But I <i>felt</i> that Ralph wanted me to," Joshua said. "It's hard to explain. And at the very least, Ralph was my friend, my very good friend. I knew better what he wanted that I would Michelle, who I didn't know at all."</font> <p><font face="Times New Roman,Times">"It's what<i> I</i> want," I said. "And Michelle gave me permission to make decisions on her behalf."</font> <p><font face="Times New Roman,Times">"Not this decision," Joshua said.</font> <p><font face="Times New Roman,Times">"You don't know that," I said, almost accusingly.</font> <p><font face="Times New Roman,Times">Joshua sighed. "Actually, Tom, yes, I do."</font> <p><font face="Times New Roman,Times">"What do you mean?" I said.</font> <p><font face="Times New Roman,Times">"Remember when I asked you if you wanted the bad news or the worse news?" Joshua said. "Well, the worse news is that she's gone. But the bad news was, she did it to herself."</font> <p><font face="Times New Roman,Times">"What?" Miranda asked.</font> <p><font face="Times New Roman,Times">"I saw it," Joshua said, turning to Miranda "Her last memory. After you left, Miranda. Michelle pulled the breathing straws out and closed the latex over her nostrils. Then she waited to suffocate. She committed suicide."</font> <p><font face="Times New Roman,Times">Joshua turned back to me. "Right or wrong, Michelle chose to end her life, Tom. And that's why I can't take her body, no matter what you say. Her decision was to die. And I can't take that decision away from her. Neither can you. No one can."</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Seventeen</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003062.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:47:51Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3062</id>
<created>2004-12-09T04:47:51Z</created>
<summary type="text/plain">Carl opened his door and squinted out at us. &quot;This had better be good,&quot; he said. It was not quite four am. &quot;It is,&quot; I assured him. Carl tightened his bathrobe and turned away from the door. &quot;Fine. Stop hanging...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scalzi.com/agent/">
<![CDATA[<p><font face="Times New Roman,Times">Carl opened his door and squinted out at us. "This had better be good," he said.</font> <p><font face="Times New Roman,Times">It was not quite four am.</font> <p><font face="Times New Roman,Times">"It is," I assured him.</font> <p><font face="Times New Roman,Times">Carl tightened his bathrobe and turned away from the door. "Fine. Stop hanging around on my doorstep, then. The cops around here arrest anyone who's not in a house or in a car."</font> <p><font face="Times New Roman,Times">Joshua, Miranda and I walked into the house. Carl had lumbered off towards his kitchen. When we caught up to him, he was stuffing coffee into a filter.</font> <p><font face="Times New Roman,Times">"All I can say is that you're lucky Elise is in Sacramento," he said. "She would have pepper sprayed first, asked questions later." He shoved the filter into the coffee maker and flipped the switch to start brewing. He turned around, and finally got a good look at me.</font> <p><font face="Times New Roman,Times">"God, Tom," he said. "Who did that to you?"</font> <p><font face="Times New Roman,Times">"I did," Miranda said.</font> <p><font face="Times New Roman,Times">"That was quick," Carl said. "Most couples don't get to the hitting stage until after the wedding."</font> <p><font face="Times New Roman,Times">"Carl," I said.</font> <p><font face="Times New Roman,Times">"All right," he said. "What is it?"</font> <p><font face="Times New Roman,Times">"We need some moral guidance," I said.</font> <p><font face="Times New Roman,Times">Carl laughed. "Tom, I'm an <i>agent</i>," he said. He stopped laughing when he realized that no one else was. "Go on," he said, grumpily.</font> <p><font face="Times New Roman,Times">I explained the events of the evening; discovering Michelle's condition, my body-switching suggestion, Joshua's refusal. Joshua and I had argued about it for another hour after that point, stopping just long enough to be booted out of the room by the nurse, who gave me a lecture for bringing a dog into the ICU. Joshua and I continued the argument in the parking lot, neither of us giving any ground to the other, before Miranda suggested that we bring Carl into the discussion. Miranda had meant for us to bring it up in the morning, but Joshua and I decided it need to be dealt with at that moment. We drove to Carl's place, Joshua riding with Miranda to keep us from killing each other.</font> <p><font face="Times New Roman,Times">By the end of the recount, the coffee was ready. Carl got down three cups, poured and gave me and Miranda both a cup. After a moment's reflection, he pulled down a bowl, filled it with coffee, and set it down in front of Joshua.</font> <p><font face="Times New Roman,Times">"This is an interesting philosophical debate," Carl said. "But I'm still not sure what you want out of me."</font> <p><font face="Times New Roman,Times">"Easy," Joshua said. "We want you to pick a side. I'd prefer you pick mine."</font> <p><font face="Times New Roman,Times">"Joshua, this isn't a bar bet," Carl said, irritably. "It's not a matter of choosing sides. And if I sided with Tom, I doubt you'd do what he's asking of you, anyway."</font> <p><font face="Times New Roman,Times">"You're right," Joshua said. "I guess we woke you up for nothing. We should be leaving. Thanks for the coffee."</font> <p><font face="Times New Roman,Times">"Sit, Joshua," Carl said.</font> <p><font face="Times New Roman,Times">"Hey," Joshua said. "That's not funny."</font> <p><font face="Times New Roman,Times">"Tom," he said, turning to me. "You realize if Joshua is right about how Michelle died, he's also right in his position of not bringing her back."</font> <p><font face="Times New Roman,Times">"Why?" I said. "Carl, Michelle is gone. She doesn't need the body any more. And we can use it. You know this makes sense."</font> <p><font face="Times New Roman,Times">Beside me, Miranda gave a shudder and set her coffee down on the countertop.</font> <p><font face="Times New Roman,Times">"Something wrong?" Carl said.</font> <p><font face="Times New Roman,Times">"I'm sorry," Miranda said. "I understand where Tom's coming from, but the thought of having Joshua inside Michelle's body gives me the creeps. All I can see in my head is Michelle as a zombie. It just feels wrong in my gut." She glanced at me, then glanced away. "I'm sorry, Tom. But that's the way I feel."</font> <p><font face="Times New Roman,Times">"Go with that feeling," Joshua said.</font> <p><font face="Times New Roman,Times">"Oh, shut up," I said, to Joshua.</font> <p><font face="Times New Roman,Times">"Christ," Carl said. "You two are worse than kids in a back seat. Tom, if Michelle wanted to die, then let her die. All of her. Michelle's body <i>is</i> Michelle. Unlike Joshua's people, our souls, if we have them, appear permanently attached to our body. Michelle has her right to die, not to be shuffled around like a puppet."</font> <p><font face="Times New Roman,Times">"Yes. Right. Thank you," Joshua said.</font> <p><font face="Times New Roman,Times">"You're welcome," Carl said, and then slurped at his coffee. "But I'm not on your side, either."</font> <p><font face="Times New Roman,Times">"What do you mean?" Joshua said.</font> <p><font face="Times New Roman,Times">"Joshua, let me ask you a question," Carl said. "What would you do if you discovered that Michelle had actually wanted to live?"</font> <p><font face="Times New Roman,Times">"She didn't," Joshua said. "I saw the memory of her pulling the tubes out myself. It was a conscious, active act. It couldn't have happened by accident."</font> <p><font face="Times New Roman,Times">"That may be," Carl said. "But that's not relevant to the question I'm asking."</font> <p><font face="Times New Roman,Times">"Sure it is," Joshua said. "Because that's what happened."</font> <p><font face="Times New Roman,Times">"Fine," Carl said. "Hypothetically, then. If you were to come across a situation that was a near duplicate of our Michelle's situation, with the only variation being that the person in the coma had wanted to live, would you inhabit her body, if asked by someone in Tom's situation?"</font> <p><font face="Times New Roman,Times">"No," Joshua said, "because that hypothetical person would still have severe brain damage, which would mean I could never control that body."</font> <p><font face="Times New Roman,Times">"Let's take as a given that some way could be found around that."</font> <p><font face="Times New Roman,Times">"That's a mighty big given," Joshua said.</font> <p><font face="Times New Roman,Times">"That's the magic of hypotheticals, Joshua," Carl said. "You can make the givens as big as you need them. Now stop stalling and answer the question."</font> <p><font face="Times New Roman,Times">"I don't know what I'd do," Joshua said. "Even if the situation fulfilled all the conditions you described, there's still this huge grayness to it. There's no way I could make the decision and feel absolutely sure I was morally in the right. If I was wrong, I'd be branded a murderer by the Yherajk."</font> <p><font face="Times New Roman,Times">"Even if we had urged you to do it?" Carl said.</font> <p><font face="Times New Roman,Times">"Carl, with all due respect, you're not a Yherajk," Joshua said. "You don't fully understand the implications of what you'd be asking. It's just not in your frame of reference."</font> <p><font face="Times New Roman,Times">"But you have my thoughts and memories in you," Carl said. "They're human thoughts. You should be able to know whether or not I, at least, understand the implications."</font> <p><font face="Times New Roman,Times">"Yes, but <i>I'm</i> not human," Joshua said. "There's a chance I could misread what's there, just as much as you could misread us."</font> <p><font face="Times New Roman,Times">"You'll admit to the potential for error?" Carl said.</font> <p><font face="Times New Roman,Times">"Well, shucks, Carl," Joshua said. "Nobody's perfect."</font> <p><font face="Times New Roman,Times">"So, theoretically, if there was some way that you could know that it was morally kosher, that you could somehow control the body and that Michelle had actually wanted to live, you could inhabit the body."</font> <p><font face="Times New Roman,Times">"Yes," Joshua said. "Throw me a sparkler and a kazoo, and I'd sing 'Yankee Doodle' while I was doing it, too."</font> <p><font face="Times New Roman,Times">"Well, then," Carl said. "Your problems are solved."</font> <p><font face="Times New Roman,Times">Joshua turned to me. "Tom, did you just follow that last turn of logic?"</font> <p><font face="Times New Roman,Times">"Not at all," I said. "You've managed to lose both me and Joshua, Carl."</font> <p><font face="Times New Roman,Times">"I got it," Miranda said.</font> <p><font face="Times New Roman,Times">"Ah," Carl said. "The smart one finally speaks. Would you please enlighten our little boys, Miranda?"</font> <p><font face="Times New Roman,Times">"Joshua, you just said what you needed in order to feel comfortable with what Tom is asking you to do," Miranda said. "Now all you have to do is do it."</font> <p><font face="Times New Roman,Times">"I said nothing of the sort," Joshua said.</font> <p><font face="Times New Roman,Times">"Yes you did," Miranda said. "You have three conditions: that you know it's moral, that you know it's technically possible, and that you know Michelle wanted to live."</font> <p><font face="Times New Roman,Times">"But we were dealing in hypotheticals," Joshua said. "I don't know why I have to keep bringing this up, but Michelle killed herself. She wanted to die."</font> <p><font face="Times New Roman,Times">"We don't know that," Carl said.</font> <p><font face="Times New Roman,Times">"Carl," Joshua said. "I <i>saw</i> the playback."</font> <p><font face="Times New Roman,Times">"But you said yourself a few moments ago there was a potential for error," Carl said. "You said that there was a chance you could misinterpret emotions and motivations."</font> <p><font face="Times New Roman,Times">"Pulling out your air supply is pretty straightforward action, Carl," Joshua said.</font> <p><font face="Times New Roman,Times">"The <i>action</i> is. What I'm interested in here is the emotion behind the action," Carl said. "Joshua, people act like they're killing themselves all the time around here. But a lot of them don't really want to die. They just like the attention they get afterwards. Or they don't truly comprehend that dying means death. Teenagers try to kill themselves all the time, because they want to see how people will react once they're gone. They don't make the connection they won't be there to see the reaction."</font> <p><font face="Times New Roman,Times">"Michelle wasn't a teenager," Joshua said.</font> <p><font face="Times New Roman,Times">"No, but she was a movie star, which on the maturity scale is pretty close," Carl said. "She was 25, worth millions, and people never told her no."</font> <p><font face="Times New Roman,Times">He pointed over to me. "Tom couldn't say no to her. He just tried to get her a part she had no business trying for, because he didn't want to say no to her."</font> <p><font face="Times New Roman,Times">I took that moment to pay especially close attention to my coffee cup. I could see where Carl was going, but it didn't make that last statement any less painful.</font> <p><font face="Times New Roman,Times">"When someone finally <i>did</i> say no to her, she got depressed and moody, and decided to make a statement. But that doesn't mean she really wanted to die," Carl said. He set his coffee cup down. "Now, if Michelle wanted to die, then we should let her die. Simple. But if she wanted to <i>live</i>, then, in a way, we can make that happen. Point is, we don't <i>know</i> what she wanted. We only have your version of the event."</font> <p><font face="Times New Roman,Times">"Then we have a stalemate," Joshua said. "Because I'm the only one that can get into her brain."</font> <p><font face="Times New Roman,Times">"No, you're not," Carl said. "You're just the only one on this planet."</font> <p><font face="Times New Roman,Times">Joshua and I exchanged looks again. Carl being inscrutable was really beginning to annoy me.</font> <p><font face="Times New Roman,Times">"What are you saying?" I said to Carl.</font> <p><font face="Times New Roman,Times">"We need a second opinion," Carl said. "Fortunately, we have a whole spaceship full of them."</font> <p><font face="Times New Roman,Times">"I don't want to take Joshua's side in this," I said, "But if we can't trust Joshua's take on Michelle's suicide, I don't see how getting another Yherajk's opinion is going to help anything."</font> <p><font face="Times New Roman,Times">"We don't need a Yherajk for the opinion," Carl said. "We need one to act as a conduit. Yherajk can connect into our nervous systems; that much is obvious, since Joshua looked at Michelle's, and my memories were downloaded to the entire ship's community. Now we just need it to go the other way, to let a human look at the memory. And I have just the Yherajk to do it."</font> <p><font face="Times New Roman,Times">The light suddenly went on in my head. "Gwedif," I said.</font> <p><font face="Times New Roman,Times">"Bingo," Carl said. "He's done it before, and, as it happens, is the only Yherajk around that wasn't one of Joshua's parents. As far as these things go, he's the most objective party."</font> <p><font face="Times New Roman,Times">"I'm not following any of this anymore," Miranda said.</font> <p><font face="Times New Roman,Times">"I'll explain it later," I said. "Promise."</font> <p><font face="Times New Roman,Times">"I'm waiting to hear how you're going to get an alien through security at Pomona Valley Hospital," Joshua said. "We're fresh out of dog bodies."</font> <p><font face="Times New Roman,Times">"If Mohammed can't go to the mountain, the mountain will go to Mohammed," Carl said. "We can't bring Gwedif to Michelle. So we'll take Michelle to Gwedif."</font> <p><font face="Times New Roman,Times">"Go to the spaceship?" I asked.</font> <p><font face="Times New Roman,Times">"Of course," Joshua smirked. "That's <i>so</i> much easier."</font> <p><font face="Times New Roman,Times">"Joshua, it's the only way," Carl said. "Think about it. Suppose we find that you <i>were</i> in error. That solves one of our problems. But then we have two other issues to deal with: trying to find a way you can successfully inhabit Michelle's body, and making sure it's morally right to do it. We need to confer with the other Yherajk on each of these. She has to go to the <i>Ionar</i>."</font> <p><font face="Times New Roman,Times">"How do you suggest we get Michelle there?" Joshua asked. "We won't even be able to get her out of Pomona Valley. They've got tabloid reporters covering all the exits, Carl. They're going to know if we try to move Michelle."</font> <p><font face="Times New Roman,Times">"Let me worry about getting Michelle out of the hospital," Carl said. "You worry about arranging the rest of the trip."</font> <p><font face="Times New Roman,Times">Joshua sat there for a minute, considering. "All right," he said, finally. "I still have problems with this, but I'll get in touch with the Ionar. We'll see what they have to say up there." He padded off towards Carl's study.</font> <p><font face="Times New Roman,Times">"Where is he going?" Miranda asked.</font> <p><font face="Times New Roman,Times">"To the computer," Carl said. "I set up an America Online account for him and the <i>Ionar</i>. It's a non-conspicuous way for them to communicate."</font> <p><font face="Times New Roman,Times">"How does the <i>Ionar</i> sign on?" I asked.</font> <p><font face="Times New Roman,Times">"Well, it's a hell of a long-distance call," Carl said.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">The e-mail response from the <i>Ionar</i> was brief. <i>You idiots,</i> it said. <i>You were supposed to </i>solve<i> problems, not </i>make<i> them. Haul her up here.</i></font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">Here's how you get one of the most popular actress in the United States out of a hospital without anyone noticing.</font> <p><font face="Times New Roman,Times">First, you let it leak that your actress is going to be moved. This is a simple matter of having the appropriate doctor causally mention the fact to one of the nursing staff. From there it spreads like an airborne virus. From the staff, it logically goes to the press; despite Mike Mizuhara's best efforts, some of his staff was in the pocket of the tabloids. It's not just the custodial staff, either -- you'd be surprised at what a cardiac surgeon pulling down $300,000 a year will do for an extra thousand bucks. It was time to let this blatant self-interest work for us.</font> <p><font face="Times New Roman,Times">At 9 pm, an ambulance pulls up to the emergency entrance of Pomona Valley. Nearly as soon as it pulls up, someone is hustled into it on a stretcher. The stretcher is effectively blocked from view by a clutch of burly orderlies and doctors -- Only the briefest of flashes show the blonde hair that give those watching (and taping) a clue as to who it might be. The ambulance pulls away, with much slamming of doors, flashing of lights, and wailing of sirens, followed by a caravan of hastily-gotten-into cars. Two of these cars are in a slight fender bender as they rush out of the parking lot; neither driver bothers to stop as they speed after the receding ambulance.</font> <p><font face="Times New Roman,Times">That's the decoy ambulance.</font> <p><font face="Times New Roman,Times">Roughly twenty minutes later, a medical helicopter screams overhead, dropping dramatically into the Pomona Valley parking lot, as Pomona Valley has no helipad. The doors to the emergency entrance burst open, and a stretcher races to the helicopter, orderlies and doctors in a full sprint. On the way, a woman's arm slips off the stretcher and dangles, her IV tube fluttering with the speed of the stretcher's journey. As the stretcher approaches the helicopter, the side doors launch open; in one unbelievably smooth motion the stretcher is lifted into the helicopter and the doors slammed shut.</font> <p><font face="Times New Roman,Times">The helicopter is lifting off even as the ducking orderlies scurry away, its final destination telegrammed, perhaps, by the lettering on the tail of the copter: Cedars Sinai Medical Center. This time, a smaller contingent of cars flies out of the parking lot, their drivers fiddling with their scanners in an attempt to grab the frequency the helicopter is on, or yammering on cellular phones, trying to contact the editor at the home office whose job it is to listen to the scanners.</font> <p><font face="Times New Roman,Times">That's the decoy medical helicopter.</font> <p><font face="Times New Roman,Times">The next ambulance ambles in 10 minutes later. This time around, there's no mad rush; the press has been rousted out of the blinds, so now Michelle can be taken to her destination safely, securely, and at sane speeds. Only two orderlies and one doctor accompany the stretcher to the ambulance. In a few minutes she's in; the doctor confers briefly with the paramedics, then walks away as they step back into their rig and drive away, no lights, no sirens, and proceed normally toward the 10 freeway. Only one car, bearing one smart, experienced reporter, follows. Patience is a virtue -- it shall be rewarded.</font> <p><font face="Times New Roman,Times">That's the second decoy ambulance.</font> <p><font face="Times New Roman,Times">The real ambulance rolls in, lights flashing but no siren, as the other ambulance exits. The orderlies and the doctor, heading back into the hospital, turn around. Inside this ambulance is a man who appears to be having a stroke; the doctor does a quick assessment as the paramedics unload the patient, and rushes him through the emergency door. As the door opens on one side, it opens on the other, and another stretcher pops out and into the back of the ambulance, just like that. There's only two orderlies this time -- me and Miranda. We go in the ambulance with the stretcher. The paramedics close the doors behind us.</font> <p><font face="Times New Roman,Times">Mike Mizuhara and Dr. Adams were, of course, adamantly against moving Michelle. By now they knew she was never coming out of the coma, and were pressing us to let them do what they could to make her comfortable, to see out the process that began at their hospital. Dr. Adams in particular was bitter about my decision to move Michelle; he relented only after I had promised that he would be able to actively consult with the doctors that were continuing her care. It was a lie, of course, since the doctors continuing her care were 50,000 miles in orbit and not doctors in any conventional sense of the word. But that's not really something I could discuss without a long explanation, or without being committed to psychiatric observation by Dr. Adams.</font> <p><font face="Times New Roman,Times">The ambulance pulled away and got on the 10 heading east. Two miles later it exited, drove behind an Albertson's supermarket and stopped. That was where the paramedics got out. Their cars were stashed there. They weren't paramedics; they were out-of-work actors with emergency medical training. Where Carl found two actors with that combination of talents in less than a day, I have no earthly idea. That's why he's the boss.</font> <p><font face="Times New Roman,Times">As it was, one of them was hesitant to leave Michelle. She took the time to check her respirator's function and to make sure we knew what to do if it malfunctioned. I assured her that we would be fine.</font> <p><font face="Times New Roman,Times">"Ted and I talked up front on the way here," she said. "Both of us would be happy to take her all the way to where she's going. We won't tell a soul. We just want to make sure she gets there in one piece."</font> <p><font face="Times New Roman,Times">"I believe you, and thanks," I said. "But that's really not possible."</font> <p><font face="Times New Roman,Times">She sighed and looked at Michelle. "Look at her," she said. "You know, a week ago, I would have done just about anything to be where she was. Now, I'd bet she'd do anything to be where I am. It's kind of funny, isn't it? Funny ironic, not funny ha-ha."</font> <p><font face="Times New Roman,Times">"It is," I said. "What's your name?"</font> <p><font face="Times New Roman,Times">"Shelia Thompson," she said.</font> <p><font face="Times New Roman,Times">"Shelia, if you don't mind me asking, what are you and Ted getting out this?"</font> <p><font face="Times New Roman,Times">"I don't know what Ted is getting," she said. "I never met him before, actually. I'm getting a part on a pilot. I don't have to audition -- do not pass go, do not collect $200, just go straight to acting. I've actually read the pilot. It's a medical drama, of all things. It's not bad. It might even have a chance to get on TV somewhere. It seemed like a smart move."</font> <p><font face="Times New Roman,Times">"You're not sure now?"</font> <p><font face="Times New Roman,Times">She shrugged. "It feels like I'm walking over Michelle Beck to do it. It's not what I expected. I hope that doesn't sound ungrateful."</font> <p><font face="Times New Roman,Times">"It doesn't," I said. "Listen, I never do this. But do you have an agent?"</font> <p><font face="Times New Roman,Times">"No."</font> <p><font face="Times New Roman,Times">"In a week, give me a call at Lupo Associates. My name is Tom Stein."</font> <p><font face="Times New Roman,Times">"I will give you a call, but not about acting," Shelia said. "I want to know to what happens to Michelle. It's going to be hanging over me until I find out. And if I find out she died, I'm going to feel partly responsible. So you'll tell me. Fair enough?"</font> <p><font face="Times New Roman,Times">"Fair enough," I said, and shook her hand. "Try not to worry, Shelia. Michelle's going to be all right. Really."</font> <p><font face="Times New Roman,Times">She smiled a little smile and walked away to her car.</font> <p><font face="Times New Roman,Times">Miranda stayed in the back with Michelle. I got in the front and got behind the wheel. Joshua was already in the front with me, having driven over with the actor-paramedics.</font> <p><font face="Times New Roman,Times">"You would think these things would be roomier in the front," Joshua said. "But they're not. I spent the last hour squashed down in the footwell. The woman paramedic had to keep her feet under her."</font> <p><font face="Times New Roman,Times">"I just met her," I said. "She seemed nice."</font> <p><font face="Times New Roman,Times">"She was," Joshua said. "The other guy, on the other hand, was a real jerk. Talked about his acting all the way over, and kept hitting on the woman. I nearly ripped out his throat with my teeth. Only the fact that he was driving kept me from doing it."</font> <p><font face="Times New Roman,Times">"It's good that you think these things out," I said, starting the ambulance.</font> <p><font face="Times New Roman,Times">"Thanks," Joshua said. "One of us has to."</font> <p><font face="Times New Roman,Times">"What is that supposed to mean?" I said.</font> <p><font face="Times New Roman,Times">"Tom," Joshua said. "If we can't bring Michelle back, what are you going to do? You can't just take her back to Pomona Valley, you know. And you can't drop her off anywhere else. And if she dies, people are going to want to know the circumstances. What are you going to do? You don't have a backup plan."</font> <p><font face="Times New Roman,Times">"What are you talking about," I said, turning out of the Albertson's parking lot and towards the 10. "Of course I have a backup plan."</font> <p><font face="Times New Roman,Times">"Really," Joshua said. "Why don't you share your backup plan with your studio audience, Tom."</font> <p><font face="Times New Roman,Times">"Sure," I said. "If this doesn't work, I'll be fresh out of ideas. We'll have failed. The Yherajk will have to go back. By way of compensation, you can take us back with you."</font> <p><font face="Times New Roman,Times">"I like it," Joshua said. "It's desperate and half-baked, but with a certain pathetic charm."</font> <p><font face="Times New Roman,Times">"Thanks," I said. "I just thought it up."</font> <p><font face="Times New Roman,Times">"I'm wondering what Miranda might think of it," Joshua said.</font> <p><font face="Times New Roman,Times">"Shhhh," I said. "I'm saving it for a surprise."</font> <p><font face="Times New Roman,Times">We got on the 10 and headed east to the 15, towards Baker.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"I can't see a damned thing," I said.</font> <p><font face="Times New Roman,Times">"That's the point, Tom," Joshua said. "if you can't see anything, no one else is going to see anything, either. Now shut up and turn left......now."</font> <p><font face="Times New Roman,Times">I swerved left onto an unpaved road that I would have missed if Joshua hadn't have pointed it out. The ambulance bounced as it slipped into the ruts left behind by years of rancher's trucks.</font> <p><font face="Times New Roman,Times">"Could you try to drive a little more carefully?" Miranda yelled, from the back. "I don't want to think what this is trip is doing to Michelle."</font> <p><font face="Times New Roman,Times">"It's not exactly paved road, Miranda," I shouted back. "We left that world behind about a half-hour ago. I'm going as carefully as I can."</font> <p><font face="Times New Roman,Times">The ambulance descended as I hit a ditch that wasn't there two seconds before.</font> <p><font face="Times New Roman,Times">"I think I just trashed the shocks," I said to Joshua.</font> <p><font face="Times New Roman,Times">"Tom! <i>Carefully!</i>" Miranda yelled.</font> <p><font face="Times New Roman,Times">"Sorry!" I yelled back. "Are we there yet?" I asked Joshua.</font> <p><font face="Times New Roman,Times">"No," Joshua said.</font> <p><font face="Times New Roman,Times">"Are we there yet?" I said.</font> <p><font face="Times New Roman,Times">"No."</font> <p><font face="Times New Roman,Times">"Are we there yet?"</font> <p><font face="Times New Roman,Times">"No."</font> <p><font face="Times New Roman,Times">"Are we there yet?"</font> <p><font face="Times New Roman,Times">"Yes," Joshua said. "Stop the car."</font> <p><font face="Times New Roman,Times">I stopped the ambulance.</font> <p><font face="Times New Roman,Times">"Thank God," Miranda said, from the back.</font> <p><font face="Times New Roman,Times">"I can't see anything," I said.</font> <p><font face="Times New Roman,Times">"You've said that before," Joshua said.</font> <p><font face="Times New Roman,Times">"Well, it's still true," I said.</font> <p><font face="Times New Roman,Times">"There's nothing to see," Joshua said. "They're not here yet."</font> <p><font face="Times New Roman,Times">"When are they getting here?" I asked.</font> <p><font face="Times New Roman,Times">"What time is it?" Joshua asked.</font> <p><font face="Times New Roman,Times">I looked at my watch.</font> <p><font face="Times New Roman,Times">There was a very large <i>whump</i>. The ground rattled. A wave of dust pelted the ambulance.</font> <p><font face="Times New Roman,Times">"Just after midnight," I said.</font> <p><font face="Times New Roman,Times">"Well, then, they should be here," Joshua said. "And there they are."</font> <p><font face="Times New Roman,Times">The cube was exactly as Carl had described it -- black, featureless, nondescript in every way except that it had just dropped out of space into the middle of nowhere.</font> <p><font face="Times New Roman,Times">Miranda stopped her hovering over Michelle long enough to peer out from the back. "<i>That's</i> our ride?" she said.</font> <p><font face="Times New Roman,Times">"It doesn't look like much, I know," Joshua said. "But it gets incredible mileage."</font> <p><font face="Times New Roman,Times">"Do we just drive into it?" I asked.</font> <p><font face="Times New Roman,Times">"Yep." Joshua said.</font> <p><font face="Times New Roman,Times">I started the ambulance and inched it forward, cutting the 50 yards separating it from the cube. Then we were inside.</font> <p><font face="Times New Roman,Times">"When do we leave?" I said.</font> <p><font face="Times New Roman,Times">"In just a minute, I'd expect," Joshua said. "Here, let me out. I've got to go help pilot this thing."</font> <p><font face="Times New Roman,Times">I opened my door and got out, followed by Joshua. Joshua went over to the overhanging ledge on the other side of the cube, where the pilots were; a portion of the ledge descended and allowed him to get on. I went to the back of the ambulance and opened the doors. Miranda peered out at me.</font> <p><font face="Times New Roman,Times">I nodded at Michelle. "How is she doing?"</font> <p><font face="Times New Roman,Times">"Fine, I suppose," Miranda said. "She hasn't moved or done anything since we got in the ambulance, so all things considered, I guess that's good."</font> <p><font face="Times New Roman,Times">"How are you doing?"</font> <p><font face="Times New Roman,Times">"I'm all right," Miranda said. "Actually, I think this cube is helping. If it looked like an actual spaceship, I think I might be freaking out a lot more. How long are we going to be gone?"</font> <p><font face="Times New Roman,Times">"I don't know," I said. "Carl was gone less than a day when he went."</font> <p><font face="Times New Roman,Times">"We should have packed a lunch," Miranda said. "I'm hungry already."</font> <p><font face="Times New Roman,Times">"I've got gum," I said.</font> <p><font face="Times New Roman,Times">"Hey," Miranda said. "Do you hear that?"</font> <p><font face="Times New Roman,Times">I stopped and listened. Not far away, and getting closer, was the sound of a car.</font> <p><font face="Times New Roman,Times">"Joshua!" I yelled, moving away from the ambulance. "We need to leave! Now!"</font> <p><font face="Times New Roman,Times">The side of the cube tore open. A dirty white Escort shot through the hole, swerving. It was heading directly towards me. I froze, which was probably not the smartest thing I could have done.</font> <p><font face="Times New Roman,Times">The driver of the Escort hit its brakes just in time to keep from squashing me like a bug. Then he turned off his engine, undid his seatbelt, and got out of the car. There was a small grinding sound as the automatic shoulder belt moved forward.</font> <p><font face="Times New Roman,Times">"Sorry about that," the driver said. "I didn't expect anyone would be standing right in front of my car."</font> <p><font face="Times New Roman,Times">"What in fuck's name are you doing here," I said.</font> <p><font face="Times New Roman,Times">"Getting my story," he said. "What's <i>your</i> excuse?"</font> <p><font face="Times New Roman,Times">It was Van Doren, of course.</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Eighteen</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003063.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:49:00Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3063</id>
<created>2004-12-09T04:49:00Z</created>
<summary type="text/plain">&quot;Joshua,&quot; I hollered. &quot;We have to stop.&quot; Joshua poked his head over the ledge and looked down. &quot;It&apos;s too late,&quot; he said. &quot;We&apos;re already off.&quot; &quot;Can we throw him out anyway?&quot; I asked. &quot;Now, there&apos;s a thought,&quot; Joshua said. &quot;But...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scalzi.com/agent/">
<![CDATA[<p><font face="Times New Roman,Times">"Joshua," I hollered. "We have to stop."</font> <p><font face="Times New Roman,Times">Joshua poked his head over the ledge and looked down. "It's too late," he said. "We're already off."</font> <p><font face="Times New Roman,Times">"Can we throw him out anyway?" I asked.</font> <p><font face="Times New Roman,Times">"Now, there's a thought," Joshua said. "But the answer is no."</font> <p><font face="Times New Roman,Times">"Pity," I said.</font> <p><font face="Times New Roman,Times">"It's the problem with being a civilized species," Joshua agreed. "No convenient falls from a great height."</font> <p><font face="Times New Roman,Times">"Hey," Van Doren said. "That dog is talking."</font> <p><font face="Times New Roman,Times">Joshua laughed. "You think that's weird, wait about a half hour. It's going to be a long night, pal." He stepped back out of sight.</font> <p><font face="Times New Roman,Times">Van Doren turned back to me. "What's going on?"</font> <p><font face="Times New Roman,Times">"I'm interested in hearing what <i>you</i> think is going on," I said. "And as long as you're talking, how you managed to follow us here."</font> <p><font face="Times New Roman,Times">"I got word that you were moving Michelle today," Van Doren said. "I considered staking out the hospital, but I decided to stake you out instead. I figured that no matter where Michelle was going, you'd have to go there, too, sooner or later. You weren't in the office this morning, so I went to your house, where I saw your car. And waited. At about four, you and Miranda left your house in your car. What's up with that, by the way?"</font> <p><font face="Times New Roman,Times">By this time Miranda had made it over to where we were. "None of your business, creep," she said.</font> <p><font face="Times New Roman,Times">"Sorry," Van Doren said, mildly. "Professional curiosity."</font> <p><font face="Times New Roman,Times">"I doubt the 'professional' part," Miranda said.</font> <p><font face="Times New Roman,Times">"Yow. Feisty," Van Doren said.</font> <p><font face="Times New Roman,Times">"Tom," Miranda said. "Don't worry about kicking him out of this thing. I'm going to rip his teeny little heart out myself."</font> <p><font face="Times New Roman,Times">"Works for me," I said.</font> <p><font face="Times New Roman,Times">Van Doren looked at us both uncertainly and then continued. "You two went to Lupo Associates from there, and then spent about an hour there before heading to Pomona Valley. A couple more hours passed before you guys had the parade of ambulances."</font> <p><font face="Times New Roman,Times">"Why didn't you fall for it?"</font> <p><font face="Times New Roman,Times">"Because I was following <i>you</i>," Van Doren said to me. "None of those people rushing out with stretchers looked like you. Or like her, for that matter. As it was, I just barely saw you when you did sneak out. That was a pretty tricky operation."</font> <p><font face="Times New Roman,Times">"Not tricky enough, obviously," Miranda said.</font> <p><font face="Times New Roman,Times">"Well, I'm more motivated than most," Van Doren said. "I followed your ambulance to that parking lot and then waited to see what you did next. A couple minutes later you guys got back on the freeway, and from there it was just a matter of not calling your attention to me. I've gotten a little better at that since the last time I tailed you, Tom."</font> <p><font face="Times New Roman,Times">"I still don't see how you followed us out when we went on the dirt roads," I said. "There was no one else out there with us. I'd have seen your car."</font> <p><font face="Times New Roman,Times">"I followed you quite a ways back," Van Doren said. "And I killed my lights."</font> <p><font face="Times New Roman,Times">He pointed to his car. His parking lights and brake lights were shattered and broken. His headlights were fine, but then he could just turn those off.</font> <p><font face="Times New Roman,Times">"Nice," I admitted.</font> <p><font face="Times New Roman,Times">"Yeah, well, it'll probably be the last time they let me use a company car, anyway," Van Doren said. "I just about wrecked it on these dirt roads. Between that and having this car towed from when you kidnapped me, Tom, they're not going to give me the keys again."</font> <p><font face="Times New Roman,Times">"You're breaking my heart," I said.</font> <p><font face="Times New Roman,Times">"That's how I followed you here. As to where <i>here</i> is, and what's going on, I have no clue. I assumed this building was some sort of weird clinic."</font> <p><font face="Times New Roman,Times">"Building?" Miranda said.</font> <p><font face="Times New Roman,Times">"Didn't you feel the thump, Van Doren?" I said. "You didn't see this thing before you got to it?"</font> <p><font face="Times New Roman,Times">"I felt a tremor, sure," Van Doren said, slightly confused. "So? This is southern California. We have tremors all the time. It didn't feel like it was close by. And no, I didn't see this place. It's <i>black</i>. I saw your tail lights disappear and I just followed you in."</font> <p><font face="Times New Roman,Times">"It didn't strike you as odd, the way you came in?" I said.</font> <p><font face="Times New Roman,Times">"I came in the same way you did," Van Doren said.</font> <p><font face="Times New Roman,Times">"Wow," Miranda said. "You're just totally clueless, Van Doren."</font> <p><font face="Times New Roman,Times">"Thanks for the vote of confidence," Van Doren said.</font> <p><font face="Times New Roman,Times">"She doesn't it mean it as an insult," I said. "She means it literally."</font> <p><font face="Times New Roman,Times">"I'm not following you," Van Doren said.</font> <p><font face="Times New Roman,Times">"Joshua," I called.</font> <p><font face="Times New Roman,Times">"Yo." He poked his head over again.</font> <p><font face="Times New Roman,Times">"I'd like to show our friend here exactly where we are," I said.</font> <p><font face="Times New Roman,Times">"No problem," Joshua said.</font> <p><font face="Times New Roman,Times">The cube disappeared. The Earth hovered below us, the moon off to one side.</font> <p><font face="Times New Roman,Times">Jim Van Doren screamed higher than I had ever heard a grown man scream before.</font> <p><font face="Times New Roman,Times">"I think we have some sedatives back in the ambulance," Miranda said, after we had Joshua re-tint the cube.</font> <p><font face="Times New Roman,Times">"Nah," I said. "He maintained bladder control. He'll be fine."</font> <p><font face="Times New Roman,Times">Van Doren leaned on the side of his Escort. For some reason he had a death grip on his radio antenna. "Holy shit," he said.</font> <p><font face="Times New Roman,Times">"I remember having that very same reaction once," I said.</font> <p><font face="Times New Roman,Times">"Are we really in space?" he asked.</font> <p><font face="Times New Roman,Times">"Oh, yes," I said.</font> <p><font face="Times New Roman,Times">"What the hell is going on?" Van Doren asked.</font> <p><font face="Times New Roman,Times">"Jim, remember that time in my car, when you asked me to tell you what I was up to?"</font> <p><font face="Times New Roman,Times">"Sort of," Van Doren said. "I'm not thinking too well at the moment."</font> <p><font face="Times New Roman,Times">"Try," I said. "It'll help."</font> <p><font face="Times New Roman,Times">Van Doren closed his eyes to concentrate. "You told me that you were doing something with space aliens," he said.</font> <p><font face="Times New Roman,Times">"Right," I said.</font> <p><font face="Times New Roman,Times">"I thought you were just being an asshole," he said.</font> <p><font face="Times New Roman,Times">"Just goes to show," I said.</font> <p><font face="Times New Roman,Times">He pointed over to Joshua's ledge. "And the dog is an alien."</font> <p><font face="Times New Roman,Times">"Mostly. It's sort of a long story," I said.</font> <p><font face="Times New Roman,Times">Van Doren's mind was working furiously now. "Is....," he began, looked towards the ambulance, and then back at Miranda and me. "Michelle Beck's an alien, isn't she? Something's happened to her and now you have to take her back to the mothership?"</font> <p><font face="Times New Roman,Times">Miranda giggled. Van Doren scowled. "I'm sorry," Miranda said. "I think the word 'mothership' did it to me."</font> <p><font face="Times New Roman,Times">"Well?" he said, to me. "Is Michelle Beck an alien?"</font> <p><font face="Times New Roman,Times">"No," I said. "At least, not yet."</font> <p><font face="Times New Roman,Times">"Not yet?" Van Doren said. "What does that mean? Are they going to assimilate her into their collective?"</font> <p><font face="Times New Roman,Times">Miranda burst out laughing.</font> <p><font face="Times New Roman,Times">"What?" Van Doren was shouting now.</font> <p><font face="Times New Roman,Times">It was a second before Miranda could catch herself. Then she gently touched Van Doren's arm.</font> <p><font face="Times New Roman,Times">"Jim, you've got to stop watching so much science fiction," she said. "It's making you talk funny."</font> <p><font face="Times New Roman,Times">"Ha ha ha," Van Doren said, peevishly, and pulled away. "Look, I'm just trying to figure out what's going on."</font> <p><font face="Times New Roman,Times">I considered Van Doren for a moment, trying to decide what I was going to do with him. Joking aside, murdering him wasn't an option. But he now knew more about the existence of the Yherajk than anyone outside of me, Miranda and Carl, and that could be dangerous to us. I was loyal to Carl and Joshua, and Miranda was loyal to me, but Van Doren wasn't loyal to any of us. Certainly not to me. Quite the opposite, in fact, since he in the last few weeks he'd been doing his damnedest to cut my career out from under me.</font> <p><font face="Times New Roman,Times"><i>Well,</i> I thought. <i>Time to change all of that.</i></font> <p><font face="Times New Roman,Times">"Jim, why do you work for <i>The Biz?"</i> I asked.</font> <p><font face="Times New Roman,Times">"What?" he said. "What does that have to do with anything?"</font> <p><font face="Times New Roman,Times">"I'm just wondering," I said. "You make no bones that it's a shitty little magazine, and that you're doing shitty little jobs on it. But you're still there. Why?"</font> <p><font face="Times New Roman,Times">"I don't know if you've noticed this, but journalism is not exactly a rapidly expanding profession," Van Doren said. "Particularly in Los Angeles, where you basically have to put a gun to peoples' heads to make them read."</font> <p><font face="Times New Roman,Times">"You could always move," I said.</font> <p><font face="Times New Roman,Times">"What, and miss all this?"</font> <p><font face="Times New Roman,Times">"I'm serious," I said.</font> <p><font face="Times New Roman,Times">"So am I," Van Doren said. "Would you want to be an agent in Omaha, Tom?"</font> <p><font face="Times New Roman,Times">"No, but that's not where my business is," I said.</font> <p><font face="Times New Roman,Times">"Well, neither is mine," Van Doren said. "I write about the entertainment world. Have to be here to do that. I'm writing for a magazine that's near the ass-end of that world, I admit that. But you have to start somewhere. Think of it as the journalism equivalent of working on a straight-to-video flick."</font> <p><font face="Times New Roman,Times">"Why write about entertainment?" I asked. "Really, who gives a shit about it? It's not really important. It's not real news. You're just wasting your time and talent, such as it is."</font> <p><font face="Times New Roman,Times">"Nice cheap shot," Van Doren said.</font> <p><font face="Times New Roman,Times">"I try," I said.</font> <p><font face="Times New Roman,Times">"And you're wrong," Van Doren said. "It's not a waste. You're so stuck in the belly of the beast that you don't notice it, but our entertainment is the single most successful export America has."</font> <p><font face="Times New Roman,Times">"Shucks," I said. "And all this time I thought our most successful export was democracy. Guess that was just another lie I learned in school. I hear evolution's kind of a crock, too."</font> <p><font face="Times New Roman,Times">"Look," Van Doren said. "Other countries pass laws requiring that their movie theaters, television networks and radio stations have to play a certain percentage of home-grown entertainment. Because if they didn't, Hollywood would wipe it all out. We're not a world leader because we have nuclear missiles and submarines. We are because we have Bugs Bunny and the<i> Dukes of Hazzard.</i> Our planet is what Hollywood has made it."</font> <p><font face="Times New Roman,Times">"Planet Hollywood," I said. "Catchy."</font> <p><font face="Times New Roman,Times">"I thought you might like it," Van Doren said.</font> <p><font face="Times New Roman,Times">"But that's a stupid argument," I said. "The only people who believe that Hollywood sets political agendas are nuts on the left who are scared of action figures, and nuts on the right who are scared of nipples."</font> <p><font face="Times New Roman,Times">"Who's talking politics?" Van Doren said. "We're talking about how people around our world want their world to <i>be.</i> And the world they want it to be like is the one they see in our films, and in our TV shows and hear in our music. That's power. Hollywood that's where the world culture starts. If someone wanted to address the world today, he wouldn't do it from Washington, or Moscow, or London. He'd do it from Hollywood. <i>That's</i> why I work in LA, Tom."</font> <p><font face="Times New Roman,Times">"Sure," I said. "And as a bonus, you get to meet stars."</font> <p><font face="Times New Roman,Times">"Well," Van Doren admitted, "There <i>is</i> that too."</font> <p><font face="Times New Roman,Times">"Joshua," I said. "You wouldn't happen to have been listening to this little diatribe, would you?"</font> <p><font face="Times New Roman,Times">"As it happens," Joshua said, from his perch. "I've been hanging on every word."</font> <p><font face="Times New Roman,Times">"Does it sound familiar to you?"</font> <p><font face="Times New Roman,Times">"A little," Joshua said. "Of course, I said it better."</font> <p><font face="Times New Roman,Times">"Jim," I said, turning back to Van Doren. "I have a proposition for you."</font> <p><font face="Times New Roman,Times">"Do you, now," Van Doren said, and leaned back on his car. "This is going to be good."</font> <p><font face="Times New Roman,Times">"I don't suppose you can guess why I, of all people, am the one that knows about these aliens."</font> <p><font face="Times New Roman,Times">"It's a stumper, yes," Van Doren said.</font> <p><font face="Times New Roman,Times">"It's because I'm their agent."</font> <p><font face="Times New Roman,Times">"Their <i>what?"</i> Van Doren said.</font> <p><font face="Times New Roman,Times">"I'm their agent," I said. "In one of those bizarre and strange coincidences, Jim, their outlook on things is remarkably similar to yours: if you want to get the attention of the world, you have to go through Hollywood. So they decided to hire an agent. I'm him. As such, I'm authorized to make deals for them."</font> <p><font face="Times New Roman,Times">"Wow," Van Doren said. "How do you collect your fee?"</font> <p><font face="Times New Roman,Times">"After this is all done, I get New Zealand," I said. "Now, are you going to shut up and let me tell you what I have in mind?"</font> <p><font face="Times New Roman,Times">"By all means," Van Doren said.</font> <p><font face="Times New Roman,Times">"This offer stands for the next ten minutes. After that, you're out. No second chances or second thoughts. Are we clear?"</font> <p><font face="Times New Roman,Times">"Sure," Van Doren said.</font> <p><font face="Times New Roman,Times">"Here's the deal," I said. "You get the story. Exclusive."</font> <p><font face="Times New Roman,Times">"What story?" Van Doren said. "Your story? I have that already."</font> <p><font face="Times New Roman,Times">"<i>This</i> story," I said. "The first contact between humanity and an intelligence from another world. It's the single most important story in the history of the planet, Jim. And you'll be the only one who's in on it from the start. The only one who knows the whole story. Everyone else will have the reaction story. You'll be the one who gets to tell the world how it happened and what it all means."</font> <p><font face="Times New Roman,Times">"Jesus," Van Doren said, after a minute. "You don't screw around, do you?"</font> <p><font face="Times New Roman,Times">"Not when it's business, Jim."</font> <p><font face="Times New Roman,Times">"What's the catch?"</font> <p><font face="Times New Roman,Times">"The catch is this: Drop your stories on me and Michelle. Quit <i>The Biz.</i> And keep your silence until we're ready to make our debut."</font> <p><font face="Times New Roman,Times">"When is that going to be?"</font> <p><font face="Times New Roman,Times">"I don't know yet," I said. "We're still working it out. It could be tomorrow, or it could be years. But whatever it is, not a peep out of you until then. Not even a hint of a peep."</font> <p><font face="Times New Roman,Times">"What happens if I refuse?" Van Doren asked.</font> <p><font face="Times New Roman,Times">"Nothing," I said. "Except that you won't be able to get off this ship while we're off doing what we're doing. In fact, you'll be sent back as soon as we get there."</font> <p><font face="Times New Roman,Times">"Without your car," Joshua said. "Have fun hiking back to the 15."</font> <p><font face="Times New Roman,Times">"What's to stop me from filing a story when I get back?" Van Doren said.</font> <p><font face="Times New Roman,Times">"Nothing at all," I said. "You can tell anyone you like. In fact, I encourage you to, since there's probably not a quicker and easier way for your credibility to get squashed than for you to run around, saying that Michelle Beck is an alien."</font> <p><font face="Times New Roman,Times">"So she <i>is</i> an alien," Van Doren said.</font> <p><font face="Times New Roman,Times">"Jim," I said. "Stay focused, here."</font> <p><font face="Times New Roman,Times">"I <i>am</i> focused," he said. "I'm just trying to make sure I have the story right."</font> <p><font face="Times New Roman,Times">"Then you're in?"</font> <p><font face="Times New Roman,Times">"Are you kidding?" Van Doren said. "You're offering me the biggest story ever in the universe, and you're asking me if I <i>want</i> it? Are you that dumb?"</font> <p><font face="Times New Roman,Times">"It's not actually the biggest story ever in the universe," Joshua said. "Just in this little corner of it."</font> <p><font face="Times New Roman,Times">"Close enough for me," Van Doren said, and turned back to me. "You've got a deal, Tom."</font> <p><font face="Times New Roman,Times">We shook on it. Chalk one up for our side.</font> <p><font face="Times New Roman,Times">"You all right with this, Joshua?" I asked.</font> <p><font face="Times New Roman,Times">"Well, the only thing I've seen of his is that piece he wrote about you," Joshua said. "It was kind of lousy."</font> <p><font face="Times New Roman,Times">"I can do better," Van Doren said.</font> <p><font face="Times New Roman,Times">"Lord, I hope so," Joshua said.</font> <p><font face="Times New Roman,Times">"I don't suppose you could tell me now how much this gig pays," Van Doren said, to me.</font> <p><font face="Times New Roman,Times">"Don't worry about it," Miranda said. "Tom's easy to score a raise off of."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">One of the Yherajk meeting us in the hangar pointed at Van Doren as the cube melted away. "Who is that?" it asked.</font> <p><font face="Times New Roman,Times">Van Doren pointed back. "<i>What</i> is that?"</font> <p><font face="Times New Roman,Times">"That's what my people normally look like," Joshua said.</font> <p><font face="Times New Roman,Times">"Yeeeg," Van Doren said. "I like the dog suit better."</font> <p><font face="Times New Roman,Times">"This is Jim Van Doren," Joshua said. "He was a stowaway."</font> <p><font face="Times New Roman,Times">"A stowaway? Arrrgh," The Yherajk said. "Ye'll be walking the plank come morning, laddie. Arrrgh."</font> <p><font face="Times New Roman,Times">"This is really not what I expected out of an alien race," Van Doren said to me.</font> <p><font face="Times New Roman,Times">"You get used to it," I said.</font> <p><font face="Times New Roman,Times">The Yherajk slimed his way over to me and extended a tentacle. "You must be Tom. I am Gwedif."</font> <p><font face="Times New Roman,Times">I took the tentacle. "It's nice to finally meet you, Gwedif. I've heard a lot about you. I'm sorry we have to meet in these extreme circumstances."</font> <p><font face="Times New Roman,Times">"Extreme? You have no idea," Gwedif said. "No one around here has been able to talk about anything else. The air stinks of shouting. That reminds me." A smell like a wet, mildewed rug erupted from Gwedif; one of the other Yherajk immediately set off towards the door. "Now that we have an extra human, we need another set of nose plugs."</font> <p><font face="Times New Roman,Times">Gwedif moved the tendril to Miranda. "This is Miranda, I assume," he said.</font> <p><font face="Times New Roman,Times">"Hi," Miranda said. She didn't make an attempt to shake the proffered tendril. "You'll have to excuse me," she said. "This is the first time I've seen one of you in your natural state."</font> <p><font face="Times New Roman,Times">"Of course," Gwedif said. "I look pretty ooky. But I'm a really nice guy once you get to know me."</font> <p><font face="Times New Roman,Times">"I'm sure you are," Miranda said.</font> <p><font face="Times New Roman,Times">Gwedif next considered Van Doren. "How did you happen?" he said.</font> <p><font face="Times New Roman,Times">"I'm a journalist," Van Doren said. "I was following a story."</font> <p><font face="Times New Roman,Times">"I'd say you caught it," Gwedif remarked. "What do you think of us aliens so far?"</font> <p><font face="Times New Roman,Times">"You remind me of the headcheese at a smorgasbord," Van Doren said.</font> <p><font face="Times New Roman,Times">"Is he always like this?" Gwedif said to Joshua.</font> <p><font face="Times New Roman,Times">"We don't know. He was sort of a last minute addition," Joshua said.</font> <p><font face="Times New Roman,Times">"Usually he's worse," I said.</font> <p><font face="Times New Roman,Times">"Hmmmmm," Gwedif said. "You know, headcheese man, you and I are sort of in the same line of work."</font> <p><font face="Times New Roman,Times">"Nuts," Van Doren said, smiling. "And they promised me I'd have an exclusive on the story."</font> <p><font face="Times New Roman,Times">"I'm sure we can collaborate," Gwedif said.</font> <p><font face="Times New Roman,Times">The noseplug Yherajk had returned with three pairs of noseplugs. We each fitted them in. Then he joined the other Yherajk at the ambulance and lowered Michelle's stretcher onto the floor. I went over to her stretcher and checked the battery on the portable respirator. It was three-quarters drained.</font> <p><font face="Times New Roman,Times">"We'd better get moving on this thing," I said.</font> <p><font face="Times New Roman,Times">"What are we doing now, anyway?" Van Doren wanted to know.</font> <p><font face="Times New Roman,Times">"Nobody tell him anything yet," I said. I looked at Van Doren. "Sorry, Jim. Hold your horses a couple more minutes." I looked over to Gwedif. "Jim doesn't know exactly why we're here. I think that's something that could be useful for what we need to do."</font> <p><font face="Times New Roman,Times">"Yes, you're right." Gwedif said. "How about that, headcheese man. You might come in useful after all. We won't install the plank until tomorrow."</font> <p><font face="Times New Roman,Times">"How long are you going to call me 'headcheese man'?" Van Doren said.</font> <p><font face="Times New Roman,Times">"Oh, I don't know," Gwedif said. "It just has such a nice ring to it. Now, follow me, please, all of you. We're going to the meeting chamber."</font> <p><font face="Times New Roman,Times">The corridors were as low as Carl promised. Van Doren, the tallest of us, suffered the greatest from the low ceilings and lower gravity, bumping his head and cursing. Here and there Yherajk crossed our path, but mostly stayed out of our way as we headed towards the meeting chamber.</font> <p><font face="Times New Roman,Times">Gwedif pulled up to me as we walked. "I wish we had more time," he said. "This happened with Carl, too. Barely time for introductions, and then off to decide the fate of our peoples. If nothing else, we've learned that you humans thrive on crisis."</font> <p><font face="Times New Roman,Times">"Anything worth doing is worth doing at a fevered pitch," I said.</font> <p><font face="Times New Roman,Times">"I don't know about <i>that</i>," Gwedif said. "I think the first place I'll go when I visit your planet -- really visit your planet, I mean, not that little trip I took earlier -- I think I'll go visit a monastery. Those people seem to have the right idea. Slow, meditative spiritual contemplation."</font> <p><font face="Times New Roman,Times">"I think most of the monasteries these days are either making chant CDs or boutique wines," I said.</font> <p><font face="Times New Roman,Times">"Really?" Gwedif said. "Well, hell. What is it with you people, anyway?"</font> <p><font face="Times New Roman,Times">Before I could answer, we got to the meeting chamber. Gwedif touched the door, and we went inside.</font> <p><font face="Times New Roman,Times">Inside, a double-tiered low riser had been constructed, on which lay several Yherajk. I suspected the tier was for our benefit, not the Yherajk's, so that we could see who we were speaking to. The Yherajk who brought Michelle's stretcher in set the wheel locks and left. I went and stood next to Michelle. Miranda joined me; Joshua walked over to one side and sat, his eyes closed. Van Doren stood between Joshua and the stretcher, looking lost.</font> <p><font face="Times New Roman,Times">"Will you be speaking for your group?" Gwedif asked me.</font> <p><font face="Times New Roman,Times">"I will," I said.</font> <p><font face="Times New Roman,Times">"Very well. Today's meeting is a little smaller than the one Carl endured, for which your nostrils will no doubt be thankful for," Gwedif said to us all. "Rather than a shipwide meeting, we have convened the ship's senior officers. Tom, you may be familiar with our ientcio --" The Yherajk on the far left raised a tendril -- "who, of all Yherajk, is our leader."</font> <p><font face="Times New Roman,Times">"I have indeed heard him spoken of, in the highest terms," I said. "I hope he is well at this moment in the journey."</font> <p><font face="Times New Roman,Times">"Oooh, nice," Gwedif said. "You must have paid attention to whatever Carl told you. The ientcio returns your respects and welcomes you to the ship." Gwedif then introduced the rest of the officer complement, about twenty in all. I didn't bother trying to remember them all; I concentrated on Gwedif and the ientcio.</font> <p><font face="Times New Roman,Times">"Joshua has already given us his version of your request, and his issues with it." Gwedif said.</font> <p><font face="Times New Roman,Times">"When did he do that?" I said.</font> <p><font face="Times New Roman,Times">"Just now," Joshua said, and turned to me. "I used High Speech, Tom. One nicely pungent fart gets it all across."</font> <p><font face="Times New Roman,Times">"I'm glad my noseplugs were in," I said.</font> <p><font face="Times New Roman,Times">"You don't know how true that is," Joshua said.</font> <p><font face="Times New Roman,Times">"Now that Joshua has given his report, the ientcio would like to hear your request from you, and hopes you will be willing to answer some questions as well," Gwedif said.</font> <p><font face="Times New Roman,Times">"Of course." I said.</font> <p><font face="Times New Roman,Times">"Please begin whenever you are ready."</font> <p><font face="Times New Roman,Times">"All right," I said. I closed my eyes, said a little prayer to whomever might be listening, and opened my eyes. Then I began.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"The human you see in this stretcher is named Michelle Beck," I said, motioning to Michelle. "I was her agent, and also her friend. We were probably each other's best friends, though I don't think either of us realized it. As her agent, I helped to make her one of the most well-known actresses in Hollywood -- people everywhere recognize her face.</font> <p><font face="Times New Roman,Times">"A few days ago, Michelle suffered severe and irreversible brain damage due to lack of oxygen to her brain. My friend is now for all purposes dead. Her body is being kept alive through the use of this respirator, but it will not sustain her body for much longer. Soon her body will be as dead as her mind already is.</font> <p><font face="Times New Roman,Times">"I mourn the passing of my friend, more than I can express. As I said, I don't think I appreciated what she meant to me when she was alive. Michelle was a good person -- good in heart and in intention, which I think counts for something. I could be wrong. But I think it does.</font> <p><font face="Times New Roman,Times">"As much as I mourn Michelle, I see an opportunity in her passing, and opportunity that I think gives her death, which was as banal and meaningless as any death could be, some resonance. I have been asked by Carl Lupo to find a way to introduce the Yherajk to humanity, so that humanity can accept you as the friendly race you are, rather than for the terrifying creatures you appear to be.</font> <p><font face="Times New Roman,Times">"It occurs to me that one way to this -- perhaps the best way -- is to have Joshua inhabit Michelle's body. To <i>be</i> Michelle. Michelle is already known around the world. That much of the battle is already fought. What we can do now is to raise Michelle's profile even further, and give her a worldwide platform to be the spokesperson for the Yherajk. She can be the most effective bridge between our two peoples -- someone that humans know and who is not only non-threatening, but the focus of admiration. She can be the human face of an inhuman race -- the Trojan horse, if you will, that gets the Yherajk through the gate of humanity's fears.</font> <p><font face="Times New Roman,Times">"Joshua has several issues with inhabiting the body. The most objectionable of these has to do with her manner of death -- not the actual moment itself, but the events leading up to it. Before any other issues can be raised, this one must be dealt with. We have to have a clear accounting of her death. That being the case, I'm asking that a Yherajk other than Joshua connect to Michelle's mind, and acting as a conduit, send the memory into the brain of a human. This would allow us to see more perfectly what Michelle was thinking in those last moments.</font> <p><font face="Times New Roman,Times">"Without this information, this opportunity for our peoples could be gone forever. And, as importantly for me, my friend, who I did not value as I should have in life, will be gone as well."</font> <p><font face="Times New Roman,Times">I bowed my head, and put my hand over my eyes. I didn't mean to choke myself up as much as I did. But saying how much someone means to you jackhammers into your head the fact of whether you mean it or not. I had meant it. I didn't realize how much.</font> <p><font face="Times New Roman,Times">"That was a very noble speech," Gwedif said, after a minute. "But we must hurry. Are you ready to answer questions?"</font> <p><font face="Times New Roman,Times">"Yes," I said, clearing my throat. "I'm ready."</font> <p><font face="Times New Roman,Times">"Very well. The ientcio will speak for the officers, and I of course will speak for him."</font> <p><font face="Times New Roman,Times">"All right."</font> <p><font face="Times New Roman,Times">"The ientcio wants to know what you think happened in those last minutes of your friend's life."</font> <p><font face="Times New Roman,Times">"If the ientcio will allow it," I said, "I'd rather hold off on that question, for reasons that I'll get into in just a minute. But I can say that, being a human, I suspect that the situation was not as clear-cut as Joshua saw it. Joshua was looking at Michelle's actions, but perhaps not her state of mind."</font> <p><font face="Times New Roman,Times">"What gives you the right to make this decision for your friend?"</font> <p><font face="Times New Roman,Times">"She gave me the right, if she were incapacitated such as she is, to make medical decisions for her. I believe this qualifies me to take this action."</font> <p><font face="Times New Roman,Times">"What will you do if we refuse your request, or if the results are such that Joshua is not able to inhabit your friend's body?"</font> <p><font face="Times New Roman,Times">"I don't know," I said. "I don't really have a backup plan."</font> <p><font face="Times New Roman,Times">"That's not very wise," Gwedif said.</font> <p><font face="Times New Roman,Times">"No, it's not," I agreed. "But giving her a chance here is better than her having no chance back on Earth."</font> <p><font face="Times New Roman,Times">"You realize that if Joshua inhabits your friend's body, your friend will still be dead."</font> <p><font face="Times New Roman,Times">"I understand that. At the same time, Joshua has told me that he has retained the memories and some of the personality traits of Ralph, the dog whose body he inhabited, and those traits are still with him even now. My hope would be that some of who Michelle was might still remain after Joshua inhabits her body. However, even if doesn't work out that way, from the practical purposes of having Joshua inhabit Michelle's body, it won't matter."</font> <p><font face="Times New Roman,Times">"It occurs to the ientcio that you might be proposing having Joshua inhabit your friend's body merely out of convenience."</font> <p><font face="Times New Roman,Times">I blinked. "I'm not sure I follow that," I said.</font> <p><font face="Times New Roman,Times">"You said that this course of action may be the best way to introduce the Yherajk to humanity."</font> <p><font face="Times New Roman,Times">"Right," I said.</font> <p><font face="Times New Roman,Times">"What are some other courses of action?"</font> <p><font face="Times New Roman,Times">"I didn't come up with any others that were as good as this one, I'm afraid," I said.</font> <p><font face="Times New Roman,Times">"That's what the ientcio means," Gwedif said. "This is, you'll admit, a rather extreme course, and your pressing for it may simply be a way to keep you from admitting that you couldn't figure out a more conventional or at least sane way of introducing the Yherajk to your people. How is the memory of your friend served well by what might be your instinct to save your own skin?"</font> <p><font face="Times New Roman,Times">I flushed. "I wouldn't deny that having Joshua in Michelle's body would keep me from having to admit total defeat," I said. "But with all due respect to the ientcio, if he or the rest of you had wanted to do this conventionally, you should have just dropped a cube down on the steps of the White House and gone in for the tour. This is an extreme course, yes. But it will give a Yherajk a chance to live as a human, to be a human. Joshua has human memories, but that's not enough. It's like watching a documentary of a war. You can watch it a thousand times, but you still can't say you've fought. If you want to understand humans, you have to <i>be</i> one. Here's a chance."</font> <p><font face="Times New Roman,Times">"Wouldn't her family know that your friend has changed?"</font> <p><font face="Times New Roman,Times">"She has no family," I said. "The only person who would have been close enough to note the change would have been me. And maybe her hairdresser. I don't know."</font> <p><font face="Times New Roman,Times">"You say that a Yherajk could send the memory to another human being, so they might see it. Which Yherajk? Which human?"</font> <p><font face="Times New Roman,Times">"The Yherajk would be Gwedif," I said. "He's worked with humans before, and he's the only Yherajk on the ship who didn't parent Joshua, so that makes him more impartial than any other Yherajk might be. As for the human, I had originally thought I could do it, but I'm biased towards my argument. So it would have to have been Miranda. Miranda is morally opposed to the idea of Joshua inhabiting Michelle's body, but I trust her not to let her own opinion color what she would experience in the memory. But now, as it turns out, we've happened to pick up someone who is totally unbiased, since he doesn't know the specifics of Michelle's event. So the human who sees the memory should be Jim Van Doren."</font> <p><font face="Times New Roman,Times">"What?" Van Doren said.</font> <p><font face="Times New Roman,Times">"You're the man," I said, "Who gets to read Michelle Beck's mind."</font> <p><font face="Times New Roman,Times">"How do I do that?" Van Doren said.</font> <p><font face="Times New Roman,Times">"I'm going to stick tendrils into your skull," Gwedif said.</font> <p><font face="Times New Roman,Times">"Is it going to hurt?"</font> <p><font face="Times New Roman,Times">"Not if you're nice to me from now on," Gwedif said, sweetly.</font> <p><font face="Times New Roman,Times">"Tom, you never told me that I was going to get probed," Van Doren said.</font> <p><font face="Times New Roman,Times">"It's not really a probe," I said. "Come on, Jim. You wanted to get the story straight, anyway."</font> <p><font face="Times New Roman,Times">"Is this seriously necessary?" Van Doren said.</font> <p><font face="Times New Roman,Times">"Yes, it is," I said. "Honestly. What you experience now could change the course of the world."</font> <p><font face="Times New Roman,Times">"It sounds so hackneyed when you put it that way," Van Doren said.</font> <p><font face="Times New Roman,Times">"It's hackneyed, but it's true," I said.</font> <p><font face="Times New Roman,Times">Van Doren turned to Gwedif. "Promise me my brain isn't going to end up in a jar," he said.</font> <p><font face="Times New Roman,Times">"It will stay safe and snug in your chubby little skull," Gwedif said. "I promise. You'll be fine."</font> <p><font face="Times New Roman,Times">"God, what have I gotten myself into," Van Doren said. "All right. Fine. Whatever."</font> <p><font face="Times New Roman,Times">"The ientcio has a question for Jim Van Doren," Gwedif said.</font> <p><font face="Times New Roman,Times">"Okay," Van Doren said. "What?"</font> <p><font face="Times New Roman,Times">"Tom feels it would be appropriate for Joshua to inhabit Michelle Beck's body. Miranda does not. The ientcio wishes to know what you think about Joshua inhabiting this human body."</font> <p><font face="Times New Roman,Times">"Well, it would take her off my list of people to date," Van Doren said. "Other than that, I don't know."</font> <p><font face="Times New Roman,Times">"The senior officers will now debate the issue and render a decision," Gwedif said. "You may notice the room getting smellier for a few minutes."</font> <p><font face="Times New Roman,Times">It did. By the time they were finished, my eyes were watering. Miranda had to sit down. Van Doren was standing his ground, but just barely.</font> <p><font face="Times New Roman,Times">"The senior officers have decided to allow me to probe Michelle and transmit the memories to Jim Van Doren," Gwedif said.</font> <p><font face="Times New Roman,Times">"Good," I said. "Another minute of discussion and my sinus cavities would have imploded."</font> <p><font face="Times New Roman,Times">"It was not a unanimous vote," Gwedif said. "There was a lot of shouting."</font> <p><font face="Times New Roman,Times">"What do I do now?" Van Doren wanted to know.</font> <p><font face="Times New Roman,Times">Gwedif had him sit next to the stretcher and explained Van Doren's options -- Gwedif could go through his nose, which was the most efficient way, but the most uncomfortable, or through the ears, which was less efficient but least uncomfortable. Van Doren chose the ears.</font> <p><font face="Times New Roman,Times">"What am I going to be looking at?" Van Doren asked me, as Gwedif was preparing Michelle.</font> <p><font face="Times New Roman,Times">"You're going to be looking at the last moments of her life," I said. "The ones just before she goes into the coma."</font> <p><font face="Times New Roman,Times">"What am I looking <i>for</i>?"</font> <p><font face="Times New Roman,Times">"Don't look for anything," I said. "That's the whole point of you doing this: you don't know what to look for. Just let us know what you're experiencing."</font> <p><font face="Times New Roman,Times">"Will I be able to tell you as it happens?"</font> <p><font face="Times New Roman,Times">"How should I know?" I said. "I've never done this before, either."</font> <p><font face="Times New Roman,Times">"Man, your alien dog was right," Van Doren said. "This <i>is</i> the weirdest night of my life."</font> <p><font face="Times New Roman,Times">Gwedif slopped onto his ears before he could say another word.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"What are you seeing?" I asked Van Doren.</font> <p><font face="Times New Roman,Times">"I'm seeing your ugly face, Tom," Van Doren said.</font> <p><font face="Times New Roman,Times">"Try closing your eyes," I suggested.</font> <p><font face="Times New Roman,Times">Van Doren did. "This is so <i>very</i> odd," he said, finally. "I'm seeing some woman pouring goop over my face. I'm feeling the goop. What is this stuff?"</font> <p><font face="Times New Roman,Times">"Try sensing it for yourself," Gwedif suggested. "Just like you would your own memory."</font> <p><font face="Times New Roman,Times">Silence for a moment.</font> <p><font face="Times New Roman,Times">"It's latex," Van Doren said. "I'm getting a latex mask done for this stupid movie I'm doing. The woman who's putting the mask on me is a real bitch. A minute ago she tried to make Miranda leave. Miranda stood up to her, and she's talking to her now about something else."</font> <p><font face="Times New Roman,Times">Silence for another moment.</font> <p><font face="Times New Roman,Times">"Now the woman is sticking straws up my nose," Van Doren said. "It hurts, the way she's doing it, but I don't say anything because I just want to get this over with. I'm more depressed than I've ever been in my life. Hmmm. That's odd."</font> <p><font face="Times New Roman,Times">"What's odd?" I say.</font> <p><font face="Times New Roman,Times">"The way Michelle is experiencing that," Van Doren said. "She <i>is</i> depressed. Really, really depressed. But she's trying to make herself more depressed than she is."</font> <p><font face="Times New Roman,Times">"Why?" I ask.</font> <p><font face="Times New Roman,Times">"I don't know....." Van Doren trailed off for a minute. Then he said, "I think it's because she feels stupid. The audition earlier in the day went incredibly badly because she had prepared the wrong scene and because she fainted because of her treatment, whatever that means. She knows these things are her fault, and they were stupid little things. I think she'd rather be depressed than feel stupid. Yes, that's exactly what it is."</font> <p><font face="Times New Roman,Times">Silence again.</font> <p><font face="Times New Roman,Times">"My face is completely covered now. Miranda is telling me she has to go. I don't want her to go, because I don't want to be left alone. But I can hear the pain in her voice. I think she ate a bad burrito. I feel sorry for her; my lunch was fine. I let her go.</font> <p><font face="Times New Roman,Times">"Now I'm just lying here, thinking, trying to make myself more depressed. But it's not working. I'm replaying the earlier audition in my head and I'm looking stupider each time I replay the memory. And now, to top it all off, I'm sitting in Pomona with straws sticking out of my nose, for a part that I got because someone wanted to fuck me a couple years back. I'm disgusted with myself. I yank out the straws, and fling them away. I'll just sit here and die with goo on my face."</font> <p><font face="Times New Roman,Times">There it was.</font> <p><font face="Times New Roman,Times">I looked at Joshua, who was sitting there, a sad doggie look on his face. He was right. He wasn't happy about it, but he was. I bit the inside of my cheek until it bled. I was in a jumble of emotions. Sad for Michelle, who chose a stupid, stupid way to end her life. Angry at myself for believing that Michelle couldn't, wouldn't try to kill herself, and for taking her body so far away from where it should be. Fearful, because now I didn't know what I was going to about Michelle. Or myself. Where could I take her to die? To finally die?</font> <p><font face="Times New Roman,Times">Miranda was sobbing quietly next to me. I reached over to her and held her. All she had to deal with was simple grief. I almost envied her. Which made me feel worse.</font> <p><font face="Times New Roman,Times">"Oh, this is stupid," Van Doren said.</font> <p><font face="Times New Roman,Times">"What?" I said.</font> <p><font face="Times New Roman,Times">"This is stupid," Van Doren repeated. "Now I can't breathe. I try exhaling really hard to blow the latex out of my nose but the goo keeps dripping down. I need those stupid straws. Now I'm going to have to get up and crawl around to find those damned things. Without messing up my mask, if possible, so I don't have to do this ever again. I try to get up out of my chair while keeping my face in the same position. I get up and start walking around, feeling for things. I bump into the side of something. I trip. Now I'm trying to keep my balance. It's not working. I crash into something backwards. I can hear and feel stuff falling behind me. Now nothing's making sense -- there's a flash of brightness and a ringing in my ears. I fall down. I realize I'm bleeding from the back of my head. Something must have dropped on my head. I'm dizzy. I can't get up. I feel sleepy. I guess I really <i>am</i> going to die. This really sucks."</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Nineteen</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003064.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:50:07Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3064</id>
<created>2004-12-09T04:50:07Z</created>
<summary type="text/plain">The response was immediate. Seconds after Van Doren&apos;s recounting of Michelle&apos;s last memory, the room erupted in a smell that can truly only be described as utterly fucking rank. Somewhere in the smell processing centers of my brain, my olfactory...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scalzi.com/agent/">
<![CDATA[<p><font face="Times New Roman,Times">The response was immediate. Seconds after Van Doren's recounting of Michelle's last memory, the room erupted in a smell that can truly only be described as utterly fucking rank.</font> <p><font face="Times New Roman,Times">Somewhere in the smell processing centers of my brain, my olfactory nerves handed in their resignations; Miranda moaned, turned away, and threw up. Van Doren, still connected to Gwedif, appeared unaffected. Later I found out Gwedif had suppressed his olfactory sense. Lucky bastard.</font> <p><font face="Times New Roman,Times">"Uh oh," Joshua said. "Now we've done it."</font> <p><font face="Times New Roman,Times">I leaned over Miranda and tried to help her. "Jesus, Joshua," is said, perhaps redundantly. "What's happening?"</font> <p><font face="Times New Roman,Times">"Remember what Gwedif said about the vote not being unanimous?" Joshua asked.</font> <p><font face="Times New Roman,Times">"Yeah," I said. "So?"</font> <p><font face="Times New Roman,Times">"Well, actually, it was. The senior officers were all against having Gwedif probe Michelle. All of them."</font> <p><font face="Times New Roman,Times">"What? So why did we go ahead?" I said.</font> <p><font face="Times New Roman,Times">Gwedif piped in. "The ientcio overruled them, Tom. On the grounds that it was important to see how accurate Joshua's interpretation of the event was, not because of your arguments. He said he was confident that Joshua's version was the correct one, and that it would only be polite to fulfill your request, as you are our friend and partner."</font> <p><font face="Times New Roman,Times">"He did this as a <i>favor</i>?" I was suddenly and uncontrollably outraged. "Hey, fuck him. And fuck <i>you</i> for going along with it, Gwedif. I'm not interested in favors for the sake of appearances. I'm trying to offer your fucking people what you said you want."</font> <p><font face="Times New Roman,Times">"Tom, please," Gwedif said. He voice sounded strained; I wondered how much of it was actual strain he was allowing me to hear, and how much was play acting, since the voice was an artificial way for him to communicate. "You don't know what's been going on around here."</font> <p><font face="Times New Roman,Times">"Enlighten me," I said.</font> <p><font face="Times New Roman,Times">"The senior officers aren't the only ones who are opposed to the idea of allowing Joshua to take control of your friend's body. Nearly everyone on the ship is. The taboo against inhabiting a thinking being against its will is extremely strong for Yherajk. It's entrenched in our culture in ways you can't appreciate."</font> <p><font face="Times New Roman,Times">"It's worth about five or six of the Ten Commandments," Joshua said.</font> <p><font face="Times New Roman,Times">"That's a flip way of putting, but yes," Gwedif agreed. "And now you come and want us to throw aside all that entrenched thought, Tom. Frankly, there's a large group of Yherajk on this ship who think your request may be proof that humans aren't ethically developed enough for us to be involved with at all. They want to call this all off."</font> <p><font face="Times New Roman,Times">"But it's not as if Michelle is alive," I said. "She's brain dead. Dead."</font> <p><font face="Times New Roman,Times">"We don't <i>have</i> brains, Tom," Gwedif said. "'Brain dead' is not a concept that has a direct translation. It doesn't come across to us. For Yherajk, there is body death, which doesn't necessarily mean the death of the personality. And there's soul death, which doesn't necessarily mean the death of the body. But if a Yherajk inhabits the body of another Yherajk, its because he's caused the soul death of the other. Murder, Tom. This looks and feels like murder to us."</font> <p><font face="Times New Roman,Times">"But she's <i>gone</i>," I said, almost plaintively.</font> <p><font face="Times New Roman,Times">"It's a distinction without difference," Gwedif said, quietly. "At least, for most of us. That's why the ientcio had to say that he was being polite."</font> <p><font face="Times New Roman,Times">"Huh?" I said.</font> <p><font face="Times New Roman,Times">"Christ, Tom, you can be dense sometimes," Joshua said, irritably. "The <i>only</i> way that the ientcio could get the rest of the senior officers to go along was by saying that we ought to honor your request for the sake of politeness. The senior officers went along with it because they had expected my version of the events to play out. Now that it didn't they've got a whole new thing to think about. And <i>you've</i> got your foot in the proverbial door."</font> <p><font face="Times New Roman,Times">I took a minute to let what Joshua said sink in. "Wow," I said, finally. "They must not be very happy with you at the moment, Joshua."</font> <p><font face="Times New Roman,Times">"They're not," Joshua said. "Screw 'em. They were being provincial about it."</font> <p><font face="Times New Roman,Times">"But you were against it, too," I reminded him.</font> <p><font face="Times New Roman,Times">"Sure," Joshua said. "I'm still not entirely thrilled about the idea, to tell you the truth. But now I know that Michelle didn't really want to die. That helps. And also, you're right. This would probably be the best way for the Yherajk to meet humanity."</font> <p><font face="Times New Roman,Times">"I'm glad you've come around," I said.</font> <p><font face="Times New Roman,Times">"Don't get cocky," Joshua said. His tongue rolled out of his doggy mouth.</font> <p><font face="Times New Roman,Times">"What happens now?" I asked Gwedif.</font> <p><font face="Times New Roman,Times">"Now we argue," Gwedif said. "We have to see if the senior officers can wrap their minds around the concept of human death. Once we've done that, we might get them to see the wisdom of having Joshua inhabit this body. It could take some time."</font> <p><font face="Times New Roman,Times">"Hope you brought a good book with you," Joshua said.</font> <p><font face="Times New Roman,Times">Miranda, who had been slumped at my side, moved. "Do we need to be here for this?" she said. "If they yell anymore, I may have to barf up a lung."</font> <p><font face="Times New Roman,Times">"I'm sorry," Gwedif said. "You're right. No, you don't have to be here. This is something the officers will have to hash out for themselves. I can take you back to your car, if you like."</font> <p><font face="Times New Roman,Times">"I have to pee," Van Doren said, coming out of his daze. Gwedif disconnected; Van Doren's nose immediately scrunched up in disgust.</font> <p><font face="Times New Roman,Times">"I thought I told you to go before we left," Joshua said. "Now you're just going to have to hold it."</font> <p><font face="Times New Roman,Times">"Really?" Van Doren said.</font> <p><font face="Times New Roman,Times">"No, not really," Joshua said. "Hmmmm. We don't really have bathrooms, though. Let's go see if we can go find you a secluded corner or something."</font> <p><font face="Times New Roman,Times">Joshua and Van Doren went off to find a bathroom substitute; Gwedif, Miranda and I headed back to the ambulance. Miranda opened the back and crawled onto the stretcher there. Gwedif took his leave of us, promising news as soon as it happened.</font> <p><font face="Times New Roman,Times">I got into the back of the ambulance with Miranda and started rummaging around. "I thought I saw water around here somewhere," I said. "Though it might have been plasma. I'm not sure."</font> <p><font face="Times New Roman,Times">"If you find it, give me some," Miranda said. "I've got the great taste of vomit in my mouth and I want it out."</font> <p><font face="Times New Roman,Times">"Water or plasma?" I asked.</font> <p><font face="Times New Roman,Times">"At this point I really don't care," she said. She rolled on her back and covered her eyes with her arm. "God. What a bizarre day."</font> <p><font face="Times New Roman,Times">"So what do you think of the Yherajk?" I said. "Everything you ever wanted in an alien civilization and more?"</font> <p><font face="Times New Roman,Times">"They're fascinating," Miranda said, languidly. "An entire people, amazingly technologically and ethically advanced, all in desperate need of Dr. Scholl's foot deodorizers. Where's that water?"</font> <p><font face="Times New Roman,Times">"Here," I said, handing her the bottle I found. "This is clear, at the very least."</font> <p><font face="Times New Roman,Times">"Good enough," she said. She propped herself up on her elbow and took a slug. Then she offered the bottle to me. "Want some?"</font> <p><font face="Times New Roman,Times">"What, after you put your vomit-coated mouth on it? I don't think so," I said. "Besides, I don't know where you've been."</font> <p><font face="Times New Roman,Times">"Yes you do."</font> <p><font face="Times New Roman,Times">"Well, over the last twenty four hours or so, yes," I said. "But before that, it's all one big, scary, dangerous blank. Twenty seven years worth of blank. Yikes."</font> <p><font face="Times New Roman,Times">"You're silly," Miranda said. "All my time is spent at work. When I'm not at work, I'm at home. No mystery there." She patted the stretcher. "Come take a nap with me."</font> <p><font face="Times New Roman,Times">"I think I should stay awake," I said. "Gwedif might come back."</font> <p><font face="Times New Roman,Times">"Tom, it smelled so bad in there that I threw up," Miranda said. "I think it will be a while."</font> <p><font face="Times New Roman,Times">"There's not enough room on that stretcher for both of us," I said.</font> <p><font face="Times New Roman,Times">"Don't be a baby," Miranda said. "I don't bite."</font> <p><font face="Times New Roman,Times">"I'm bitterly disappointed to hear that."</font> <p><font face="Times New Roman,Times">"Get me sometime when I'm not so tired," Miranda said.</font> <p><font face="Times New Roman,Times">I maneuvered onto the stretcher.</font> <p><font face="Times New Roman,Times">"See," Miranda said. "That wasn't so bad."</font> <p><font face="Times New Roman,Times">"I've got a metal rail in my back," I said.</font> <p><font face="Times New Roman,Times">"It builds character," Miranda said.</font> <p><font face="Times New Roman,Times">"Just what I need now," I said. "Character. Oh, great. I've got the extra arm."</font> <p><font face="Times New Roman,Times">"What?" Miranda said.</font> <p><font face="Times New Roman,Times">"When two people are in the same bed together, there's always an arm that gets in the way. It's this one."</font> <p><font face="Times New Roman,Times">"We're not in bed," Miranda said. "We're in a stretcher."</font> <p><font face="Times New Roman,Times">"Same concept," I said. "Even more so, in fact."</font> <p><font face="Times New Roman,Times">"Well, move it."</font> <p><font face="Times New Roman,Times">"Where?"</font> <p><font face="Times New Roman,Times">"Here."</font> <p><font face="Times New Roman,Times">"Here? That doesn't help."</font> <p><font face="Times New Roman,Times">"Here, then."</font> <p><font face="Times New Roman,Times">"If I keep it here, my entire arm will fall asleep. Ouch. No."</font> <p><font face="Times New Roman,Times">"You <i>are</i> a baby," Miranda. "How about here?"</font> <p><font face="Times New Roman,Times">"Wow," I said. "That <i>is</i> comfortable. How did you do that?"</font> <p><font face="Times New Roman,Times">"Hush," Miranda said. "I should have some secrets."</font> <p><font face="Times New Roman,Times">We were asleep in seconds.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">We woke when Van Doren pulled open the doors of the ambulance. "Rise and shine, sleepy heads," he said, rather too cheerily.</font> <p><font face="Times New Roman,Times">Miranda grabbed at the water bottle and chucked it half-heartedly at Van Doren. "Die screaming," she said.</font> <p><font face="Times New Roman,Times">"Remind me not to be around you in the morning," Van Doren said.</font> <p><font face="Times New Roman,Times">"I don't think you'll need to worry about that one," Miranda said.</font> <p><font face="Times New Roman,Times">"Sorry to wake you guys up, but the senior officers have come to a decision and they want you guys to come," Van Doren said.</font> <p><font face="Times New Roman,Times">"A decision?" I said. "How long have we been asleep?"</font> <p><font face="Times New Roman,Times">"About six hours," Van Doren said.</font> <p><font face="Times New Roman,Times">"Six hours? Jesus, Jim," I struggled to get up without putting an elbow into Miranda. "Michelle's portable respirator only had a quarter charge in it."</font> <p><font face="Times New Roman,Times">"Relax," Van Doren said. "They recharged the battery."</font> <p><font face="Times New Roman,Times">"How did they do that?" I asked.</font> <p><font face="Times New Roman,Times">"These people use their technology to travel trillions of miles, and you ask how they can recharge a battery," Van Doren said. "Sometimes you're just not too bright."</font> <p><font face="Times New Roman,Times">"What have you been doing all this time?" Miranda asked Van Doren.</font> <p><font face="Times New Roman,Times">Van Doren puffed himself up, mock pridefully. "While you two were wasting time sleeping, I wandered around this place. Not bad. Although I have to say if we ever plan any joint human-Yherajk spaceship, they're going to have to come up with taller passageways. The top of my head is bruised. Enough chatter. I was sent to get you. They'll be annoyed with me if I show up by myself."</font> <p><font face="Times New Roman,Times">"Go on without me," Miranda said. "I'll just stay here and nap a little longer."</font> <p><font face="Times New Roman,Times">"No can do," Van Doren said. "They specifically asked for you to come, Miranda."</font> <p><font face="Times New Roman,Times">Miranda sat up when she heard this. "Why?"</font> <p><font face="Times New Roman,Times">"Do I look like I can interpret their smell language?" Van Doren said. "They didn't give me reasons. They just asked for both of you. Now, as Tom once said to me, less talk. More walk. Get up."</font> <p><font face="Times New Roman,Times">When we got to the meeting room, it was much less stench-filled than when we left it. Still, the residue of the hours-long debate wafted in the air of the room, like the echoes after a rally; it smelled like the lion cage at the zoo after a particularly large meal had been consumed.</font> <p><font face="Times New Roman,Times">"Tom, Miranda, Jim," Gwedif said, as we entered. "Welcome back."</font> <p><font face="Times New Roman,Times">"Thank you, Gwedif," I said. "It smells much better in here now."</font> <p><font face="Times New Roman,Times">"It got worse before it got better," Gwedif confided. "At some points it was so thick in here that we had to stop to clear the air."</font> <p><font face="Times New Roman,Times">"We use that expression, too," I said.</font> <p><font face="Times New Roman,Times">"Yes, but you don't mean it literally," Gwedif said.</font> <p><font face="Times New Roman,Times">Joshua, who had been conferring with one of the Yherajk, trotted over and spoke to Gwedif. "Got the last-minute objection ironed out," he said. "We're ready."</font> <p><font face="Times New Roman,Times">"Very well," Gwedif said. "Should you speak or should I?"</font> <p><font face="Times New Roman,Times">"It's your show, big man," Joshua said. "Far be it from me to steal your thunder."</font> <p><font face="Times New Roman,Times">"All right, then," Gwedif said, and wafted out a not-too-obnoxious odor. The Yherajk on the risers, who had been clustered in groups, broke out of the groups and arrayed themselves in their formal positions. When they had gotten to their places, Gwedif spoke to us.</font> <p><font face="Times New Roman,Times">"The ientcio wishes me to inform you that after much debate, the senior officers have decided, at this juncture, to withdraw all opposition on moral ground to Joshua's inhabitation of your friend's body," he said. "Be aware that this does <i>not</i> mean that the senior officers have fully resolved the overarching philosophical and ethical issues at hand. Far from it, in fact. Be that as it may, the senior officers have come to agree that what is moral and ethical for Yherajk may not have an exact analogue for humanity, and that this is likely to be one of those issues where the analogue does not exist. If nothing else comes of this, you may at least have the consolation that you've introduced a new philosophical issue for the Yherajk to argue about for at least a century or two."</font> <p><font face="Times New Roman,Times">"I didn't mean to cause trouble," I said, looking at the Yherajk that I assumed was the ientcio. "You have to believe that I meant well."</font> <p><font face="Times New Roman,Times">"The ientcio says he understands that you humans have a phrase -- 'The road to Hell is paved with good intentions.' He suggests that this may be a case where that phrase might apply."</font> <p><font face="Times New Roman,Times">"Possibly," I said. "But we also have another phrase, 'You have to go through Hell before you get to Heaven.' It might also apply."</font> <p><font face="Times New Roman,Times">"The ientcio agrees that it might indeed," Gwedif said.</font> <p><font face="Times New Roman,Times">"I can't believe you just quoted a Steve Miller tune to the leader of an alien race," Van Doren, standing next to me, muttered under his breath.</font> <p><font face="Times New Roman,Times">"Shut up," I muttered back. "It worked."</font> <p><font face="Times New Roman,Times">"With the ethical issues in this case tabled at least for the moment, we have one final issue to confront," Gwedif said. "But there is a complication. It involves one of you."</font> <p><font face="Times New Roman,Times">"Which one?" I asked.</font> <p><font face="Times New Roman,Times">"Before I can answer that, I have to request something," Gwedif said. "We have to ask something of one of you. That person must answer a question, and that answer must be truthful, arrived at without coercion from the other two of you. There's a number of ways that we could do this, but the most convenient would simply be that the one of you asked the question to answer it without conferring with others."</font> <p><font face="Times New Roman,Times">"How would you do that?" I asked.</font> <p><font face="Times New Roman,Times">"We'd ask the other two of you to step away and turn around."</font> <p><font face="Times New Roman,Times">"Kind of low-tech, isn't it?" Van Doren asked.</font> <p><font face="Times New Roman,Times">"You'd prefer electrodes or something?" Gwedif said, breaking formality for just a second.</font> <p><font face="Times New Roman,Times">"Well, no," Van Doren admitted.</font> <p><font face="Times New Roman,Times">"Then I suggest we do it my way," Gwedif said. "Will you all agree to this?"</font> <p><font face="Times New Roman,Times">We all nodded our assent.</font> <p><font face="Times New Roman,Times">"The person is Miranda," Gwedif said.</font> <p><font face="Times New Roman,Times">"Crap," Miranda sighed. "It figures."</font> <p><font face="Times New Roman,Times">"Tom, Jim, please turn around and step back," Gwedif said. "Please listen, but do nothing else."</font> <p><font face="Times New Roman,Times">We did as we were told.</font> <p><font face="Times New Roman,Times">"Now, Miranda," we heard Gwedif said. "As I'm sure you know, your friend Michelle's mind is severely damaged. Even if Joshua were to attempt to inhabit the body, he would not be able to control it, because of the severity of the brain damage."</font> <p><font face="Times New Roman,Times">"I understand that," I heard Miranda say.</font> <p><font face="Times New Roman,Times">"Normally, this would be the end of the issue," Gwedif said. "But Joshua has suggested another avenue that we have never explored. Simply put, it involves removing Michelle's remaining personal memories, then replacing the damaged brain, and using a template of another, similar brain to control Michelle's body."</font> <p><font face="Times New Roman,Times">"My brain," Miranda said.</font> <p><font face="Times New Roman,Times">"That's right," Gwedif said. "By examining how your brain functions and handles body operation, it's possible that Joshua might be able to train his own body to mimic your total brain function, and then use those functions to handle Michelle."</font> <p><font face="Times New Roman,Times">"Will that really work?" Miranda asked.</font> <p><font face="Times New Roman,Times">"We don't know. There are several issues that complicate matters. The first, of course, is whether Joshua can successfully map your brain at all, well enough to have that map control a human body. The second issue is whether the way your brain handles your body is at all similar to the way Michelle's brain handled hers. There are bound to be subtle differences, and possibly some that are not so subtle. The advantage would be that it would help give Joshua an even better idea of what it is to be human. It's also the only idea we've come up with that has a chance, however small, of succeeding."</font> <p><font face="Times New Roman,Times">"Why can't you use Tom's brain or Jim's brain as a model?" Miranda asked. "They're human, too."</font> <p><font face="Times New Roman,Times">"Yes, but they're men," Gwedif said. "On the level of bodily function, this presents obvious problems, since men and women are physically sexually differentiated. Tom's brain or Jim's brain aren't prepared, for example, to handle something like menstruation."</font> <p><font face="Times New Roman,Times">"<i>There's</i> a comment that works on a whole bunch of levels," Miranda said.</font> <p><font face="Times New Roman,Times">"I'll bet," Gwedif said. "Beyond the physical issues, men and women also have different cognitive structure to their brains -- they use different parts of their brains to handle the same tasks. They're different enough that it would just make sense to use a woman's brain if we can. In a way, it's very lucky that you found out about Joshua; otherwise the chances of success for this idea would be even lower than they already are."</font> <p><font face="Times New Roman,Times">"How would you make a template of my brain?" Miranda asked. "Would you do what you did with Jim?"</font> <p><font face="Times New Roman,Times">"It's going to be quite a bit more involved than that, I'm afraid," Gwedif said. "Joshua would literally have to go swimming in your brain, examining each part of it, discovering how it functions and how it relates to every other part. He did this to some extent with Ralph, the dog whose body he inhabited, but in that case he had a couple of weeks to do it, and it was a fairly organic process. This will be much quicker and more invasive. There is some potential for injury on your part. We feel that it is small, but we would be remiss not to bring it up."</font> <p><font face="Times New Roman,Times">"What happens to Michelle's brain?" Miranda said. "I mean, the one that's in there right now?"</font> <p><font face="Times New Roman,Times">"I suppose we'd get rid of it," Gwedif said. "It serves no further purpose at that point. It's already terribly damaged, and if we can't get this to work, your friend Michelle will be dead regardless."</font> <p><font face="Times New Roman,Times">"That's terrible," Miranda said, and I could hear a trace of bitterness in her voice. "She deserves better than to have her brain, or any part of her, just thrown in the trash. Any of us do."</font> <p><font face="Times New Roman,Times">"I understand," Gwedif said. "And we're all very aware of your opposition to having Joshua inhabit the body. That's why we need to ask you, without input from Tom or Jim, whether you would do this. You will possibly be risking your own life and your own brain for something that is not likely to work. If it does not, your friend will certainly die. If it does, your friend is still dead and another person will have taken her place. This is your decision, Miranda. It can be made by no one but you."</font> <p><font face="Times New Roman,Times">I suddenly felt my hand taken up by Miranda's. "It's funny," she said. "I understand why you don't want me to ask Tom or Jim about it. I know how much this means to Tom. I don't know what it means to Jim, but if I had to guess, I'd say that he'd agree with Tom. But I think that either of them would tell me to make up my own mind. I'm sure of it, in fact."</font> <p><font face="Times New Roman,Times">I squeezed Miranda's hand fiercely. She squeezed it back briefly, and then let it go.</font> <p><font face="Times New Roman,Times">"I have a few more questions," Miranda said.</font> <p><font face="Times New Roman,Times">"Of course," Gwedif said.</font> <p><font face="Times New Roman,Times">"If Joshua goes into my brain, will he be making a copy of <i>me</i>?"</font> <p><font face="Times New Roman,Times">"I'll answer that," I heard Joshua said. "Miranda, no. I don't have any interest in things like your memories, just the way your brain handles your body."</font> <p><font face="Times New Roman,Times">"But who I am isn't just my memories, it's how I see the world," Miranda said. "Part of that's got to be how my brain works."</font> <p><font face="Times New Roman,Times">"Well, yes," Joshua said. "But, remember that your brain pattern is going to be overlaid onto my personality as it is now, and that Michelle's memories will also be in a mix. The end result is going to be something that's part you, part me, and part Michelle. And part Ralph the dog, now that I think about it. It's going to be a wild time inside <i>that</i> skull, let me tell you."</font> <p><font face="Times New Roman,Times">"How much of Michelle is going to be in there?" Miranda asked.</font> <p><font face="Times New Roman,Times">"I haven't decided yet," Joshua said. "I have to see what works and what doesn't."</font> <p><font face="Times New Roman,Times">"You have to promise me that you have as much of Michelle in there as possible," Miranda said. "And not just memories, Joshua. Anything of her that can be salvaged."</font> <p><font face="Times New Roman,Times">"I don't know if I can do that," Joshua said. "It may make it more difficult to inhabit the body."</font> <p><font face="Times New Roman,Times">"I don't care," Miranda said. "If you need me to do this, you have to live with my conditions. That's my condition. You and I don't belong in that body, Joshua. She does. I want as much of her in there as can be there. Or we have no deal."</font> <p><font face="Times New Roman,Times">"You understand that what you're asking may put you yourself at additional risk," Gwedif said. "Joshua will have to spend more time integrating your brain with what remains of her brain. The longer he has to be in your brain, the more dangerous it is for you."</font> <p><font face="Times New Roman,Times">"I figured as much," Miranda said. "But it's important to me. And it's the only way I'll do it."</font> <p><font face="Times New Roman,Times">"Are you sure?" Joshua asked.</font> <p><font face="Times New Roman,Times">"I am," Miranda said.</font> <p><font face="Times New Roman,Times">"All right," Joshua said. "I'll do it your way."</font> <p><font face="Times New Roman,Times">"Then I'll do it," Miranda.</font> <p><font face="Times New Roman,Times">It was only after I relaxed that I realized I was tense. I turned around.</font> <p><font face="Times New Roman,Times">"When do we start?" Miranda asked Joshua</font> <p><font face="Times New Roman,Times">"As soon as you're ready," Joshua said. "You might want to have that extra stretcher from the ambulance to rest on, though. It's going to be a long, drawn out process."</font> <p><font face="Times New Roman,Times">"I'll make arrangements," Gwedif said, and slid away to do so. Joshua stepped back to the risers, apparently to confer with the senior officers. I went to Miranda, who stood there, looking drained.</font> <p><font face="Times New Roman,Times">"You're a star," I told her.</font> <p><font face="Times New Roman,Times">She smiled wanly. "I bet you say that to all the girls," she said.</font> <p><font face="Times New Roman,Times">"Sure," I said. "But I really mean it this time."</font> <p><font face="Times New Roman,Times">Miranda laughed a little, and then rested her head on my shoulder and cried just a little bit as well. Van Doren, who had been watching us, decided this was a good time to stare at a far wall. "Oh, Tom," Miranda said, finally. "I don't have the slightest idea what I'm doing."</font> <p><font face="Times New Roman,Times">"You'll be fine," I said. "You'll be just fine. I'll stay with you, if you want."</font> <p><font face="Times New Roman,Times">"And have you see me with aliens digging into my skull?" Miranda smiled more widely and wiped her eyes, clearing away the film of tears. "I don't think so, Tom. I don't think we're at that point in our relationship yet."</font> <p><font face="Times New Roman,Times">"I guess that's true," I said. "Most couples would save the alien probe scene until at least the tenth anniversary. You know, to add some zip to a stale relationship. We're just way ahead on that curve."</font> <p><font face="Times New Roman,Times">Miranda placed her hand on my cheek. "Tom," she said, not unkindly. "Right now, that's nowhere as funny as you think it is."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">Miranda, Michelle and Joshua wheeled away towards the Yherajk medical area, shapeless Yherjak pooling on the sides of the stretchers, pulling it along. Van Doren and I looked at each other. We had no idea what to do with ourselves now. Gwedif, who remained with us, offered a full tour. I accepted, and Van Doren tagged along, apparently excited at the idea of actually understanding what it was he was looking at this time.</font> <p><font face="Times New Roman,Times">The rest of the ship was as visually unappealing as what we had already seen: corridor and rooms carved out of the stone of the asteroid, smoothed over and filled with the Yherajks' equipment. For all intents and purposes, we could have been at a science lab anywhere on the planet -- everything functional, none of it esthetically pleasing.</font> <p><font face="Times New Roman,Times">Gwedif, who was trying to keep us distracted from our concern about Miranda and Michelle, acknowledged that for us the ship might not be tremendously exciting to look at. That's the problem with our species having different primary sensory organs, he said. It's really fascinating to smell, he assured us. Of course, most of the smells on the ship would make us pass out from their potency if we didn't have noseplugs. Which Gwedif also admitted put a damper on the wonder of the ship.</font> <p><font face="Times New Roman,Times">The one area of the ship that I found the most interesting was what Gwedif labeled as the art gallery, with the <i>tivis</i> that Gwedif described to Carl. Like everything else on the ship, the tivis weren't much to look at -- they looked like shallow bowls left on the floor, with blackened crusts of something surrounded by wires. Gwedif steered us to one, suggested we sit down to get closer to the tivis, and then slid a tendril into a slot on the floor near the tivis.</font> <p><font face="Times New Roman,Times">The tivis immediately started to warm up; the wires were apparently heating elements. Through my noseplugs, I smelled something acrid, but I was also immediately overwhelmed by a sense of wistfulness, with overtones of happiness but the slightest bit of regret. It was the feeling you get when you see an old girlfriend, realize that she's a wonderful person, and that you were kind of an idiot to let her go, even if you're happily married now. I mentioned this (without the drama) to Gwedif.</font> <p><font face="Times New Roman,Times">"It worked, then," Gwedif said. "Tivis work by stimulating certain emotions through smells. This one," he pointed to the one we were at, "is actually fairly crude -- it's just one primary emotion with only a couple of emotional harmonics. Any of us could have made it, actually. It's the tivis equivalent of a paint-by-numbers. Some of our tivis masters can create works of incredible emotional depth, layering emotion on emotion in unexpected combinations. You can get really worked up over a good tivis."</font> <p><font face="Times New Roman,Times">"I'll bet," I said. "These could go over real big on earth. You need to introduce me to some of the Yherajk who make these."</font> <p><font face="Times New Roman,Times">"Looking for clients already?" Gwedif said.</font> <p><font face="Times New Roman,Times">"I've already got all of you as clients, Gwedif," I said. "Now I just need to find out which ones of you need individual attention."</font> <p><font face="Times New Roman,Times">We sampled a few more tivis before I got restless and wanted to return to the ambulance. If I was going to be worried, I wanted to be worried near something familiar. Van Doren came with me. We hung around the ambulance for an hour before Van Doren fished through the glove compartment and unearthed a pack of cards. We played gin. Van Doren kicked my ass; he apparently didn't believe or understand the concept of a friendly game of cards. After I got sick of cards, I grabbed a blanket out of the ambulance, spread it out on the floor of the hangar and willed myself into another nap.</font> <p><font face="Times New Roman,Times">I awakened this time by someone sticking their toe in my side. I swatted at the leg. It jabbed, harder.</font> <p><font face="Times New Roman,Times">"Wake up," Someone said. It was Michelle's voice.</font> <p><font face="Times New Roman,Times">I spun up, whacking my head on the ambulance as I struggled to get up. Michelle stood before me, naked. There was a crooked and slightly sardonic grin on her face. Never in all the years that I knew her had she ever had an expression like that. Sardonicism would have been a little much to ask out of Michelle.</font> <p><font face="Times New Roman,Times">"Joshua?" I asked.</font> <p><font face="Times New Roman,Times">"You were expecting maybe Winston Churchill?" Joshua said. "By the way, I think you might as well start calling me Michelle. There are very few people who look like this," she motioned to her body, "That would be called Joshua."</font> <p><font face="Times New Roman,Times">"All right....Michelle," I said.</font> <p><font face="Times New Roman,Times">Van Doren came over and frankly stared at Michelle's naked form. "Wow," he said. "I may have to revise that comment about taking you off my list of women to date."</font> <p><font face="Times New Roman,Times">"Back off, jerky," Michelle said.</font> <p><font face="Times New Roman,Times">"I just can't win," Van Doren complained.</font> <p><font face="Times New Roman,Times">"I guess we can say the transfer was a success," I said.</font> <p><font face="Times New Roman,Times">"It was easier than I thought," Michelle said. "It helped that Gwedif had rummaged around through a human brain before. When I first suggested the idea of going into Miranda's brain, he shared his knowledge with me so I didn't have to fly completely blind. And Miranda was very open as well. Between the two of them, we made some remarkable progress."</font> <p><font face="Times New Roman,Times">"Where is Miranda?" I asked.</font> <p><font face="Times New Roman,Times">"She's sleeping," Michelle said. "The experience took a lot out of her."</font> <p><font face="Times New Roman,Times">"Is she all right?" I said. "I mean, no damage to her?"</font> <p><font face="Times New Roman,Times">"Other than fatigue, no, none," Michelle said. "Though you might give her a few days off when we get back. Let her rest up."</font> <p><font face="Times New Roman,Times">"She can take the rest of the year off," I said.</font> <p><font face="Times New Roman,Times">"Give her a raise, too," Michelle said. "Hazard pay."</font> <p><font face="Times New Roman,Times">"Pretty soon she'll be making more than I do," I said.</font> <p><font face="Times New Roman,Times">"And about time, don't you think," Michelle said.</font> <p><font face="Times New Roman,Times">"How much of you is you?" Van Doren asked Michelle.</font> <p><font face="Times New Roman,Times">"Which me are you talking about?" Michelle said. "Joshua, Michelle or Miranda?"</font> <p><font face="Times New Roman,Times">"Michelle, for starters."</font> <p><font face="Times New Roman,Times">"There's actually quite a bit of who Michelle was in here," Michelle said. "Miranda's insistence on that matter made me take a look at the whole picture again. It took more time to get it all in, but now I agree with Miranda. It was the right thing to do. Now, I <i>did</i> do some judicious editing. Miranda's natively smarter and has more common sense than Michelle. In those matters, I had a tendency to model the template towards Miranda than Michelle. And at the end of it, everything that was Joshua is in here too, although a lot of it is being subsumed by the parts from Miranda and Michelle. I'm much more human than I was before. And yet I retain all my endearing qualities from before. Truly, a perfect being."</font> <p><font face="Times New Roman,Times">"And modest, too," Van Doren said.</font> <p><font face="Times New Roman,Times">"Feh on you," Michelle said. "I'm going to remember that comment when the revolution comes."</font> <p><font face="Times New Roman,Times">The door to the hangar opened and a stretcher wheeled out, pulled along by Yherajk. Miranda lay on it. She smiled and waved as her stretcher was pulled up to where we stood.</font> <p><font face="Times New Roman,Times">"You ought to be sleeping," Michelle said, severely.</font> <p><font face="Times New Roman,Times">"You ought to be dressed," Miranda said.</font> <p><font face="Times New Roman,Times">"That hospital gown was so <i>not</i> me," Michelle said. "I've retained Michelle's fashion sense."</font> <p><font face="Times New Roman,Times">"I urged her to rest, but she insisted on coming back here," Gwedif said. He was one of the Yherajk pulling the stretcher.</font> <p><font face="Times New Roman,Times">"How are you?" I asked.</font> <p><font face="Times New Roman,Times">"I'm fine," Miranda insisted. "I feel like my sinuses were used as a bypass for the 405, but that's over with. Now I want to go home. It's been fun having an alien probe, really, but I have plants to water and a cat to feed. I've already missed two feedings. I miss one more, and I get classified as food myself."</font> <p><font face="Times New Roman,Times">"Is she well enough to move?" I asked Michelle.</font> <p><font face="Times New Roman,Times">"She's fine," Michelle said. "But I still think she needs some more rest."</font> <p><font face="Times New Roman,Times">"I can sleep on the way down," Miranda said.</font> <p><font face="Times New Roman,Times">"Good luck with <i>that</i>," Michelle said.</font> <p><font face="Times New Roman,Times">"Don't make me get huffy," Miranda threatened. "Besides, we have to go back. You need to be outfitted, Michelle."</font> <p><font face="Times New Roman,Times">"That's true," Michelle admitted. "There is much shopping to be done. We should head back immediately. Stores are about to open."</font> <p><font face="Times New Roman,Times">"Do we all have to go back?" Van Doren said. We all turned to him. He shifted, slightly uncomfortable. "If no one minds, I'd like to stay here for a while."</font> <p><font face="Times New Roman,Times">"Why?" I asked.</font> <p><font face="Times New Roman,Times">"If my job is to be the storyteller for this little venture of ours, then it stands to reason that I should spend time getting to know the Yherajk," Van Doren said. "I think Gwedif and I could stand to spend a little more time together. I want to get this story right, Tom. Besides, it's not like I have anything going on back on earth. I don't even have a cat. And this way you're guaranteed that I'm out of your hair."</font> <p><font face="Times New Roman,Times">"Gwedif?" Michelle asked.</font> <p><font face="Times New Roman,Times">"I don't mind," Gwedif said. "It could be valuable, in fact. It could be helpful in figuring out what we need to do to make the <i>Ionar</i> more friendly to humans."</font> <p><font face="Times New Roman,Times">"Start with air freshener," Van Doren suggested.</font> <p><font face="Times New Roman,Times">"Watch it," Gwedif said.</font> <p><font face="Times New Roman,Times">We said our goodbyes to Van Doren and Gwedif. Miranda, still in her stretcher, lay in the back; Michelle, still naked, stayed in back with her. Two Yherajk pilots arrived and positioned themselves; in a moment a platform formed beneath them and a transport cube began taking shape. Behind the wheel, I waved again at Gwedif and Van Doren. Then the cube wall slid higher, obscuring the view.</font> <p><font face="Times New Roman,Times">Michelle poked her head up to the front. "Well, you did it," she said. "You got me into this body. You've made me a human. What are we going to do now?"</font> <p><font face="Times New Roman,Times">"It depends," I said. "How well do you think you can act?"</font> <p><font face="Times New Roman,Times">Michelle snorted. "Better than I could before, that's for sure."</font> <p><font face="Times New Roman,Times">"Well, then," I said. "I have a plan."</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Twenty</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003065.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:51:09Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3065</id>
<created>2004-12-09T04:51:09Z</created>
<summary type="text/plain">&quot;Tom,&quot; Roland Lanois said, stepping out of his office. &quot;What an unexpected pleasure.&quot; His intonation stressed unexpected slightly more than it emphasized pleasure. &quot;Roland,&quot; I said. &quot;Sorry about the sudden visit. But I have a proposition that I think you&apos;ll...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.scalzi.com/agent/">
<![CDATA[<p><font face="Times New Roman,Times">"Tom," Roland Lanois said, stepping out of his office. "What an unexpected pleasure." His intonation stressed <i>unexpected</i> slightly more than it emphasized <i>pleasure</i>.</font> <p><font face="Times New Roman,Times">"Roland," I said. "Sorry about the sudden visit. But I have a proposition that I think you'll be interested in, and I thought you'd want to hear about it immediately."</font> <p><font face="Times New Roman,Times">"I'm afraid that you've picked a rather hectic time to drop by," Roland said. "I have a five o' clock, and it's already a quarter of five."</font> <p><font face="Times New Roman,Times">"I only need five minutes," I said. "I'll be long gone before your five o'clock."</font> <p><font face="Times New Roman,Times">Roland grinned. "Tom, you are so unlike other agents. I actually <i>believe</i> that you only need five minutes. Very well, then," he motioned into his office with his hand. "The clock is ticking."</font> <p><font face="Times New Roman,Times">"Here's what I came here for," I said, after Roland had closed his office door behind us. "I've got a deal for you on the Kordus material."</font> <p><font face="Times New Roman,Times">"That's excellent," Roland said, taking a seat at his desk. "I hope your price is not too steep. We'll be doing this story on a shoestring."</font> <p><font face="Times New Roman,Times">"Oh, I think you'll be able to afford it," I said. "You can have the rights to excerpt any of Krysztof's writing at no cost."</font> <p><font face="Times New Roman,Times">Roland sat, silent. "That's impossibly generous," he said, finally. His intonation stressed <i>impossibly</i> more than <i>generous</i>.</font> <p><font face="Times New Roman,Times">"I spoke to the Kordus family," I said. "I showed them the script. They love it. Moreover, they are well-acquainted with your work and trust that you will do a brilliant job. They feel that if giving you the rights at no cost will help this script make it to the screen, it's worth it. They expect that the additional book royalities that will be generated through the exposure of the work in the film will offset any loss they take giving you permission to use the work. They're taking the long view. Of course, they will want your permission to use artwork from the film to help promote the book reissues."</font> <p><font face="Times New Roman,Times">"Yes, of course," Roland said. "Of course. Tom, we'd be happy to do that. And you must thank the Kordus family for me, profusely. This is a true gift."</font> <p><font face="Times New Roman,Times">"Well, yes and no," I said. "There is one thing you have to do for me first."</font> <p><font face="Times New Roman,Times">"What is that?" Roland said.</font> <p><font face="Times New Roman,Times">"Give Michelle Beck another reading for<i> Hard Memories</i>."</font> <p><font face="Times New Roman,Times">"Um-hmmmm," Roland said. "That might be difficult."</font> <p><font face="Times New Roman,Times">"Why is that?" I said.</font> <p><font face="Times New Roman,Times">"Well, to begin with, I understand that she is currently in a coma."</font> <p><font face="Times New Roman,Times">"She was," I said. "She got better."</font> <p><font face="Times New Roman,Times">"Better?" Roland blinked. "How does one get <i>better</i> out of a coma?"</font> <p><font face="Times New Roman,Times">"We took her to an exclusive clinic where we tried some experimental therapies," I said. "She's fine, really."</font> <p><font face="Times New Roman,Times">"Experimental therapies."</font> <p><font face="Times New Roman,Times">"Very experimental. You wouldn't believe how experimental."</font> <p><font face="Times New Roman,Times">Roland continued to look dubious. "If you say so," he said. "However, there is the more pressing issue that Avika Spiegelman is dead set against Michelle for the role. I don't think that there's anything that could be done to change her mind. And without her consent, nothing happens."</font> <p><font face="Times New Roman,Times">"Let Michelle worry about that," I said. "All you have to do is get Avika to come here for another reading."</font> <p><font face="Times New Roman,Times">"She won't come if she knows it's Michelle who is having the reading."</font> <p><font face="Times New Roman,Times">"Surprise her," I suggested.</font> <p><font face="Times New Roman,Times">"I'd rather not," Roland said. "Tom, you don't understand how close I am to losing this project to begin with. If Ms. Spiegelman shows up with Michelle here, I will be well and truly screwed."</font> <p><font face="Times New Roman,Times">"Roland, you're well and truly screwed anyway," I said. "You don't have an actress. None of the actresses who could carry this film are available. You have slightly under two weeks to cast this thing, if I'm correct. If you blow it now, you're only losing something that's already lost. This is in fact your last chance to <i>save</i> the project. All Michelle wants is a second reading, Roland. That's it. You really have nothing to lose."</font> <p><font face="Times New Roman,Times">"Except possibly my professional reputation," Roland said. "It might be cheaper just to pay cash for the Kordus rights."</font> <p><font face="Times New Roman,Times">"All right, Roland," I said. "You force me to bring out my big gun."</font> <p><font face="Times New Roman,Times">"I can't wait, Tom," Roland said. "Are you going to suggest Pamela Anderson Lee in a supporting role?"</font> <p><font face="Times New Roman,Times">"How much would it take for you to produce the Kordus film?"</font> <p><font face="Times New Roman,Times">"The Kordus film?" Roland said. " I did a preliminary budget not long ago. My first estimate is about eight million. Possibly less if I film entirely in Poland."</font> <p><font face="Times New Roman,Times">"How would you finance it?" I asked</font> <p><font face="Times New Roman,Times">"I'm still thinking about that," Roland said, "I have a nice arrangement with BBC, which will finance a couple million in the front end in exchange for broadcast rights in the UK. The CBC will kick in just under a million for Canadian rights. I might be able to extort financing out of the French if I hire enough French nationals to work on the film. Miramax or Fine Line might be worth a few million, although with these sorts of properties, they tend to purchase distribution rights on the back end rather than up front."</font> <p><font face="Times New Roman,Times">"But no matter what, you end up a couple of million dollars short," I said.</font> <p><font face="Times New Roman,Times">"That's the drama of making small, serious films," Roland said.</font> <p><font face="Times New Roman,Times">"Here's the big gun," I said. "Get as much financing as you can from your usual sources, and whatever your shortfall from eight million, Michelle will cover it. Whatever it is."</font> <p><font face="Times New Roman,Times">"What if I get less financing than I expect for the Kordus project? Or none at all?"</font> <p><font face="Times New Roman,Times">"Then Michelle will bankroll the entire eight million," I said. "Though I think we should reasonably expect you to make the effort to line up other financing as well. But no matter what, you get the eight from Michelle if you need it. It's solid."</font> <p><font face="Times New Roman,Times">"And all I have to do is give Michelle another reading," Roland said.</font> <p><font face="Times New Roman,Times">"That's right. If Michelle dazzles, then you get to make <i>Hard Memories</i> and then go with the Kordus story. If not, you can get to work on the Kordus picture right away. No lost time. You win either way."</font> <p><font face="Times New Roman,Times">"Christ, Tom," Roland said. "You sure know how to pack your five minutes."</font> <p><font face="Times New Roman,Times">"You know me," I said. "Always go for the dramatic gesture."</font> <p><font face="Times New Roman,Times">"When do you want your reading?" Roland asked.</font> <p><font face="Times New Roman,Times">"Give me three days," I said. "I need that much time to prepare Michelle."</font> <p><font face="Times New Roman,Times">"Tom," Roland said. "I appreciate your offer, and Michelle's as well. But I have to tell you I suspect that three days is not going to be enough time for Michelle to get herself up the level she needs to be to convince Avika Spiegelman."</font> <p><font face="Times New Roman,Times">"I think you'll be surprised," I said. "Michelle's accident changed a lot of things. In some ways she's a whole other person."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"I still don't know why I'm going to Arizona," Michelle said.</font> <p><font face="Times New Roman,Times">"You're going there because I asked you to," I said.</font> <p><font face="Times New Roman,Times">"Remind me not to listen to you when you ask me to jump off a cliff." Michelle said.</font> <p><font face="Times New Roman,Times">"Arizona is not so bad," I said. "It has some lovely scenery."</font> <p><font face="Times New Roman,Times">"Are we going to visit any?" Michelle asked.</font> <p><font face="Times New Roman,Times">"No," I said. "But you can look out the window."</font> <p><font face="Times New Roman,Times">Our chartered jet was descending into Sky Harbor International Airport.</font> <p><font face="Times New Roman,Times">"Let me take a different tack," Michelle said. "Why did you want me to go to Arizona?"</font> <p><font face="Times New Roman,Times">"Because there's someone here I want you to meet. Someone I think will make a difference in your reading tomorrow."</font> <p><font face="Times New Roman,Times">"Oh, yes, <i>that</i>," Michelle said. "The one you gave me so much time to prepare for. Thanks."</font> <p><font face="Times New Roman,Times">"You said you still retained Michelle's memories of the script and her reading ," I said.</font> <p><font face="Times New Roman,Times">"I did," Michelle said. "But Tom, just because she read it doesn't mean she <i>understood</i> it. It was not as much reading as staring at the page and waiting for the sentences to come into focus. Michelle was a nice person, but she really was in over her head."</font> <p><font face="Times New Roman,Times">Our jet was now sliding over the runway. We landed with a small bump and much squealing of tires.</font> <p><font face="Times New Roman,Times">"Thank God," Michelle said. "I'm afraid of flying."</font> <p><font face="Times New Roman,Times">"You were never afraid of flying before," I said. "And you weren't scared when we dropping into the atmosphere in a cube at Mach 20."</font> <p><font face="Times New Roman,Times">"Welcome to the new me," Michelle said. "And I trust Yherajk technology a lot more than I trust yours. Now get me the hell off of this plane. I have to go kiss the ground."</font> <p><font face="Times New Roman,Times">A limo driver was waiting for us as we exited the plane. We went through the crowd rapidly, before anyone could recognize Michelle, and were in the limo and on our way in a matter of minutes.</font> <p><font face="Times New Roman,Times">I rolled up the barrier between us and the driver almost immediately. "How flexible are you?" I asked.</font> <p><font face="Times New Roman,Times">"Why?" Michelle asked. "You looking for excitement in the back of a limo?"</font> <p><font face="Times New Roman,Times">"No," I said. "What I mean to say is, can you generate any tendrils or tentacles?"</font> <p><font face="Times New Roman,Times">"Sure," Michelle said. "It's not like when I was in Ralph and I was stuck in his digestive system. I've got Michelle's whole head undergoing transformation. See, look." Michelle's eyes suddenly bulged, dropped out of her eye sockets, and began swinging around.</font> <p><font face="Times New Roman,Times">"That's the most disgusting thing I think I've ever seen," I said.</font> <p><font face="Times New Roman,Times">"Now you know what I'm going to be doing for Halloween," Michelle said.</font> <p><font face="Times New Roman,Times">"Can you make the tendrils any smaller?" I asked.</font> <p><font face="Times New Roman,Times">"Of course," Michelle answered. "I can make them invisible, if you like."</font> <p><font face="Times New Roman,Times">"I would like," I said. "I think you may need them where we're going."</font> <p><font face="Times New Roman,Times">"Where <i>are</i> we going?" Michelle asked again.</font> <p><font face="Times New Roman,Times">"We'll be there soon enough," I said.</font> <p><font face="Times New Roman,Times">Less than half hour later, we were there.</font> <p><font face="Times New Roman,Times">"The Beth Israel Retirement Home," Michelle said, reading the stone sign out front of the facility. "Tom, I realize that Hollywood stops hiring actress after a certain age, but this is ridiculous."</font> <p><font face="Times New Roman,Times">"Hyuck, hyuck, hyuck," I said. "Come with me." We went inside.</font> <p><font face="Times New Roman,Times">The nurse at the reception desk wasted no time looking at me, preferring to look at Michelle instead.</font> <p><font face="Times New Roman,Times">"Aren't you Michelle Beck?" She asked.</font> <p><font face="Times New Roman,Times">"I'm not Michelle Beck," Michelle said. "But I play her on TV."</font> <p><font face="Times New Roman,Times">"Excuse me," I said, drawing the nurse's attention to me. "I made an appointment to see Sarah Rosenthal. I'm Tom Stein, her grandson."</font> <p><font face="Times New Roman,Times">"I'm sorry," The nurse said, snapping out of her celebrity stupor. "Of course. She's just woken up from a nap, so she should be quite alert. It's good of you to visit. We've heard a lot about you. Your mother comes in quite frequently, you know."</font> <p><font face="Times New Roman,Times">"I knew that," I said. "Since I was in town, I thought I might come for a visit as well."</font> <p><font face="Times New Roman,Times">"That's very sweet of you," the nurse said. She glanced over at Michelle. "Are you two together?"</font> <p><font face="Times New Roman,Times">"For the first 10%, yes," Michelle said. The nurse looked slightly confused. Below the nurse's view, I stepped onto Michelle's toes. Hard.</font> <p><font face="Times New Roman,Times">"Yes, we're together," I said.</font> <p><font face="Times New Roman,Times">"Follow me," The nurse got up and motioned towards the corridor.</font> <p><font face="Times New Roman,Times">Sarah Rosenthal, my grandmother, was in her wheelchair, staring out her window. The nurse knocked on the open doorway to get her attention. My grandmother turned, recognized me, and broke into a wide grin. Her teeth were in. I went over to give her a hug; the nurse excused herself. Michelle stood in the door, attentive but uncertain.</font> <p><font face="Times New Roman,Times">"I didn't know your grandmother was still alive," Michelle said.</font> <p><font face="Times New Roman,Times">"She is," I said, crouching down and holding my grandmother's hand. "But I don't see her very much. She retired down here while I was still in elementary school. We'd see each other at high holidays and during the summer, but not very much beyond that. Grandmama was a very independent soul. She had a stroke not long after my father died, which took away her power of speech; my mother came down to be closer to her."</font> <p><font face="Times New Roman,Times">My grandmother peered over at Michelle and motioned her over. Michelle came over; Grandmama held out her other hand, and Michelle gave her hand. Grandmama shook it in welcome, and then turned it over. Then she looked at me.</font> <p><font face="Times New Roman,Times">"What is she doing?" Michelle asked.</font> <p><font face="Times New Roman,Times">"She's looking for an engagement ring," I said. "Grandmama's been pushing me to get married since I was about thirteen." I turned back to my grandmother. "Michelle's just a client, grandmama," I said. "But you'll be happy to know I have a nice girlfriend now. Very nice."</font> <p><font face="Times New Roman,Times">"She's a little like me," Michelle said, to my grandmother.</font> <p><font face="Times New Roman,Times">"I'll bring her down next time," I said. "Okay?"</font> <p><font face="Times New Roman,Times">Grandmama nodded in agreement, and then patted Michelle's hand, as if to say, <i>I'm sure you're a very nice girl, anyway.</i></font> <p><font face="Times New Roman,Times">"Michelle, would you close the door?" I said.</font> <p><font face="Times New Roman,Times">Michelle went to close the door; then she came back over.</font> <p><font face="Times New Roman,Times">"<i>Now</i> will you tell me what we're doing here?" she asked.</font> <p><font face="Times New Roman,Times">"My grandmother wasn't born here in the U.S.," I said. "She was born and lived the first part of her life in Germany. She was a child when Germany lost the first world war and in her teens when Hitler came to power. She was in her twenties when she and most of her family were sent to the camps."</font> <p><font face="Times New Roman,Times">"My God," Michelle said. "I'm terribly sorry."</font> <p><font face="Times New Roman,Times">"Grandmama came to the US after the war, married again, and had another child," I said. "My mother. And now we've come to the end of what I know of the story," I looked over to Michelle. "Grandmama would never talk much about her life before the US to my mother, and of course my mother never did talk about it much with me. I'm hoping I can get her to share her experiences with you."</font> <p><font face="Times New Roman,Times">"Now I see," Michelle said.</font> <p><font face="Times New Roman,Times">My grandmother looked over to me, confused.</font> <p><font face="Times New Roman,Times">"Grandmama," I said. "I haven't gone over the bend. I know you can't talk. This is hard to explain, but Michelle has a way of talking without talking. I know your memories are painful, and that you don't share about them for a reason. But Michelle wants to know what your memories are, if you'll share them. It will help her understand many things about our lives, and our history. It would mean a lot to me if you would share your memories with her."</font> <p><font face="Times New Roman,Times">Michelle got down on her knee and took Grandmama's other hand again. "See what I'm doing now?" Michelle said, holding grandmama's hand lightly. "This is all I'd have to do. Just sit with you for a little while. You wouldn't even have to think about those things, if you didn't want to, Sarah. All we'd have to do is sit together."</font> <p><font face="Times New Roman,Times">My grandmother looked at Michelle, and then at me. She smiled, gently slid her hand out of mind, put it to her temple, and made a corkscrew motion.</font> <p><font face="Times New Roman,Times">I laughed. "I know. We both sound nuts. They're going to be hauling us both off sometime soon. But in the meantime, will you help us?"</font> <p><font face="Times New Roman,Times">My grandmother looked me and at Michelle. Michelle she patted on hand. Then she lightly tapped my shoulder, and pointed at the door. I looked at her quizzically.</font> <p><font face="Times New Roman,Times">"I think she's saying she's willing to do it, but she doesn't want you around," Michelle said. "Maybe she had a reason for not telling the story to your mother or you, Tom. She doesn't want to run the risk of you hearing it."</font> <p><font face="Times New Roman,Times">Grandmama nodded her head vigorously and patted Michelle's hand again.</font> <p><font face="Times New Roman,Times">"Out you go," Michelle said.</font> <p><font face="Times New Roman,Times">I stood up. "How long will you need?" I asked Michelle.</font> <p><font face="Times New Roman,Times">"An hour, maybe two," she said. "If you can manage it, I'd prefer that we weren't disturbed. I want to get this all at one time."</font> <p><font face="Times New Roman,Times">"I'll do what I can."</font> <p><font face="Times New Roman,Times">"Thanks, Tom," Michelle looked up at me briefly, and then back to grandmama. "Now, shoo. Sarah and I are going to have a conversation."</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">Twice a nurse came by to check on things. Twice I sent her away, the second time bribing her with the promise of an autograph by Michelle. The nurse left behind her clipboard and her pen as insurance. I hoped it didn't contain serious information about any of the other folks in the retirement home.</font> <p><font face="Times New Roman,Times">Three hours after she began, Michelle opened the door to my grandmother's room and came out. She touched my arm distractedly, and then propped herself against the corridor wall. She looked exhausted.</font> <p><font face="Times New Roman,Times">"Here," I said, handing her the clipboard. "I promised the nurse an autograph if she would go away."</font> <p><font face="Times New Roman,Times">Michelle took the clipboard and stared at it like it was some sort of strange animal.</font> <p><font face="Times New Roman,Times">"Michelle," I said. "You okay?"</font> <p><font face="Times New Roman,Times">"I'm fine," she said, taking the pen from the top of the clipboard and scratching her name on the piece of paper it contained. "I'm just very tired."</font> <p><font face="Times New Roman,Times">"How is grandmama?" I asked.</font> <p><font face="Times New Roman,Times">"She's nodded off in her chair," Michelle said, handing the clipboard back to me. "You should have the nurse put her to bed."</font> <p><font face="Times New Roman,Times">"I will," I said. "Did you get what you need?"</font> <p><font face="Times New Roman,Times">For the first time, Michelle looked directly at me. Her eyes were startling; they were the eyes of someone who had walked through the coals of Hell and came through them, but not unscathed, not without wounds.</font> <p><font face="Times New Roman,Times">"Your grandmother is a remarkable woman, Tom," she said. "Remember that. Don't ever forget it."</font> <p><font face="Times New Roman,Times">Then she lapsed into silence. We didn't talk again that day.</font> <p><font face="Times New Roman,Times">*****</font> <p><font face="Times New Roman,Times">"What the hell is <i>she</i> doing here?" Avika Spiegelman said, referring to Michelle.</font> <p><font face="Times New Roman,Times">Roland had taken my advice and surprised Avika, saying only that he found an "interesting" actress that he thought might pull off the role. The withering glare she was now carpetbombing Roland with made me understand why he had been reluctant to go along with my scheme to begin with.</font> <p><font face="Times New Roman,Times">"We never got a full reading the first time," Roland said, holding his ground with aplomb. "I felt Miss Beck deserved that much before we rejected her out of hand."</font> <p><font face="Times New Roman,Times">"Roland, she <i>fainted</i> at the last reading," Avika seethed. "And a good thing too, since she was clearly incapable of the reading to begin with. I can't believe you would be wasting your time with her now, considering how little time you have left with this property."</font> <p><font face="Times New Roman,Times">Michelle, who sat in front of the video camera, just as she had at the last reading, had a smirk on her face that did not indicate she was taking Avika's insults seriously. Positioned as I was on the couch, I was getting the full panoramic view: Michelle's smirk, Roland's aplomb, Avika's seething. This was going to be a fun reading.</font> <p><font face="Times New Roman,Times">"Boy, it's swell to see you again too, Ms. Spiegelman," Michelle said.</font> <p><font face="Times New Roman,Times">Avika regarded Michelle coolly. "Aren't you supposed to be in a coma?" she said.</font> <p><font face="Times New Roman,Times">"I got over it," Michelle said. "Which, apparently, is more than you can say."</font> <p><font face="Times New Roman,Times">"You planning to faint again?" Avika said.</font> <p><font face="Times New Roman,Times">"I won't if you won't," Michelle said. "Do we have a deal?"</font> <p><font face="Times New Roman,Times">"Fat chance," Avika said, and turned to Roland. "I'm leaving now, Roland." She turned to leave.</font> <p><font face="Times New Roman,Times">"Bitch," Michelle said.</font> <p><font face="Times New Roman,Times">Avika froze. Very slowly, she turned around.</font> <p><font face="Times New Roman,Times">"<i>What</i> did you just say?" She spat at Michelle.</font> <p><font face="Times New Roman,Times">"You heard me perfectly well," Michelle said, leaning back in her chair with an air of supreme relaxation. "I called you a bitch. I was going to call you a raging bitch, but then I thought, why give you the courtesy of a modifier? You're just a bitch, plain and simple."</font> <p><font face="Times New Roman,Times">Avika looked like the top of her head was going to pop off. She turned to me. "Tom, do you always let your clients insult the people who can give them the roles they want?"</font> <p><font face="Times New Roman,Times">"Hey," I said. "I'm just here for the show."</font> <p><font face="Times New Roman,Times">"I'm not calling anyone who will give me a role a bitch," Michelle said. "Clearly, you have no intention of giving me the role. As far as I can see, the only reason I'm calling you a bitch is because that is what you so obviously are."</font> <p><font face="Times New Roman,Times">"I don't need to be insulted by you," Avika said.</font> <p><font face="Times New Roman,Times">"Well, you need to be insulted by <i>someone</i>," Michelle said. "And it looks like I'm the only one here with enough interest in you to do it. Sort of sad, really."</font> <p><font face="Times New Roman,Times">"Listen, you little shit," Avika said. "You don't even deserve to <i>read</i> for this part, much less play it."</font> <p><font face="Times New Roman,Times">"Well then, we're equal," Michelle said, "Since you don't deserve to make that decision."</font> <p><font face="Times New Roman,Times">"I'm her <i>niece</i>," Avika said.</font> <p><font face="Times New Roman,Times">"You're her third cousin, twice removed," Michelle said. "I checked. And your only qualification is that you're tangentially related. All you're interested in is appearances. I don't fit your notion of who your sainted aunt was, so I'm out."</font> <p><font face="Times New Roman,Times">"You're nothing like my aunt," Avika said.</font> <p><font face="Times New Roman,Times">"I'd say I'm a lot like your aunt. Your aunt spent a lot of her time flying in the face of ignorant morons who decided the world was one way and there was no other way the world could be. As far as I can tell, I'm doing the same right now. I'm more like your aunt than <i>you</i> are."</font> <p><font face="Times New Roman,Times">"How dare you say that," Avika hissed. "You can't even <i>act</i>."</font> <p><font face="Times New Roman,Times">Michelle smiled. "Neither could your aunt, bitch."</font> <p><font face="Times New Roman,Times">Roland, who had been observing the exchange between Michelle and Avika with an increasing expression of horror, glanced over at me with an expression that loosely translated to <i>Get me out of here</i>. I shrugged. There was nothing to do now but to ride this one out.</font> <p><font face="Times New Roman,Times">Michelle got up, grabbed a script, and walked over to Avika. "I'll tell you what, Avika," Michelle said. "I'll admit I could be wrong about you being a bitch. I'm entirely convinced you are, but it is within the realm of possibility that I'm wrong. But the only way you can prove it is to admit <i>you</i> might be wrong about me not being able to do the part."</font> <p><font face="Times New Roman,Times">Michelle slapped the script on Avika's chest. "The only way you're going to do <i>that</i> is to let me read. Come on, Avika. It can't hurt."</font> <p><font face="Times New Roman,Times">"I don't have to prove anything to you," Avika said, grabbing the script.</font> <p><font face="Times New Roman,Times">"Sure you do," Michelle said, turning around and heading back to her seat. "Because there's one difference between you and me, Avika. You see, I couldn't give a shit that you think I can't act. But it's clear that it bothers you that I think you're a bitch."</font> <p><font face="Times New Roman,Times">"Hardly," Avika said.</font> <p><font face="Times New Roman,Times">"Really?" Michelle said, sitting down. "Then why are you still here?"</font> <p><font face="Times New Roman,Times">Avika's mouth dropped open. Roland, a strapping man, looked like he wanted to curl up into a fetal ball.</font> <p><font face="Times New Roman,Times">"Come on, people," Michelle said. "Let's shit or get off the pot. Read me or don't, but let's make a decision."</font> <p><font face="Times New Roman,Times">Roland snapped out of it before Avika could utter another word. "What scene would you like, Miss Beck?"</font> <p><font face="Times New Roman,Times">"Your choice," Michelle said. "I really did memorize the script this time."</font> <p><font face="Times New Roman,Times">"The whole script?" Roland said.</font> <p><font face="Times New Roman,Times">"Sure, why not?" Michelle said, and glanced over to me mischievously. "Elvis did it."</font> <p><font face="Times New Roman,Times">Avika flipped the script open and read. "'How dare you tell me what I can and cannot do,'" Avika said. "'You are my wife, not my master.'"</font> <p><font face="Times New Roman,Times">"'I am your master's instrument, Josef,'" Michelle said, the words ripping out of her with an intensity that took us all by surprise. "'Go on the <i>Judenrat</i> and you turn your back on your people and your God. And you turn your back on me. For I <i>am</i> your wife, Josef. But cooperate with the Germans and <i>we are not married.</i> You will be as dead to me now as you will be soon enough by the hands of the Germans.'"</font> <p><font face="Times New Roman,Times">There was dead silence. We all stared in disbelief. Even me.</font> <p><font face="Times New Roman,Times">Michelle smiled sweetly. "Got your attention, didn't I?" she said.</font> <p><font face="Times New Roman,Times">Avika opened the script at random and quoted line after line. Line after line was responded to with the sort of stunning display of acting that you get to see one or twice in a lifetime. It was flabbergasting. It was impossible. It was the most incredible acting experience I'd ever seen. And it was just a line reading. We were all beginning to wonder what was going to happen once Michelle actually started acting for the record.</font> <p><font face="Times New Roman,Times">After an hour and a half, Avika dropped the script at her feet. "I wouldn't have believed it," she said, simply.</font> <p><font face="Times New Roman,Times">"I know you wouldn't," Michelle said, as simply. "And I thank you, Avika, my friend, for finally letting me show you."</font> <p><font face="Times New Roman,Times">Avika burst into tears and headed towards Michelle. Michelle burst into her own tears and met Avika halfway. They stood in the middle of the room, crying hysterically. Roland and I looked over at each other. Both of us had these incredibly smug smiles on our face.</font> <p><font face="Times New Roman,Times">We were in business.</font> ]]>

</content>
</entry>
<entry>
<title>Chapter Twenty One</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003066.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:52:24Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3066</id>
<created>2004-12-09T04:52:24Z</created>
<summary type="text/plain">A montage of the next year, as told through headlines: Daily Variety, March 5th MICHELLE BECK VOWS &quot;HARD MEMORIES&quot; Michelle Beck, wasting no time after her near-death experience during the pre-production of Earth Resurrected, signed today to star in Hard...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
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<![CDATA[<p>A montage of the next year, as told through headlines: <p><b><font face="Times New Roman,Times"><i>Daily Variety,</i> March 5th</font></b> <p><font face="Times New Roman,Times">MICHELLE BECK VOWS "HARD MEMORIES"</font> <p><font face="Times New Roman,Times">Michelle Beck, wasting no time after her near-death experience during the pre-production of <i>Earth Resurrected,</i> signed today to star in <i>Hard Memories</i>, a biopic of civil right activist and Holocaust survivor Rachel Spiegelman. Spiegelman became famous for her association with Martin Luther King during the late 50s and early 60s. <i>Hard Memories</i> is to be directed by Roland Lanois, and produced by Lanois in association with the Spiegelman family. Compensation package was not discussed, though with a total budget of less than $18 million, Beck is undoubtedly taking much less than the $12.5 million she scored for the ill-fated <i>Earth Resurrected.</i> Filming in the Czech Republic and Alabama is expected to begin in April for an Oscar-look release date of December 19th in New York and Los Angeles.</font> <p><font face="Times New Roman,Times">Beck is repped by Tom Stein of Lupo Associates.</font> <p>***** <p><b><font face="Arial,Helvetica"><i>Los Angeles Times</i> Calendar Section, March 11th</font></b> <p><font face="Arial,Helvetica">Jewish Groups Protest Casting of "Promises."</font> <p><font face="Arial,Helvetica">Decry casting of Michelle Beck as "stunt"; producers, family stand firm behind their star.</font> <p><font face="Arial,Helvetica">BEVERLY HILLS -- Michelle Beck is 25. Blonde. Blue eyed. Gentile. Rachel Spiegelman was brown haired. Brown eyed. Jewish. And at the height of her notoriety, she was well into her fifties.</font> <p><font face="Arial,Helvetica">So how did Michelle Beck get the call to play Spiegelman, noted civil-rights lawyer and Holocaust survivor, in the upcoming Roland Lanois-directed biographical film <i>Hard Memories?</i> It's a question that several Hollywood Jewish groups would like to have answered.</font> <p><font face="Arial,Helvetica">One of these groups, the Jewish Actors Association, went so far as to place a full-page ad in film industry trade magazine <i>Variety</i> on Friday, decrying the movie as "stunt casting" and calling upon director Lanois and the Spiegelman family to drop Beck for a more suitable actress.</font> <p><font face="Arial,Helvetica">"It's not about Miss Beck being Jewish or not," said Avi Linden, communications director for the JAA. "What bothers us is the fact that here is someone who is so clearly cast for box office purposes. She's made $300 million in her last two films, and that's what the producers are looking at -- not how truthful the casting is to reality. The fact is, there are dozens of actresses, Jew and gentile, who are more suited to the role."</font> <p><font face="Arial,Helvetica">Roland Lanois, the Oscar-nominated director and producer, acknowledges that his selection of Beck was bound to be controversial.</font> <p><font face="Arial,Helvetica">"We understand that this casting is not intuitive at first blush," he said, noting that Beck was not the first choice, landing the role only after actress Ellen Merlow dropped the role to take on a television series. "We ourselves were hesitant at first. All we can say at this point is that it was Michelle's performance, not any other consideration, that got her the role."</font> <p><font face="Arial,Helvetica">Avika Spiegelman, spokesperson for the Spiegelman family, which had unusual veto rights on the casting of the role, issued a terse press release. "Michelle Beck is the best person for the role, period," The release said. "She has the full support of the Spiegelman family."</font> <p><font face="Arial,Helvetica">*****</font> <p><b><font face="Times New Roman,Times"><i>Entertainment Weekly</i>, March 17</font></b> <p><font face="Times New Roman,Times">Jim Mullen's Hot List</font> <p><font face="Times New Roman,Times">.....</font> <p><font face="Times New Roman,Times">3. Jim Carrey's Poodle: They say you shouldn't work with dogs or children. Well, the poodle was warned.</font> <p><font face="Times New Roman,Times">4. Michelle Beck: 25-year-old beach babe cast as serious, 50ish civil rights crusader. Next up for Beck -- playing Jim Carrey's poodle.</font> <p><font face="Times New Roman,Times">5. Roseanne's Country Album: Stop her before she sings the Star-Spangled Banner!</font> <p><font face="Times New Roman,Times">.....</font> <p><b><font face="Arial,Helvetica"><i>Variety</i>, March 24</font></b> <p><font face="Arial,Helvetica">JUST FOR VARIETY</font> <p><font face="Arial,Helvetica">BEVERLY HILLS -- The atmosphere was electric at the Fine Arts theatre on Wilshire avenue, but not for the usual reasons. On Saturday night, the Fine Arts was the scene, not of a movie, but of an unprecedented SRO reading of <i>Hard Memories,</i> the film made controversial by the casting of Michelle Beck in the central role of civil rights activist and Holocaust survivor Rachel Spiegelman. The guest list for the reading included the cream of the film industry and several members of the Jewish groups that had criticized Beck's casting. It was a tough crowd, and <i>Hard Memories</i> director-producer Roland Lanois knew it. "If I were in their shoes, I would have the same reaction that they have had. Absolutely. No doubt," Lanois said prior to the reading. "What this is about is helping them into <i>our</i> shoes. I think they're going to be surprised." Beck, in the center of the storm, waded into the crowd before the reading, thanking folks for coming and chatting directly with those who had opposed her casting, as if to show there were no hard feelings. At 8:30, Beck, co-star and noted legit theater star David Grunwald, and Lanois and producer Avika Spiegelman sat up front on simple stools and read the script, Beck as Rachel Spiegelman, the other three trading off the other roles. By 9, there were already tears. At 10:30, when the reading was finished, Beck and her crew were treated to an ovation the likes of which I have not seen in many a year. It was a tough crowd, but Beck won them over in spectacular fashion. Next up: the audience at large.....</font> <p><font face="Arial,Helvetica">*****</font> <p><b><font face="Times New Roman,Times"><i>Hollywood Reporter,</i> April 30th</font></b> <p><font face="Times New Roman,Times">Young Ankles Lupo Associates</font> <p><font face="Times New Roman,Times">Elliot Young, star of the mid-rated ABC series <i>Pacific Rim</i>, has dropped agent Ben Fleck of Lupo Associates in what insiders call an acrimonious split. Young was apparently disappointed in Fleck's inability to transfer Young's moderate television stardom into a film career.</font> <p><font face="Times New Roman,Times">"Fleck had come in promising Elliot the moon," said Pacific Rim director Don Bolling. "Then he of course experienced trouble delivering. Elliot dropped him and, I think, rightly so."</font> <p><font face="Times New Roman,Times">Young is currently being repped by Paula Richter of Artists Associated.</font> <p><font face="Times New Roman,Times">*****</font> <p><b><font face="Arial,Helvetica"><i>Daily Variety,</i> May 22nd</font></b> <p><font face="Arial,Helvetica">DISH: MERLOW'S FURLOUGH FROM 'GOOD HELP'</font> <p><font face="Arial,Helvetica">Dish hears that the already legendarily tense set of <i>Good Help is Hard To Find</i> has had the tension cranked up another notch, when two-time Oscar winner-turned-would-be-sitcom-comedienne Ellen Merlow jetted back to her Connecticut horse farm during the middle of taping, placing the show in jeopardy of making its series debut September 9th. This latest flare-up follows last month's standoff between Merlow and co-star Garrison Lanham (who played Weezix, the alien butler), that resulted in Lanham's replacement by Bronson Pinchot, and by last week's mass crew walkout, protesting their treatment by Merlow and her entourage. The Dish hears that Merlow's latest act might have placed her in violation of her $20 million contract, giving exasperated producers Jan and Steven White the excuse they need to bounce her from the show....</font> <p>***** <p><b><font face="Times New Roman,Times"><i>Daily Variety,</i> June 16</font></b> <p><font face="Times New Roman,Times">MILESTONES</font> <p><font face="Times New Roman,Times">Tom Stein, 29, of La Canada married Miranda Escalon, 28, of Manhattan Beach, on Saturday, June 14th at the Vivian Webb Chapel in Claremont. He is an agent at Lupo Associates. She is also an agent, newly-promoted, at the same firm. Stein's best man was Lupo boss Carl Lupo; Escalon's maid of honor was Michelle Beck, who flew in from the Czech Republic for the wedding.....</font> <p><font face="Times New Roman,Times">*****</font> <p><b><font face="Arial,Helvetica">Ad in <i>Daily Variety</i> and <i>Hollywood Reporter</i>, July 10</font></b> <p><font face="Arial,Helvetica">Lanois Productions</font> <p><font face="Arial,Helvetica">and</font> <p><font face="Arial,Helvetica">Century Films</font> <p><font face="Arial,Helvetica">Are proud to announce the completion of principal photography on</font> <p><font face="Arial,Helvetica">HARD MEMORIES</font> <p><font face="Arial,Helvetica">Starring Michelle Beck and David Grunwald</font> <p><font face="Arial,Helvetica">Written by Connie Reiser &amp; Larry Card</font> <p><font face="Arial,Helvetica">Directed and Produced by Roland Lanois</font> <p><font face="Arial,Helvetica">LIMITED RELEASE: DECEMBER 19 IN NEW YORK AND LOS ANGELES</font> <p><font face="Arial,Helvetica">WIDE RELEASE JANUARY 23</font> <p><font face="Arial,Helvetica">*****</font> <p><b><i><font face="Times New Roman,Times">Entertainment Weekly,</font></i><font face="Times New Roman,Times"> August 8</font></b> <p><font face="Times New Roman,Times">Stingless 'Scorpion'</font> <p><font face="Times New Roman,Times">Mindless Summer Explode-Fest Rings Hollow</font> <p><font face="Times New Roman,Times">......Inquiring minds want to know: in this utter loss of a movie, does anything work? Well, the explosions are pretty. Apologists may note the presence of Michelle Beck, whose upcoming performance <i>Hard Memories</i> is one of the most intensely awaited of the Oscar season. Maybe some of that alleged intensity rubs off here? No such luck. This Michelle Beck, at least, is scene decoration, hardly onscreen before her helicopter is blown out of the sky by a preposterous string of coincidences. Don't worry, this revelation won't ruin the plot for you: there'd have to have been a plot at all for that to happen.</font> <p><font face="Times New Roman,Times">Rating: D</font> <p><font face="Times New Roman,Times">*****</font> <p><b><font face="Arial,Helvetica"><i>Daily Variety,</i> August 11</font></b> <p><font face="Arial,Helvetica">'SCORPION' VENOMOUS TO COMPETITION</font> <p><font face="Arial,Helvetica">$19.7M takes tops BO report; 'Gold Master' takes silver at $6.2M</font> <p><font face="Arial,Helvetica"><i>Scorpion's Tail</i> proves that some films are critic-proof; the widely panned action flick stung the competition with a $19.7 million take, injecting a boost in the severely lagging summer box office......</font> <p><font face="Arial,Helvetica">*****</font> <p><b><font face="Arial,Helvetica"><i>Entertainment Weekly,</i> September 22nd</font></b> <p><font face="Arial,Helvetica">OSCAR WATCH</font> <p><font face="Arial,Helvetica">....Oscar-nominated director-producer Roland Lanois (<i>The Green Fields</i>) may have another contender on his hands with<i> Hard Memories.</i> Insiders at a Century Pictures rough cut screening say the film caused notoriously thick-skinned Century head Lewis Schon to cry into his trademark Goobers. Of special note is Michelle Beck's performance, which those at the screening labeled "revelatory". Century's marketing department is already getting in high gear for the Award season....</font> <p><font face="Arial,Helvetica">*****</font> <p><b><font face="Times New Roman,Times"><i>The Arizona Republic,</i> September 25th</font></b> <p><font face="Times New Roman,Times">Obituaries</font> <p><font face="Times New Roman,Times">Sarah Rosenthal, of Scottsdale, of complications from a stroke, at 3:15 pm, September 23rd. Mrs. Rosenthal born in Hamburg, Germany on April 3, 1911 and emigrated to the United States in December of 1945. She is survived by daughter Elaine Stein, also of Scottsdale, and grandson Thomas Stein, of La Canada, Ca.</font> <p><font face="Times New Roman,Times">*****</font> <p><b><font face="Arial,Helvetica"><i>The Chicago Sun-Times</i>, October 8</font></b> <p><font face="Arial,Helvetica">Hollywood Star, Agents to Endow U of C Chair</font> <p><font face="Arial,Helvetica">CHICAGO -- The University of Chicago, normally the most staid of places, received a little Hollywood sparkle on Tuesday as Michelle Beck, star of the smash hit <i>Summertime Blues</i>, and the upcoming <i>Hard Memories,</i> arrived on campus to announce a $3 million gift to endow a chair in Holocaust Studies.</font> <p><font face="Arial,Helvetica">Speaking in the University's cavernous Mandel Hall, Beck alluded to her experience working on the Holocaust drama <i>Hard Memories</i> as a motivating factor in the gift.</font> <p><font face="Arial,Helvetica">"We must not be so worried about history repeating itself as simply rubbing itself out of existence," she said. "Each year that passes rubs off a little more of the memory. This is a way to keep the memories fresh, and to refresh the story for each generation of students that walks through these halls."</font> <p><font face="Arial,Helvetica">The chair, formally known as the Sarah Rosenthal and Daniel Stein Chair for Holocaust Studies and Jewish History, will be filled in the next year, following a nationwide search. The chair is named for Sarah Rosenthal, a survivor of the Holocaust, and her son-in-law Daniel Stein, who graduated from the University of Chicago in 1962.</font> <p><font face="Arial,Helvetica">Besides Beck, other endowers of the chair include Carl Lupo, CEO of Lupo Associates, a talent agency in Los Angeles, and Tom and Miranda Stein, also agents at Lupo Associates. Tom Stein is the son of Daniel Stein.</font> <p><font face="Arial,Helvetica">*****</font> <p><b><font face="Times New Roman,Times"><i>Entertainment Weekly,</i> November 17</font></b> <p><font face="Times New Roman,Times">WINTER MOVIE PREVIEW</font> <p><font face="Times New Roman,Times">December -- <i>Hard Memories</i></font> <p><font face="Times New Roman,Times">What a difference a year can make. Last year at this time, no one would have predicted that Michelle Beck, of all people, would be whispered as the front runner for the Best Actress Oscar. Best Beach Bunny, maybe. Best Actress, no way.</font> <p><font face="Times New Roman,Times">One year later, though, Beck's performance in <i>Hard Memories</i> is the talk of the town -- even with those who haven't seen the performance yet. They talk of the protests when Beck was cast in the role. They talk of the now-mythologized reading at the Fine Arts theater which quelled all complaint. They talk about Century Pictures prez Lewis Schon blubbering uncontrollably into his snack food. Some theorize her miraculous recovery from her coma earlier this year did something unexpected -- kicked her acting centers into gear, perhaps......</font> <p><font face="Times New Roman,Times">*****</font> <p><b><font face="Arial,Helvetica"><i>Premiere Magazine,</i> December</font></b> <p><font face="Arial,Helvetica">Michelle Beck, Resurrected</font> <p><font face="Arial,Helvetica">Michelle Beck nearly died in February when a freak accident during the ramp-up to <i>Earth Resurrected</i> sent her spiraling into a coma. Since then she's been in the center of the Hollywood storm with her new film <i>Hard Memories.</i> Beck just doesn't know how not to get in trouble.</font> <p><font face="Arial,Helvetica">To begin, Michelle Beck sympathized with the people who hated her getting <i>Hard Memories.</i></font> <p><font face="Arial,Helvetica">"Who are we kidding?" she says. "The woman is an icon, Jewish, older, and intellectual. I'm not <i>any</i> of those things. I don't think<i> I</i> would have cast me, and if I had, I'd probably have claimed temporary insanity afterwards."</font> <p><font face="Arial,Helvetica">But a funny thing happened on the way to the flogging: Michelle Beck stood up to the critics and turned them around. Now the actress, just turned 26, looks like the closest thing to a lock in the Best Actress race. All it took was one reading.</font> <p><font face="Arial,Helvetica">"Arrrgh, the <i>reading</i>." Beck says, and scrunches up her face. "It's becoming like Woodstock, you know. Everybody who was actually physically in Los Angeles says they were there that night. I mean, come on! What does the Fine Arts sit? 300? 400 at most."</font> <p><font face="Arial,Helvetica">Beck leans forward as if to confide. "The fact was I was <i>terrible</i> that night. I was nervous as hell -- I just about spotted my panties in fright. I would have been happy just to get out of there alive."</font> <p><font face="Arial,Helvetica">Instead, she got a thunderous ovation. Not bad for a woman who a month earlier was in a coma, hooked up to life support.</font> <p><font face="Arial,Helvetica">"Yes, yes, yes," Beck waves off the coma story. "You want to know what the coma was like? It was dark, mostly. That's it. I didn't see God when I was in my coma. I didn't even see Elvis. And when I came out of it, nothing had changed -- most people forget that I had read for <i>Hard Memories</i> before I went into the coma. It wasn't like I came out of it with a gift. I was just following the plan I had set for myself long before."......</font> <p><font face="Arial,Helvetica">*****</font> <p><b><font face="Times New Roman,Times">Daily Variety, December 16</font></b> <p><font face="Times New Roman,Times">Review: <i>Hard Memories</i></font> <p><font face="Times New Roman,Times">It's been a rumor for so long it's become almost mythical -- Michelle Beck's transformation from beach blonde to serious actress with her role in <i>Hard Memories</i>. Her performance has been so built up for so long that it's finally a relief to have seen it, and to be able to say that it's everything it has been claimed to be -- and even more, if that's possible. Guided by Roland Lanois' sure directorial hand, Beck hands in a performance that not only rockets her to the top of the Oscar nomination list, but perhaps also into the first rank of our nation's actresses. Following what is sure to be a record-breaking limited engagement, this picture should do solid business in wide release, possibly flirting with the $100 million mark if public opinion gets behind it....</font> <p><font face="Times New Roman,Times">*****</font> <p><b><font face="Arial,Helvetica"><i>New York Times,</i> December 20</font></b> <p><font face="Arial,Helvetica">"Hard Memories", "Pocket Change" Lead Golden Globe Nominations</font> <p><font face="Arial,Helvetica"><i>Hard Memories,</i> the story of Jewish civil rights activist Rachel Spiegelman, lead the pack at the Golden Globe nominations Friday, garnering seven nominations, including Best Picture (drama) and Best Actress. The Tom Hanks comedy <i>Pocket Change</i> followed, with six nominations, including Best Picture (Comedy or Musical) and Best Actor.</font> <p><font face="Arial,Helvetica">The Golden Globes, given by the Hollywood Foreign Press Association, are less prestigious than the Academy Awards, but are often viewed as a bellweather for that more prestigious award. The Academy Awards are to be announced February 16th.</font> <p><font face="Arial,Helvetica">NBC-TV will broadcast the Golden Globes ceremony January 18.</font> <p>***** <p><b><font face="Times New Roman,Times"><i>Los Angeles Times,</i> January 5</font></b> <p><font face="Times New Roman,Times"><i>Hard Memories</i> Takes Top Critics Prize</font> <p><font face="Times New Roman,Times">The Roland Lanois film narrowly beats <i>Dust and the Moon;</i> Beck wins second Best Actress award</font> <p><font face="Times New Roman,Times">NEW YORK -- After a particularly contentious voting process, <i>Hard Memories</i> beat the Vietnamese film <i>Dust and the Moon</i> to win the best film award from the National Society of Film Critics on Sunday. The award joins the Best Picture citation awarded by the Los Angeles Film Society; The New York Film Circle gave its award to <i>Dust and the Moon.</i></font> <p><font face="Times New Roman,Times">Michelle Beck, whose narrow loss to Eleni Natavsaya of the Russian film <i>Wolfhounds</i> with the Los Angeles critics precluded an expected sweep of the critics awards, nevertheless garnered her second Best Actress award from the National Critics....</font> <p><font face="Times New Roman,Times">*****</font> <p><b><font face="Arial,Helvetica"><i>Daily Variety,</i> January 19</font></b> <p><font face="Arial,Helvetica">"HARD MEMORIES" COMPLETES NEAR-SWEEP AT GOLDEN GLOBES</font> <p><font face="Arial,Helvetica">Biopic Wins Best Picture, Actress, Supporting Actor, three others; 'Pocket Change' Wins Best Comedy</font> <p><font face="Arial,Helvetica">*****</font> <p><b><font face="Times New Roman,Times"><i>Los Angeles Times,</i> January 26</font></b> <p><font face="Times New Roman,Times"><i>Hard Memories</i> Rises to the Top</font> <p><font face="Times New Roman,Times">Buoyed by its Best Picture and Best Actress win at the Golden Globes, <i>Hard Memories</i> opened strongly in its first weekend of wide release, with $13.4 million at the box office. The week's other new release, Walt Disney's <i>Natty Bumppo,</i> did poorly with its core children's audience, grossing only $1.1 million...</font> <p><font face="Times New Roman,Times">*****</font> <p><b><font face="Arial,Helvetica"><i>Daily Variety,</i> February 17</font></b> <p><font face="Arial,Helvetica">"PROMISES" MAKES GOOD WITH EIGHT NOMINATIONS</font> <p><font face="Arial,Helvetica">Best Picture, Director, Actress and Screenplay nods; Hanks nominated for 'Pocket Change'.</font> <p><font face="Arial,Helvetica">(inset)</font> <p><font face="Arial,Helvetica">Nominations for <i>Hard Memories:</i></font> <p><font face="Arial,Helvetica">Best Picture (Roland Lanois, Avika Spiegelman, producers)</font> <p><font face="Arial,Helvetica">Best Director: Roland Lanois</font> <p><font face="Arial,Helvetica">Best Actress: Michelle Beck</font> <p><font face="Arial,Helvetica">Best Screenplay (Adapted): Connie Reiser &amp; Larry Card, from the book <i>Hard Memories</i> by Rachel Spiegelman</font> <p><font face="Arial,Helvetica">Best Cinematography: Januz Kandisky</font> <p><font face="Arial,Helvetica">Best Score (Dramatic): Julian Ruiz</font> <p><font face="Arial,Helvetica">Best Editing: Roland Lanois, Cynthia Peal</font> <p><font face="Arial,Helvetica">Best Makeup: Nguyen Trinh</font> <p><font face="Arial,Helvetica">*****</font> <p><b><i>Daily Variety,</i> March 4</b> <p>OSCAR NOTES <p>Best Actress Nominee Michelle Beck will join the Oscar broadcast as an announcer, director Lars Giles said today. Ms. Beck will introduce the fifth and final Best Picture clip, to be shown just after the Best Actress award is to be announced. The Oscars will be broadcast on ABC-TV March 23 starting at 6 pm Pacific...... <p>***** <p><font face="Times New Roman,Times">"Stop squirming," Miranda said. <p>"I can't help myself," I said. "Michelle's my first client to get nominated for an Oscar. I'm nervous." <p>"Is that the only reason?" Miranda said. <p>"Well, no," I said. "But that's the reason I'm going public with. Also, my cummerbund itches." <p>Miranda and I were at the Academy Awards. <p>We weren't in the good seats, of course. The good seats are saved for the nominees, their guests, other really big stars, and studio heads. Carl Lupo had a good seat. Michelle had a good seat. Our seats were in the back of the balcony. Miranda brought a pair of opera glasses. We needed them. At least we weren't as bad off as Van Doren. He was stuck in the press room. "It's like a cattle pen," he told me, "except that instead of cows mooing next to you, you have Roger Ebert." <p>Things were going well for <i>Hard Memories;</i> so far it had won Best Makeup, Best Cinematography and Best Editing (the last of which greatly relieved Roland -- at least he wouldn't be going home empty handed). Best Score got away, which I thought was fair; Julian's score was good but not all <i>that</i> good. <p>"It's time for the screenplay awards," Miranda said. <p>Best Original Screenplay first. Keanu Reeves read off the nominations, which struck me as mildly ironic. The winner was Ted Fletcher, who wrote <i>Pocket Change</i>. Ted, hyped up on too much caffeine and nicotine, started on an extended riff about Nietzsche. The orchestra leader, clearly not impressed, cut him off after thirty seconds. <p>"Good call," Miranda said, as Ted was manhandled off the stage. <p>"Well, you know," I said. "It's probably the only time he'll be in front of a billion people," I said. "You can see why he might get a little excited." <p>"All the more reason to get him off the air quickly," Miranda said. "I'd hate to go through life with people pointing at me and saying, 'Hey, aren't you the idiot that made a fool of yourself on the Oscar show?' Rob Lowe has never lived down that dance with Snow White, you know." <p>Keanu was back, mangling names for the Best Adapted Screenplay. He appeared to give himself a papercut opening the envelope. Sucking on his finger, he announced the winners: Connie Reiser &amp; Larry Card, <i>Hard Memories.</i> <p>"Bingo," I said. <p>"Four for five," Miranda said. "We're not doing too bad. I think Michelle actually has a chance." <p>"Oh, God," I said. "I wish you hadn't said that, Miranda. My stomach just dropped down the Marianas trench." <p>Miranda patted my hand. "Relax, Tom," she said. "It's been covered, remember. Even if she doesn't win Best Actress, she'll be on stage right after to show the <i>Hard Memories</i> nomination clip. It'll be fine." <p>"I know, I know," I said. "But it's not optimal, you know. It would be better if she won." <p>"Duh," Miranda said. "But, unfortunately, we couldn't bribe the accountants from Price, Waterhouse. We'll just have to hope the voters don't decide to give it to Meryl Streep again." <p>"Meryl Streep," I muttered. "She oughta be disqualified from future nominations." <p>Miranda patted my hand again. "Tom, you're just so cute when you're agitated." <p>Last year's Best Actor winner stepped on the stage to announce the Best Actress award. <p>"He wears a wig," I said to Miranda. "I hear it's one of those ones with the snap-on titanium screws." <p>"Oh, hush," Miranda said. <p>The usual lame patter, then he stared intently into the teleprompter to read names. They started with Michelle's. They ended with Meryl's. Alphabetical order works that way, I suppose. <p>Miranda's hand found mine again. She squeezed it so tight I thought a bone might pop. I would have complained, but I was squeezing hers just as hard. Our mutual pain was so intense that we barely heard our former Best Actor begin <i>and the Oscar goes to......</i> <p>"Michelle Beck." <p>We heard that part. <p>The room erupted into applause and a standing ovation. They loved her. It was her moment. They had no idea just how true it was. <p>Michelle stood up. She was sitting next to Carl Lupo. Carl stood up with her, kissed her on the cheek. He was crying. Only four other people in the building knew exactly why. <p>Michelle made her way to the podium like a queen. She was wearing a golden dress of a design that no one had ever seen before. Joan Rivers had asked her about it up out on the red carpet before the show. Michelle responded that the designer was no one that anyone around here would know. Joan remarked that it fit Michelle like a second skin. Others agreed. They had no idea how true that was, either. <p>Michelle accepted her award and a peck from the former Best Actor. Then she plopped the Oscar down on the podium and, beaming, waited for the applause to die down. It took a while. Then she began to speak. <p>"Oh God," Miranda said. "This is really it." <p>"Before I do anything else," Michelle said, "I need to thank one person, my agent, Tom Stein. He's way up there in the balcony. Hi Tom!" She waved enthusiastically, which got a big laugh. I waved back. <p>"Shut up and get to it before the orchestra cuts you off," I muttered under my breath. <p>"Tom's probably muttering at me to get to it before the orchestra cuts me off," Michelle said. "He always did look out for me. <p>"This award means more to me than you could ever know," Michelle continued. "It's not just my award. It's the award of Rachel Spiegelman, who saw hatred of the demonized 'Other' destroy her world, and dedicated the rest of her life to making sure that we saw men, all men, as brothers, regardless of their color or their creed. <p>"It belongs to Avika Spiegelman, who looked beyond my physical appearance to allow me to take the role of a lifetime. It belongs to those who initially protested my getting this role, because they came and gave me a chance to perform it, and realized that while I did not match Rachel's appearance, I did match her heart. Over and over again, I have seen people of all stripes look beyond the appearance, look beyond the otherness, and see what it was that truly connected us all. <p>"And now I'm wondering if you, all of you, every one of the billion people worldwide who are watching this show, can take one more step. <p>"You see," Michelle said, "I am not who you think I am. I am not <i>what</i> you think I am. This face is a mask. This body is a pose. Who I am and what I am is something you have never experienced before." <p>At this point, people had begun to start whispering. Some of them were worried that Michelle was about to launch into some odd New Age screed about togetherness. Still others began to wonder if Michelle was going to use this worldwide podium to announce she was a lesbian or a Scientologist. But some noticed that the bottom of Michelle's dress had suddenly gone crystal clear. And so, for that matter, had Michelle's legs. <p>"I'm wondering," Michelle said. "This award tells me that you believe I have reached into myself and touched some fundamental humanity, some common bond that ties us all together. But could I reach into myself and find this fundamental humanity if I were not human?" <p>By now it was unmistakable; from toe to armpit, Michelle had gone totally clear. <p>"What if I told you that that which makes you fundamentally human is something that you share with another people, a people so different from you that they might appear strange or frightening at first glance. A people who might terrify you from appearance alone. Could you make the jump, and understand that inside, they are not so different at all?" <p>Michelle was now completely clear. As if she had been replaced by an indescribably delicate and beautiful figurine of hand-blown, iridescent glass. She moved away from the podium and stood in full view of a billion speechless members of the human race. <p>When she spoke again, her voice rang out, amplified not by electronics but by her own crystalline body. <p>"Could you accept that another people, so unlike you, and yet not unlike you at all, would offer you their hand in friendship? Because, my friends, we are here." <p>We never did find out who won Best Picture that year.</font> ]]>

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</entry>
<entry>
<title>Chapter Twenty Two</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003067.html" />
<modified>2006-09-29T03:37:25Z</modified>
<issued>2004-12-09T04:54:56Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3067</id>
<created>2004-12-09T04:54:56Z</created>
<summary type="text/plain">On the whole, people took it rather well. The only place that rioted was North Korea. The fact that an alien had managed to sneak past humanity, pose as a superstar and win the Best Actress Oscar had the desired...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

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<![CDATA[<p><font face="Times New Roman,Times">On the whole, people took it rather well. The only place that rioted was North Korea.</font> <p><font face="Times New Roman,Times">The fact that an alien had managed to sneak past humanity, pose as a superstar and win the Best Actress Oscar had the desired affect of showing the world that the Yherajk were an essentially benign race -- after all, if they had been a warlike people, they could have overrun us with their spaceships, or at the very least have fielded a football team and tried to win the Superbowl instead. Winning the Best Actress Oscar was the most non-threatening, yet high exposure, way to introduce one species to another.</font> <p><font face="Times New Roman,Times">The other point that came across was the point Michelle made in her speech -- despite the differences, we were in many ways just the same. Michelle wouldn't have been awarded the Oscar if she had not been able to create such a believable performance as a woman and a human. It was only afterwards, after all, that people realized she wasn't human.</font> <p><font face="Times New Roman,Times">Michelle made it easy for most of humanity by meeting them halfway; although she remained transparent, she also retained Michelle's body shape rather than reverting to the basic Yherajk shapelessness (or smell). She did her job as a true bridge between our peoples -- clearly alien, and yet, human enough for most people to accept her.</font> <p><font face="Times New Roman,Times">The only unpleasant thing about Michelle winning the Oscar came later, when some Academy members petitioned to have Michelle disqualified as the Best Actress winner. Their rationale was that not only was she not really a human, there was no way to determine that she was, in fact, female.</font> <p><font face="Times New Roman,Times">The Academy voted down the proposal in the interests of interspecies peace. Michelle kept her Oscar.</font> <p><font face="Times New Roman,Times">Roland, who never discovered if he had won Best Director or Best Picture, consoled himself with his Best Editing Oscar, and the fact that Michelle's alien status gave <i>Hard Memories</i> the Oscar Bump of the ages. By the end of its run, <i>Hard Memories</i> grossed half a billion domestic and another billion and a half foreign. Before video and cable. Roland, whose gross points were now worth $400 million, went on to make the Krysztof Kordus film without Michelle's money. He paid for it himself out of petty cash.</font> <p><font face="Times New Roman,Times">Roland wasn't the only one raking in the fame and fortune. The day after Michelle unveiled, Jim Van Doren walked into the offices of the <i>New York Times</i> and plopped down a story about life on the Yherajk spaceship. It was picked up by every newspaper on the planet; shortly thereafter, Van Doren received a $6 million advance for a book on Human-Yherajk relations, which, as it happened, he'd already co-written with Gwedif. It was rushed into print so fast that the glue was still wet when the books hit the stores. It stayed at the top of the bestseller lists for the rest of the year. It's still there now. You wouldn't believe what he gets in speaking fees these days. I don't and I'm his agent.</font> <p><font face="Times New Roman,Times">Beyond Michelle, however, the Yherajk decided it was best if they stayed in their ship for a little longer. They realized the value of having Michelle, for the short run, be the contact between our peoples. The rest of the Yherajk went the go-slow route, answering e-mail from scientists, politicians and common people alike, and communicating with the world through their Web site and their AOL forum, letting leak, bit by bit, information about the Yherajk's true nature and appearance. By the time the majority of the Yherajk land on Earth, humanity will have had enough time to absorb the fact of their differences.</font> <p><font face="Times New Roman,Times">Of course, humanity was still impatient. Fortunately, patience is a Yherajk trait. <i>Soon enough</i>, they said, <i>we will come visit your planet, and you will be invited to our spaceship. And then our peoples will truly learn all we can from each other.</i></font> <p><font face="Times New Roman,Times">Governments and self-appointed ambassadors sent e-mail back towards the <i>Ionar</i>, saying <i>When? When can we visit?</i></font> <p><font face="Times New Roman,Times"><i>You'll have to check with our agent</i>, the Yherajk invariably signaled back.</font> <p><font face="Times New Roman,Times">Which leads back to me, sitting in my office, with my headset on, lightly bouncing a blue racquetball off the pane of my office window. Talking to my most important client, who was, and still is, and will probably always be, Michelle.</font> <p><font face="Times New Roman,Times">"I don't see why I have go to Venezuela," Michelle was saying to me.</font> <p><font face="Times New Roman,Times">"Because you've been to Peru, Brazil, Chile and Paraguay," I said. "The Venezuelans are a little touchy about their place in the South American hierarchy of nations. Throw them a bone, Michelle. Don't make them the only South American country on the block without a visit from an Oscar-winning alien. They have enough troubles as it is."</font> <p><font face="Times New Roman,Times">"When are the rest of the Yherajk going to come down?" Michelle wanted to know. "There's two thousand of us, you know. Wouldn't hurt to have some of <i>them</i> pitch in."</font> <p><font face="Times New Roman,Times">"Jim says the human quarters are just about ready on the <i>Ionar</i>," I said. "When they're ready, we'll start inviting folks up and bringing other Yherajk down. It'll be soon, I promise."</font> <p><font face="Times New Roman,Times">"You said that a month ago, Tom."</font> <p><font face="Times New Roman,Times">"You can't rush these things, Michelle. These things take as long as they take."</font> <p><font face="Times New Roman,Times">"Which reminds me," Michelle said. "How long until Miranda pops?"</font> <p><font face="Times New Roman,Times">"If she hasn't gone into labor in about a week, our doctor wants to induce," I said. "Miranda has her own opinions on that one."</font> <p><font face="Times New Roman,Times">"I don't doubt that," Michelle said. "Pick out any names yet?"</font> <p><font face="Times New Roman,Times">"We have," I said. "Michelle if it's a girl, Joshua if it's a boy."</font> <p><font face="Times New Roman,Times">"Well, shucks," Michelle said. "I'm touched. I may cry."</font> <p><font face="Times New Roman,Times">"You don't have tear ducts anymore," I said.</font> <p><font face="Times New Roman,Times">"I'll make them especially for this purpose," Michelle said.</font> <p><font face="Times New Roman,Times">Brandon, my new assistant, popped his head through the door. "It's him, on line three," he said.</font> <p><font face="Times New Roman,Times">I nodded and shooed him out of the room. "Listen, Michelle, I have go. I have a three o'clock with Carl, but before I do that I have to take this call I've got coming in. Where are you now, anyway?"</font> <p><font face="Times New Roman,Times">"I'm somewhere over the Midwest," Michelle said. "I'll be in Chicago in about an hour. I can't believe you have me going to a science fiction convention."</font> <p><font face="Times New Roman,Times">"Hey," I said. "It won't be so bad. Jim is going to be there. And besides, these people are your core constituency. Give 'em a thrill."</font> <p><font face="Times New Roman,Times">"Oh, I will," Michelle said. "Wait till you see what I have planned for the costume ball." She clicked off.</font> <p><font face="Times New Roman,Times">I looked at my watch. 2:55. Five more minutes. If I took this call, I ran the risk of being late to my meeting with Carl, which would be bad.</font> <p><font face="Times New Roman,Times">Oh, what the hell, I thought. Might as well live dangerously. I flicked the button on line three.</font> <p><font face="Times New Roman,Times">"Hello, Mr. President," I said.</font> <p><font face="Times New Roman,Times">The ball went <i>thock</i> as it hit the window.</font> 

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<p><br />
<strong>The End</strong></p>

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</entry>
<entry>
<title>Guestbook</title>
<link rel="alternate" type="text/html" href="http://www.scalzi.com/agent/archives/003072.html" />
<modified>2006-09-29T03:55:54Z</modified>
<issued>2004-12-09T04:55:01Z</issued>
<id>tag:www.scalzi.com,2004:/agent//4.3072</id>
<created>2004-12-09T04:55:01Z</created>
<summary type="text/plain"> Thank you for reading Agent to the Stars! If you have a comment about the book, or a question for me, here&apos;s where to leave it. Note: I am moderating comments to keep the spam out -- your comment...</summary>
<author>
<name>john</name>

<email>john@scalzi.com</email>
</author>

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<![CDATA[<p>
Thank you for reading <em>Agent to the Stars!</em> If you have a comment about the book, or a question for me, here's where to leave it.
</p><p>
<strong>Note:</strong> I am moderating comments to keep the spam out -- your comment may not appear immediately. Don't panic! I will liberate it quickly.
</p><p>
<strong>Secondary Note:</strong> There seems to be some trouble with comments -- if you can't leave one here, feel free to send the comment to me in e-mail at <strong>john@scalzi.com</strong>. 
</p>]]>

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